Project Gutenberg #174
The Picture of Dorian Gray
Oscar Wilde
1890Wilde's aesthetic Gothic novel, prepared preface and chapter by chapter from Project Gutenberg plaintext.
Project Gutenberg #174 Public domain in the United States Cover source Local typographic cover created for MojiMori from public-domain source metadata
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AI Summary
Chapter 19 — CHAPTER XVIII. Central question How does the book stage the confrontation between Dorian’s desire for escape and the world’s persistence? Main argument Dorian’s attempt to detach from consequence...
The next day he did not leave the house, and, indeed, spent most of the
time in his own room, sick with a wild terror of dying, and yet
indifferent to life itself. The consciousness of being hunted, snared,
tracked down, had begun to dominate him. If the tapestry did but
tremble in the wind, he shook. The dead leaves that were blown against
the leaded panes seemed to him like his own wasted resolutions and wild
regrets. When he closed his eyes, he saw again the sailor’s face
peering through the mist-stained glass, and horror seemed once more to
lay its hand upon his heart.
But perhaps it had been only his fancy that had called vengeance out of
the night and set the hideous shapes of punishment before him. Actual
life was chaos, but there was something terribly logical in the
imagination. It was the imagination that set remorse to dog the feet of
sin. It was the imagination that made each crime bear its misshapen
brood. In the common world of fact the wicked were not punished, nor
the good rewarded. Success was given to the strong, failure thrust upon
the weak. That was all. Besides, had any stranger been prowling round
the house, he would have been seen by the servants or the keepers. Had
any foot-marks been found on the flower-beds, the gardeners would have
reported it. Yes, it had been merely fancy. Sibyl Vane’s brother had
not come back to kill him. He had sailed away in his ship to founder in
some winter sea. From him, at any rate, he was safe. Why, the man did
not know who he was, could not know who he was. The mask of youth had
saved him.
And yet if it had been merely an illusion, how terrible it was to think
that conscience could raise such fearful phantoms, and give them
visible form, and make them move before one! What sort of life would
his be if, day and night, shadows of his crime were to peer at him from
silent corners, to mock him from secret places, to whisper in his ear
as he sat at the feast, to wake him with icy fingers as he lay asleep!
As the thought crept through his brain, he grew pale with terror, and
the air seemed to him to have become suddenly colder. Oh! in what a
wild hour of madness he had killed his friend! How ghastly the mere
memory of the scene! He saw it all again. Each hideous detail came back
to him with added horror. Out of the black cave of time, terrible and
swathed in scarlet, rose the image of his sin. When Lord Henry came in
at six o’clock, he found him crying as one whose heart will break.
It was not till the third day that he ventured to go out. There was
something in the clear, pine-scented air of that winter morning that
seemed to bring him back his joyousness and his ardour for life. But it
was not merely the physical conditions of environment that had caused
the change. His own nature had revolted against the excess of anguish
that had sought to maim and mar the perfection of its calm. With subtle
and finely wrought temperaments it is always so. Their strong passions
must either bruise or bend. They either slay the man, or themselves
die. Shallow sorrows and shallow loves live on. The loves and sorrows
that are great are destroyed by their own plenitude. Besides, he had
convinced himself that he had been the victim of a terror-stricken
imagination, and looked back now on his fears with something of pity
and not a little of contempt.
After breakfast, he walked with the duchess for an hour in the garden
and then drove across the park to join the shooting-party. The crisp
frost lay like salt upon the grass. The sky was an inverted cup of blue
metal. A thin film of ice bordered the flat, reed-grown lake.
At the corner of the pine-wood he caught sight of Sir Geoffrey
Clouston, the duchess’s brother, jerking two spent cartridges out of
his gun. He jumped from the cart, and having told the groom to take the
mare home, made his way towards his guest through the withered bracken
and rough undergrowth.
“Have you had good sport, Geoffrey?” he asked.
“Not very good, Dorian. I think most of the birds have gone to the
open. I dare say it will be better after lunch, when we get to new
ground.”
Dorian strolled along by his side. The keen aromatic air, the brown and
red lights that glimmered in the wood, the hoarse cries of the beaters
ringing out from time to time, and the sharp snaps of the guns that
followed, fascinated him and filled him with a sense of delightful
freedom. He was dominated by the carelessness of happiness, by the high
indifference of joy.
Suddenly from a lumpy tussock of old grass some twenty yards in front
of them, with black-tipped ears erect and long hinder limbs throwing it
forward, started a hare. It bolted for a thicket of alders. Sir
Geoffrey put his gun to his shoulder, but there was something in the
animal’s grace of movement that strangely charmed Dorian Gray, and he
cried out at once, “Don’t shoot it, Geoffrey. Let it live.”
“What nonsense, Dorian!” laughed his companion, and as the hare bounded
into the thicket, he fired. There were two cries heard, the cry of a
hare in pain, which is dreadful, the cry of a man in agony, which is
worse.
“Good heavens! I have hit a beater!” exclaimed Sir Geoffrey. “What an
ass the man was to get in front of the guns! Stop shooting there!” he
called out at the top of his voice. “A man is hurt.”
