Project Gutenberg #17957
On the Sublime
Longinus
50The ancient treatise on what makes writing great: grand thought, strong feeling, figures, noble diction, and dignified composition, in H. L. Havell's translation with Andrew Lang's introduction.
Project Gutenberg #17957 Public domain in the United States Cover source Local typographic cover created for The Missing Workbook from public-domain source metadata
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But this figure, more than any other, is very liable to abuse, and great restraint is required in employing it. It soon begins to carry an impression of feebleness, savours of vapid trifling, and arouses disgust. Hence Plato, who is very bold and not always happy in his use of figures, is much ridiculed for saying in his Laws that “neither gold nor silver wealth must be allowed to establish itself in our State,” suggesting, it is said, that if he had forbidden property in oxen or sheep he would certainly have spoken of it as “bovine and ovine wealth.”
Here we must quit this part of our subject, hoping, my dear friend Terentian, that your learned curiosity will be satisfied with this short excursion on the use of figures in their relation to the Sublime. All those which I have mentioned help to render a style more energetic and impassioned; and passion contributes as largely to sublimity as the delineation of character to amusement.