Project Gutenberg #174
The Picture of Dorian Gray
Oscar Wilde
1890Wilde's aesthetic Gothic novel, prepared preface and chapter by chapter from Project Gutenberg plaintext.
Project Gutenberg #174 Public domain in the United States Cover source Local typographic cover created for MojiMori from public-domain source metadata
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AI Summary
Chapter 14 — CHAPTER XIII. Central question What happens when Basil sees the portrait? Main argument Dorian shows Basil the hidden image, making the invisible moral record undeniable. Basil’s horror is not only at...
as if in pain. He stopped
several times and waited. No: everything was still. It was merely the
sound of his own footsteps.
When he reached the library, he saw the bag and coat in the corner.
They must be hidden away somewhere. He unlocked a secret press that was
in the wainscoting, a press in which he kept his own curious disguises,
and put them into it. He could easily burn them afterwards. Then he
pulled out his watch. It was twenty minutes to two.
He sat down and began to think. Every year—every month, almost—men were
strangled in England for what he had done. There had been a madness of
murder in the air. Some red star had come too close to the earth....
And yet, what evidence was there against him? Basil Hallward had left
the house at eleven. No one had seen him come in again. Most of the
servants were at Selby Royal. His valet had gone to bed.... Paris! Yes.
It was to Paris that Basil had gone, and by the midnight train, as he
had intended. With his curious reserved habits, it would be months
before any suspicions would be roused. Months! Everything could be
destroyed long before then.
A sudden thought struck him. He put on his fur coat and hat and went
out into the hall. There he paused, hearing the slow heavy tread of the
policeman on the pavement outside and seeing the flash of the
bull’s-eye reflected in the window. He waited and held his breath.
After a few moments he drew back the latch and slipped out, shutting
the door very gently behind him. Then he began ringing the bell. In
about five minutes his valet appeared, half-dressed and looking very
drowsy.
“I am sorry to have had to wake you up, Francis,” he said, stepping in;
“but I had forgotten my latch-key. What time is it?”
“Ten minutes past two, sir,” answered the man, looking at the clock and
blinking.
“Ten minutes past two? How horribly late! You must wake me at nine
to-morrow. I have some work to do.”
“All right, sir.”
“Did any one call this evening?”
“Mr. Hallward, sir. He stayed here till eleven, and then he went away
to catch his train.”
“Oh! I am sorry I didn’t see him. Did he leave any message?”
“No, sir, except that he would write to you from Paris, if he did not
find you at the club.”
“That will do, Francis. Don’t forget to call me at nine to-morrow.”
“No, sir.”
The man shambled down the passage in his slippers.
Dorian Gray threw his hat and coat upon the table and passed into the
library. For a quarter of an hour he walked up and down the room,
biting his lip and thinking. Then he took down the Blue Book from one
of the shelves and began to turn over the leaves. “Alan Campbell, 152,
Hertford Street, Mayfair.” Yes; that was the man he wanted.