The head-keeper came running up with a stick in his hand.
“Where, sir? Where is he?” he shouted. At the same time, the firing
ceased along the line.
“Here,” answered Sir Geoffrey angrily, hurrying towards the thicket.
“Why on earth don’t you keep your men back? Spoiled my shooting for the
day.”
Dorian watched them as they plunged into the alder-clump, brushing the
lithe swinging branches aside. In a few moments they emerged, dragging
a body after them into the sunlight. He turned away in horror. It
seemed to him that misfortune followed wherever he went. He heard Sir
Geoffrey ask if the man was really dead, and the affirmative answer of
the keeper. The wood seemed to him to have become suddenly alive with
faces. There was the trampling of myriad feet and the low buzz of
voices. A great copper-breasted pheasant came beating through the
boughs overhead.
After a few moments—that were to him, in his perturbed state, like
endless hours of pain—he felt a hand laid on his shoulder. He started
and looked round.
“Dorian,” said Lord Henry, “I had better tell them that the shooting is
stopped for to-day. It would not look well to go on.”
“I wish it were stopped for ever, Harry,” he answered bitterly. “The
whole thing is hideous and cruel. Is the man ...?”
He could not finish the sentence.
“I am afraid so,” rejoined Lord Henry. “He got the whole charge of shot
in his chest. He must have died almost instantaneously. Come; let us go
home.”
They walked side by side in the direction of the avenue for nearly
fifty yards without speaking. Then Dorian looked at Lord Henry and
said, with a heavy sigh, “It is a bad omen, Harry, a very bad omen.”
“What is?” asked Lord Henry. “Oh! this accident, I suppose. My dear
fellow, it can’t be helped. It was the man’s own fault. Why did he get
in front of the guns? Besides, it is nothing to us. It is rather
awkward for Geoffrey, of course. It does not do to pepper beaters. It
makes people think that one is a wild shot. And Geoffrey is not; he
shoots very straight. But there is no use talking about the matter.”
Dorian shook his head. “It is a bad omen, Harry. I feel as if something
horrible were going to happen to some of us. To myself, perhaps,” he
added, passing his hand over his eyes, with a gesture of pain.
The elder man laughed. “The only horrible thing in the world is
_ennui_, Dorian. That is the one sin for which there is no forgiveness.
But we are not likely to suffer from it unless these fellows keep
chattering about this thing at dinner. I must tell them that the
subject is to be tabooed. As for omens, there is no such thing as an
omen. Destiny does not send us heralds. She is too wise or too cruel
for that. Besides, what on earth could happen to you, Dorian? You have
everything in the world that a man can want. There is no one who would
not be delighted to change places with you.”
“There is no one with whom I would not change places, Harry. Don’t
laugh like that. I am telling you the truth. The wretched peasant who
has just died is better off than I am. I have no terror of death. It is
the coming of death that terrifies me. Its monstrous wings seem to
wheel in the leaden air around me. Good heavens! don’t you see a man
moving behind the trees there, watching me, waiting for me?”
Lord Henry looked in the direction in which the trembling gloved hand
was pointing. “Yes,” he said, smiling, “I see the gardener waiting for
you. I suppose he wants to ask you what flowers you wish to have on the
table to-night. How absurdly nervous you are, my dear fellow! You must
come and see my doctor, when we get back to town.”
Dorian heaved a sigh of relief as he saw the gardener approaching. The
man touched his hat, glanced for a moment at Lord Henry in a hesitating
manner, and then produced a letter, which he handed to his master. “Her
Grace told me to wait for an answer,” he murmured.
Dorian put the letter into his pocket. “Tell her Grace that I am coming
in,” he said, coldly. The man turned round and went rapidly in the
direction of the house.
“How fond women are of doing dangerous things!” laughed Lord Henry. “It
is one of the qualities in them that I admire most. A woman will flirt
with anybody in the world as long as other people are looking on.”
“How fond you are of saying dangerous things, Harry! In the present
instance, you are quite astray. I like the duchess very much, but I
don’t love her.”
“And the duchess loves you very much, but she likes you less, so you
are excellently matched.”
“You are talking scandal, Harry, and there is never any basis for
scandal.”
“The basis of every scandal is an immoral certainty,” said Lord Henry,
lighting a cigarette.
“You would sacrifice anybody, Harry, for the sake of an epigram.”
“The world goes to the altar of its own accord,” was the answer.
“I wish I could love,” cried Dorian Gray with a deep note of pathos in
his voice. “But I seem to have lost the passion and forgotten the
desire. I am too much concentrated on myself. My own personality has
become a burden to me. I want to escape, to go away, to forget. It was
silly of me to come down here at all. I think I shall send a wire to
Harvey to have the yacht got ready. On a yacht one is safe.”
“Safe from what, Dorian? You are in some trouble. Why not tell me what
it is? You know I would help you.”
“I can’t tell you, Harry,” he answered sadly. “And I dare say it is
only a fancy of mine.