Project Gutenberg #60483
Antic Hay
Aldous Huxley
1923Huxley's postwar London satire, prepared chapter by chapter from Project Gutenberg plaintext.
Project Gutenberg #60483 Public domain in the United States Cover source Local typographic cover created for MojiMori from public-domain source metadata
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AI Summary
Chapter 19 — CHAPTER XIX Central question How does Lypiatt respond to artistic disappointment? Main argument Lypiatt returns to self-pity and grandeur, interpreting ordinary setbacks as evidence of his tragic...
about.
“This little affair I was speaking of,” he pursued, in another tone, “is
a little business proposition that Mr. Gumbril and I have gone into
together. A matter of pneumatic trousers,” he waved his hand airily.
Lypiatt suddenly burst out laughing, an embittered Titan. Where do flies
go? Where do souls go? The barrel-organ, and now pneumatic trousers!
Then, as suddenly, he was silent again. More literature? Another piece
of acting? “Go on,” he said, “I’m sorry.”
“Not at all, not at all,” said Mr. Boldero indulgently. “I know the idea
does seem a little humorous, if I may say so, at first. But I assure
you, there’s money in it, Mr. Lydgate—Mr. Lypiatt. Money!” Mr. Boldero
paused a moment dramatically. “Well,” he went on, “our idea was to
launch the new product with a good swingeing publicity campaign. Spend a
few thousands in the papers and then get it good and strong into the
Underground and on the hoardings, along with Owbridge’s and John Bull
and the Golden Ballot. Now, for that, Mr. Lypiatt, we shall need, as you
can well imagine, a few good striking pictures. Mr. Gumbril mentioned
your name and suggested I should come and see you to find out if you
would perhaps be agreeable to lending us your talent for this work. And
I may add, Mr. Lypiatt,” he spoke with real warmth, “that having seen
this example of your work”—he pointed to the portrait of Mrs. Viveash—“I
feel that you would be eminently capable of....”
He did not finish the sentence; for at this moment Lypiatt leapt up from
his chair and, making a shrill, inarticulate, animal noise, rushed on
the financier, seized him with both hands by the throat, shook him,
threw him to the floor, then picked him up again by the coat collar and
pushed him towards the door, kicking him as he went. A final kick sent
Mr. Boldero tobogganing down the steep stairs. Lypiatt ran down after
him; but Mr. Boldero had picked himself up, had opened the front door,
slipped out, slammed it behind him, and was running up the mews before
Lypiatt could get to the bottom of the stairs.
Lypiatt opened the door and looked out. Mr. Boldero was already far
away, almost at the Piranesian arch. He watched him till he was out of
sight, then went upstairs again and threw himself face downwards on his
bed.