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Project Gutenberg #1974
The Poetics of Aristotle
Aristotle's analysis of tragedy and epic: imitation, plot, character, reversal, recognition, catharsis, and diction, in S. H. Butcher's translation.
Project Gutenberg #1974
·
Public domain in the United States
·
Cover source
Local typographic cover created for The Missing Workbook from public-domain source metadata
Section 21 of 26
Chapter XXI
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Missing dictionary data:
21 unique words are not in the dictionary data yet. Amber marks show where they appear.
Words are of two kinds ,
simple and double .
By simple I mean those composed of non-significant
elements ,
such as {
gamma eta }.
By double or compound ,
those composed either of a significant and non-significant
element (
though within the whole word no element is significant ),
or of elements that are both significant .
A word may likewise be triple ,
quadruple ,
or multiple in form ,
like so many Massilian
expressions ,
e .g. '
Hermo-caico-xanthus who prayed to Father Zeus>.'
Every word is either current ,
or strange ,
or metaphorical ,
or ornamental ,
or newly-coined,
or lengthened ,
or contracted ,
or altered .
By a current or proper word I mean one which is in general use among a people ;
by a strange word ,
one which is in use in another country .
Plainly ,
therefore ,
the same word may be at once strange and current ,
but not in relation to the same people .
The word {
sigma iota gamma upsilon nu omicron nu }, '
lance ,'
is to the Cyprians
a current term but to us a strange one .
Metaphor is the application of an alien name by transference either from genus to species ,
or from species to genus ,
or from species to species ,
or by analogy ,
that is ,
proportion .
Thus from genus to species ,
as : '
There lies my ship ';
for lying at anchor is a species of lying .
From species to genus ,
as : '
Verily ten thousand noble deeds hath Odysseus
wrought ';
for ten thousand is a species of large number ,
and is here used for a large number generally .
From species to species ,
as : '
With blade of bronze drew away the life ,'
and '
Cleft the water with the vessel of unyielding bronze .'
Here {
alpha rho upsilon rho alpha iota }, '
to draw away ,'
is used for {
tau alpha mu epsilon iota nu }, '
to cleave ,'
and {
tau alpha mu epsilon iota nu }
again for {
alpha rho upsilon alpha iota },—
each being a species of taking away .
Analogy or proportion is when the second term is to the first as the fourth to the third .
We may then use the fourth for the second ,
or the second for the fourth .
Sometimes too we qualify the metaphor by adding the term to which the proper word is relative .
Thus the cup is to Dionysus
as the shield to Ares.
The cup may ,
therefore ,
be called '
the shield of Dionysus,'
and the shield '
the cup of Ares.'
Or ,
again ,
as old age is to life ,
so is evening to day .
Evening may therefore be called '
the old age of the day ,'
and old age , '
the evening of life ,'
or ,
in the phrase of Empedocles, '
life's setting sun .'
For some of the terms of the proportion there is at times no word in existence ;
still the metaphor may be used .
For instance ,
to scatter seed is called sowing :
but the action of the sun in scattering his rays is nameless .
Still this process bears to the sun the same relation as sowing to the seed .
Hence the expression of the poet '
sowing the god-created
light .'
There is another way in which this kind of metaphor may be employed .
We may apply an alien term ,
and then deny of that term one of its proper attributes ;
as if we were to call the shield ,
not '
the cup of Ares,'
but '
the wineless cup .'
{
An ornamental word ...}
A newly-coined
word is one which has never been even in local use ,
but is adopted by the poet himself .
Some such words there appear to be :
as {
epsilon rho nu upsilon gamma epsilon sigma }, '
sprouters ,'
for {
kappa epsilon rho alpha tau alpha }, '
horns ,'
and {
alpha rho eta tau eta rho }, '
supplicator ,'
for {
iota epsilon rho epsilon upsilon sigma }, '
priest .'
A word is lengthened when its own vowel is exchanged for a longer one ,
or when a syllable is inserted .
A word is contracted when some part of it is removed .
Instances of lengthening are ,—{
pi omicron lambda eta omicron sigma }
for {
pi omicron lambda epsilon omega sigma },
and {
Pi eta lambda eta iota alpha delta epsilon omega }
for {
Pi eta lambda epsilon iota delta omicron upsilon }:
of contraction ,—{
kappa rho iota }, {
delta omega },
and {
omicron psi },
as in {
mu iota alpha /
gamma iota nu epsilon tau alpha iota /
alpha mu phi omicron tau episilon rho omega nu /
omicron psi }.
An altered word is one in which part of the ordinary form is left unchanged ,
and part is re-cast;
as in {
delta epsilon xi
iota-tau epsilon rho omicron nu /
kappa alpha tau alpha /
mu alpha zeta omicron nu }, {
delta epsilon xi
iota tau epsilon rho omicron nu }
is for {
delta epsilon xi
iota omicron nu }.
[
Nouns in themselves are either masculine ,
feminine ,
or neuter .
Masculine are such as end in {
nu }, {
rho }, {
sigma },
or in some letter compounded with {
sigma },—
these being two ,
and {xi}.
Feminine ,
such as end in vowels that are always long ,
namely {
eta }
and {
omega },
and —
of vowels that admit of lengthening —
those in {
alpha }.
Thus the number of letters in which nouns masculine and feminine end is the same ;
for {
psi }
and {xi}
are equivalent to endings in {
sigma }.
No noun ends in a mute or a vowel short by nature .
Three only end in {
iota },—{
mu eta lambda iota }, {
kappa omicron mu mu iota }, {
pi epsilon pi epsilon rho iota }:
five end in {
upsilon }.
Neuter nouns end in these two latter vowels ;
also in {
nu }
and {
sigma }.]
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