Project Gutenberg #174
The Picture of Dorian Gray
Oscar Wilde
1890Wilde's aesthetic Gothic novel, prepared preface and chapter by chapter from Project Gutenberg plaintext.
Project Gutenberg #174 Public domain in the United States Cover source Local typographic cover created for MojiMori from public-domain source metadata
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AI Summary
Chapter 5 — CHAPTER IV. Central question What kind of attachment develops between Dorian and Sibyl Vane? Main argument Dorian pursues Sibyl in the theatre world and falls in love with her performances rather than...
One afternoon, a month later, Dorian Gray was reclining in a luxurious
arm-chair, in the little library of Lord Henry’s house in Mayfair. It
was, in its way, a very charming room, with its high panelled
wainscoting of olive-stained oak, its cream-coloured frieze and ceiling
of raised plasterwork, and its brickdust felt carpet strewn with silk,
long-fringed Persian rugs. On a tiny satinwood table stood a statuette
by Clodion, and beside it lay a copy of Les Cent Nouvelles, bound for
Margaret of Valois by Clovis Eve and powdered with the gilt daisies
that Queen had selected for her device. Some large blue china jars and
parrot-tulips were ranged on the mantelshelf, and through the small
leaded panes of the window streamed the apricot-coloured light of a
summer day in London.
Lord Henry had not yet come in. He was always late on principle, his
principle being that punctuality is the thief of time. So the lad was
looking rather sulky, as with listless fingers he turned over the pages
of an elaborately illustrated edition of Manon Lescaut that he had
found in one of the book-cases. The formal monotonous ticking of the
Louis Quatorze clock annoyed him. Once or twice he thought of going
away.
At last he heard a step outside, and the door opened. “How late you
are, Harry!” he murmured.
“I am afraid it is not Harry, Mr. Gray,” answered a shrill voice.
He glanced quickly round and rose to his feet. “I beg your pardon. I
thought—”
“You thought it was my husband. It is only his wife. You must let me
introduce myself. I know you quite well by your photographs. I think my
husband has got seventeen of them.”
“Not seventeen, Lady Henry?”
“Well, eighteen, then. And I saw you with him the other night at the
opera.” She laughed nervously as she spoke, and watched him with her
vague forget-me-not eyes. She was a curious woman, whose dresses always
looked as if they had been designed in a rage and put on in a tempest.
She was usually in love with somebody, and, as her passion was never
returned, she had kept all her illusions. She tried to look
picturesque, but only succeeded in being untidy. Her name was Victoria,
and she had a perfect mania for going to church.
“That was at Lohengrin, Lady Henry, I think?”
“Yes; it was at dear Lohengrin. I like Wagner’s music better than
anybody’s. It is so loud that one can talk the whole time without other
people hearing what one says. That is a great advantage, don’t you
think so, Mr. Gray?”
The same nervous staccato laugh broke from her thin lips, and her
fingers began to play with a long tortoise-shell paper-knife.
Dorian smiled and shook his head: “I am afraid I don’t think so, Lady
Henry. I never talk during music—at least, during good music. If one
hears bad music, it is one’s duty to drown it in conversation.”
“Ah! that is one of Harry’s views, isn’t it, Mr. Gray? I always hear
Harry’s views from his friends. It is the only way I get to know of
them. But you must not think I don’t like good music. I adore it, but I
am afraid of it. It makes me too romantic. I have simply worshipped
pianists—two at a time, sometimes, Harry tells me. I don’t know what it
is about them. Perhaps it is that they are foreigners. They all are,
ain’t they? Even those that are born in England become foreigners after
a time, don’t they? It is so clever of them, and such a compliment to
art. Makes it quite cosmopolitan, doesn’t it? You have never been to
any of my parties, have you, Mr. Gray? You must come. I can’t afford
orchids, but I spare no expense in foreigners. They make one’s rooms
look so picturesque. But here is Harry! Harry, I came in to look for
you, to ask you something—I forget what it was—and I found Mr. Gray
here. We have had such a pleasant chat about music. We have quite the
same ideas. No; I think our ideas are quite different. But he has been
most pleasant. I am so glad I’ve seen him.”
“I am charmed, my love, quite charmed,” said Lord Henry, elevating his
dark, crescent-shaped eyebrows and looking at them both with an amused
smile. “So sorry I am late, Dorian. I went to look after a piece of old
brocade in Wardour Street and had to bargain for hours for it. Nowadays
people know the price of everything and the value of nothing.”
“I am afraid I must be going,” exclaimed Lady Henry, breaking an
awkward silence with her silly sudden laugh. “I have promised to drive
with the duchess. Good-bye, Mr. Gray. Good-bye, Harry. You are dining
out, I suppose? So am I. Perhaps I shall see you at Lady Thornbury’s.”
“I dare say, my dear,” said Lord Henry, shutting the door behind her
as, looking like a bird of paradise that had been out all night in the
rain, she flitted out of the room, leaving a faint odour of
frangipanni. Then he lit a cigarette and flung himself down on the
sofa.
“Never marry a woman with straw-coloured hair, Dorian,” he said after a
few puffs.
“Why, Harry?”
“Because they are so sentimental.”
