Cover for The Problems of Philosophy

Project Gutenberg #5827

The Problems of Philosophy

Bertrand Russell

1912

Russell's concise introduction to philosophy's central questions, prepared chapter by chapter from Project Gutenberg HTML.

Project Gutenberg #5827 Public domain in the United States Cover source Local typographic cover created for MojiMori from public-domain source metadata

Section 13 of 17 Page 2 of 2

CHAPTER XII. TRUTH AND FALSEHOOD

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Chapter XII. TRUTH AND FALSEHOOD Central question What makes a belief true or false? Main argument Russell treats truth as a relation between belief and fact, not as mere coherence within thought. Falsehood is...

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all of them together: there is only one example of the relation of believing involved, but this one example knits together four terms. Thus the actual occurrence, at the moment when Othello is entertaining his belief, is that the relation called 'believing' is knitting together into one complex whole the four terms Othello, Desdemona, loving, and Cassio. What is called belief or judgement is nothing but this relation of believing or judging, which relates a mind to several things other than itself. An act of belief or of judgement is the occurrence between certain terms at some particular time, of the relation of believing or judging. We are now in a position to understand what it is that distinguishes a true judgement from a false one. For this purpose we will adopt certain definitions. In every act of judgement there is a mind which judges, and there are terms concerning which it judges. We will call the mind the subject in the judgement, and the remaining terms the objects. Thus, when Othello judges that Desdemona loves Cassio, Othello is the subject, while the objects are Desdemona and loving and Cassio. The subject and the objects together are called the constituents of the judgement. It will be observed that the relation of judging has what is called a 'sense' or 'direction'. We may say, metaphorically, that it puts its objects in a certain order, which we may indicate by means of the order of the words in the sentence. (In an inflected language, the same thing will be indicated by inflections, e.g. by the difference between nominative and accusative.) Othello's judgement that Cassio loves Desdemona differs from his judgement that Desdemona loves Cassio, in spite of the fact that it consists of the same constituents, because the relation of judging places the constituents in a different order in the two cases. Similarly, if Cassio judges that Desdemona loves Othello, the constituents of the judgement are still the same, but their order is different. This property of having a 'sense' or 'direction' is one which the relation of judging shares with all other relations. The 'sense' of relations is the ultimate source of order and series and a host of mathematical concepts; but we need not concern ourselves further with this aspect. We spoke of the relation called 'judging' or 'believing' as knitting together into one complex whole the subject and the objects. In this respect, judging is exactly like every other relation. Whenever a relation holds between two or more terms, it unites the terms into a complex whole. If Othello loves Desdemona, there is such a complex whole as 'Othello's love for Desdemona'. The terms united by the relation may be themselves complex, or may be simple, but the whole which results from their being united must be complex. Wherever there is a relation which relates certain terms, there is a complex object formed of the union of those terms; and conversely, wherever there is a complex object, there is a relation which relates its constituents. When an act of believing occurs, there is a complex, in which 'believing' is the uniting relation, and subject and objects are arranged in a certain order by the 'sense' of the relation of believing. Among the objects, as we saw in considering 'Othello believes that Desdemona loves Cassio', one must be a relationin this instance, the relation 'loving'. But this relation, as it occurs in the act of believing, is not the relation which creates the unity of the complex whole consisting of the subject and the objects. The relation 'loving', as it occurs in the act of believing, is one of the objectsit is a brick in the structure, not the cement. The cement is the relation 'believing'. When the belief is true, there is another complex unity, in which the relation which was one of the objects of the belief relates the other objects. Thus, e.g., if Othello believes truly that Desdemona loves Cassio, then there is a complex unity, 'Desdemona's love for Cassio', which is composed exclusively of the objects of the belief, in the same order as they had in the belief, with the relation which was one of the objects occurring now as the cement that binds together the other objects of the belief. On the other hand, when a belief is false, there is no such complex unity composed only of the objects of the belief. If Othello believes falsely that Desdemona loves Cassio, then there is no such complex unity as 'Desdemona's love for Cassio'. Thus a belief is true when it corresponds to a certain associated complex, and false when it does not. Assuming, for the sake of definiteness, that the objects of the belief are two terms and a relation, the terms being put in a certain order by the 'sense' of the believing, then if the two terms in that order are united by the relation into a complex, the belief is true; if not, it is false. This constitutes the definition of truth and falsehood that we were in search of. Judging or believing is a certain complex unity of which a mind is a constituent; if the remaining constituents, taken in the order which they have in the belief, form a complex unity, then the belief is true; if not, it is false. Thus although truth and falsehood are properties of beliefs, yet they are in a sense extrinsic properties, for the condition of the truth of a belief is something not involving beliefs, or (in general) any mind at all, but only the objects of the belief. A mind, which believes, believes truly when there is a corresponding complex not involving the mind, but only its objects. This correspondence ensures truth, and its absence entails falsehood. Hence we account simultaneously for the two facts that beliefs (a) depend on minds for their existence, (b) do not depend on minds for their truth. We may restate our theory as follows: If we take such a belief as 'Othello believes that Desdemona loves Cassio', we will call Desdemona and Cassio the object-terms, and loving the object-relation. If there is a complex unity 'Desdemona's love for Cassio', consisting of the object-terms related by the object-relation in the same order as they have in the belief, then this complex unity is called the fact corresponding to the belief. Thus a belief is true when there is a corresponding fact, and is false when there is no corresponding fact. It will be seen that minds do not create truth or falsehood. They create beliefs, but when once the beliefs are created, the mind cannot make them true or false, except in the special case where they concern future things which are within the power of the person believing, such as catching trains. What makes a belief true is a fact, and this fact does not (except in exceptional cases) in any way involve the mind of the person who has the belief. Having now decided what we mean by truth and falsehood, we have next to consider what ways there are of knowing whether this or that belief is true or false. This consideration will occupy the next chapter.

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