“But I like sentimental people.”
“Never marry at all, Dorian. Men marry because they are tired; women,
because they are curious: both are disappointed.”
“I don’t think I am likely to marry, Harry. I am too much in love. That
is one of your aphorisms. I am putting it into practice, as I do
everything that you say.”
“Who are you in love with?” asked Lord Henry after a pause.
“With an actress,” said Dorian Gray, blushing.
Lord Henry shrugged his shoulders. “That is a rather commonplace
_début_.”
“You would not say so if you saw her, Harry.”
“Who is she?”
“Her name is Sibyl Vane.”
“Never heard of her.”
“No one has. People will some day, however. She is a genius.”
“My dear boy, no woman is a genius. Women are a decorative sex. They
never have anything to say, but they say it charmingly. Women represent
the triumph of matter over mind, just as men represent the triumph of
mind over morals.”
“Harry, how can you?”
“My dear Dorian, it is quite true. I am analysing women at present, so
I ought to know. The subject is not so abstruse as I thought it was. I
find that, ultimately, there are only two kinds of women, the plain and
the coloured. The plain women are very useful. If you want to gain a
reputation for respectability, you have merely to take them down to
supper. The other women are very charming. They commit one mistake,
however. They paint in order to try and look young. Our grandmothers
painted in order to try and talk brilliantly. _Rouge_ and _esprit_ used
to go together. That is all over now. As long as a woman can look ten
years younger than her own daughter, she is perfectly satisfied. As for
conversation, there are only five women in London worth talking to, and
two of these can’t be admitted into decent society. However, tell me
about your genius. How long have you known her?”
“Ah! Harry, your views terrify me.”
“Never mind that. How long have you known her?”
“About three weeks.”
“And where did you come across her?”
“I will tell you, Harry, but you mustn’t be unsympathetic about it.
After all, it never would have happened if I had not met you. You
filled me with a wild desire to know everything about life. For days
after I met you, something seemed to throb in my veins. As I lounged in
the park, or strolled down Piccadilly, I used to look at every one who
passed me and wonder, with a mad curiosity, what sort of lives they
led. Some of them fascinated me. Others filled me with terror. There
was an exquisite poison in the air. I had a passion for sensations....
Well, one evening about seven o’clock, I determined to go out in search
of some adventure. I felt that this grey monstrous London of ours, with
its myriads of people, its sordid sinners, and its splendid sins, as
you once phrased it, must have something in store for me. I fancied a
thousand things. The mere danger gave me a sense of delight. I
remembered what you had said to me on that wonderful evening when we
first dined together, about the search for beauty being the real secret
of life. I don’t know what I expected, but I went out and wandered
eastward, soon losing my way in a labyrinth of grimy streets and black
grassless squares. About half-past eight I passed by an absurd little
theatre, with great flaring gas-jets and gaudy play-bills. A hideous
Jew, in the most amazing waistcoat I ever beheld in my life, was
standing at the entrance, smoking a vile cigar. He had greasy ringlets,
and an enormous diamond blazed in the centre of a soiled shirt. ‘Have a
box, my Lord?’ he said, when he saw me, and he took off his hat with an
air of gorgeous servility. There was something about him, Harry, that
amused me. He was such a monster. You will laugh at me, I know, but I
really went in and paid a whole guinea for the stage-box. To the
present day I can’t make out why I did so; and yet if I hadn’t—my dear
Harry, if I hadn’t—I should have missed the greatest romance of my
life. I see you are laughing. It is horrid of you!”
“I am not laughing, Dorian; at least I am not laughing at you. But you
should not say the greatest romance of your life. You should say the
first romance of your life. You will always be loved, and you will
always be in love with love. A _grande passion_ is the privilege of
people who have nothing to do. That is the one use of the idle classes
of a country. Don’t be afraid. There are exquisite things in store for
you. This is merely the beginning.”
“Do you think my nature so shallow?” cried Dorian Gray angrily.
“No; I think your nature so deep.”
“How do you mean?”
“My dear boy, the people who love only once in their lives are really
the shallow people. What they call their loyalty, and their fidelity, I
call either the lethargy of custom or their lack of imagination.
Faithfulness is to the emotional life what consistency is to the life
of the intellect—simply a confession of failure. Faithfulness! I must
analyse it some day. The passion for property is in it. There are many
things that we would throw away if we were not afraid that others might
pick them up. But I don’t want to interrupt you. Go on with your
story.”
“Well, I found myself seated in a horrid little private box, with a
vulgar drop-scene staring me in the face. I looked out from behind the
curtain and surveyed the house. It was a tawdry affair, all Cupids and
cornucopias, like a third-rate wedding-cake. The gallery and pit were
fairly full, but the two rows of dingy stalls were quite empty, and
there was hardly a person in what I suppose they called the
dress-circle. Women went about with oranges and ginger-beer, and there
was a terrible consumption of nuts going on.”
“It must have been just like the palmy days of the British drama.”
“Just like, I should fancy, and very depressing. I began to wonder what
on earth I should do when I caught sight of the play-bill. What do you
think the play was, Harry?”
“I should think ‘The Idiot Boy’, or ‘Dumb but Innocent’. Our fathers