Project Gutenberg #60483
Antic Hay
Aldous Huxley
1923Huxley's postwar London satire, prepared chapter by chapter from Project Gutenberg plaintext.
Project Gutenberg #60483 Public domain in the United States Cover source Local typographic cover created for MojiMori from public-domain source metadata
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AI Summary
Chapter 9 — CHAPTER IX Central question What does the wig add to Gumbril’s transformation? Main argument The wig completes Gumbril’s fantasy of becoming a more decisive, less timid person. He sees himself remade,...
Fan-shaped, blond, mounted on gauze and guaranteed undetectable, it
arrived from the wig-maker, preciously packed in a stout cardboard box
six times too large for it and accompanied by a quarter of a pint of the
choicest spirit gum. In the privacy of his bedroom Gumbril uncoffined
it, held it out for his own admiration, caressed its silkiness and
finally tried it on, holding it provisionally to his chin, in front of
the looking-glass. The effect, he decided immediately, was stunning, was
grandiose. From melancholy and all too mild he saw himself transformed
on the instant into a sort of jovial Henry the Eighth, into a massive
Rabelaisian man, broad and powerful and exuberant with vitality and
hair.
The proportions of his face were startlingly altered. The podium, below
the mouth, had been insufficiently massive to carry the stately order of
the nose; and the ratiocinative attic of the forehead, noble enough, no
doubt, in itself, had been disproportionately high. The beard now
supplied the deficiencies in the stylobate, and planted now on a firm
basement of will, the order of the senses, the aerial attic of ideas,
reared themselves with a more classical harmoniousness of proportion. It
only remained for him to order from Mr. Bojanus an American coat, padded
out at the shoulders as squarely and heroically as a doublet of the
Cinquecento, and he would look the complete Rabelaisian man. Great
eater, deep drinker, stout fighter, prodigious lover; clear thinker,
creator of beauty, seeker of truth and prophet of heroic grandeurs.
Fitted out with coat and beard, he could qualify for the next vacancy
among the cœnobites of Thelema.
He removed his beard—“put his beaver up,” as they used to say in the
fine old days of chivalry; he would have to remember that little joke
for Coleman’s benefit. He put his beaver up—ha, ha!—and stared ruefully
at the far from Rabelaisian figure which now confronted him. The
moustache—that was genuine enough—which had looked, in conjunction with
the splendid work of art below, so fierce and manly, served by itself,
he now perceived, only droopily to emphasize his native mildness and
melancholy.
It was a dismal affair, which might have belonged to Maurice Barrès in
youth; a slanting, flagging, sagging thing, such as could only grow on
the lip of an assiduous Cultivator of the Me, and would become, as one
grew older, ludicrously out of place on the visage of a roaring
Nationalist. If it weren’t that it fitted in so splendidly with the
beard, if it weren’t that it became so marvellously different in the new
context he had now discovered for it, he would have shaved it off then
and there.
Mournful appendage. But now he would transform it, he would add to it
its better half. Zadig’s quatrain to his mistress, when the tablet on
which it was written was broken in two, became a treasonable libel on
the king. So this moustache, thought Gumbril, as gingerly he applied the
spirit gum to his cheeks and chin, this moustache which by itself serves
only to betray me, becomes, as soon as it is joined to its missing
context, an amorous arm for the conquest of the fair sex.
A little far-fetched, he decided; a little ponderous. And besides, as so
few people had read Zadig, not much use in conversation. Cautiously and
with neat, meticulous finger-tips he adjusted the transformation to his
gummed face, pressed it firmly, held it while it stuck fast. The portals
of Thelema opened before him; he was free of those rich orchards, those
halls and courts, those broad staircases winding in noble spirals within
the flanks of each of the fair round towers. And it was Coleman who had
pointed out the way; he felt duly grateful. One last look at the
Complete Man, one final and definitive constatation that the Mild and
Melancholy one was, for the time at least, no more; and he was ready in
all confidence to set out. He selected a loose, light great-coat—not
that he needed a coat at all, for the day was bright and warm; but until
Mr. Bojanus had done his labour of padding he would have to broaden
himself out in this way, even if it did mean that he might be
uncomfortably hot. To fall short of Complete Manhood for fear of a
little inconvenience would be absurd. He slipped, therefore, into his
light coat—a toga, Mr. Bojanus called it, a very neat toga in real West
Country whipcord. He put on his broadest and blackest felt hat, for
breadth above everything was what he needed to give him completeness,
breadth of stature, breadth of mind, breadth of human sympathy, breadth
of smile, breadth of humour, breadth of everything. The final touch was
a massive and antique Malacca cane belonging to his father. If he had
possessed a bulldog, he would have taken it out on a leash. But he did
not. He issued into the sunshine, unaccompanied.
But unaccompanied he did not mean to remain for long. These warm, bright
May days were wonderful days for being in love on. And to be alone on
such days was like a malady. It was a malady from which the Mild and
Melancholy Man suffered all too frequently. And yet there were millions
of superfluous women in the country; millions of them. Every day, in the
streets, one saw thousands of them passing; and some were exquisite,
were ravishing, the only possible soul-mates. Thousands of unique
soul-mates every day. The Mild and Melancholy one allowed them to
pass—for ever. But to-day—to-day he was the complete and Rabelaisian
man; he was bearded to the teeth; the imbecile game was at its height;
there would be opportunities, and the Complete Man could know how to
take them. No, he would not be unaccompanied for long.
Outside in the square the fourteen plane trees glowed in their young,
unsullied green. At the end of every street the golden muslin of the
haze hung in an unwrinkled curtain that thinned away above the sky’s
gauzy horizon to transparent nothing against the intenser blue. The dim,
conch-like murmur that in a city is silence seemed hazily to identify
itself with the golden mistiness of summer, and against this dim, wide
background the yells of the playing children detached themselves,
distinct and piercing. “Beaver” they shouted, “beaver!” and, “Is it cold
up there?” Full of playful menace, the Complete Man shook at them his
borrowed Malacca. He accepted their prompt hail as the most favourable
of omens.
At the first tobacconist’s Gumbril bought the longest cigar he could
find, and trailing behind him expiring blue wreaths of Cuban smoke, he
made his way slowly and with an ample swagger towards the Park. It was
there, under the elms, on the shores of the ornamental waters, that he
expected to find his opportunity, that he intended—how confidently
behind his Gargantuan mask!—to take it.
The opportunity offered itself sooner than he expected.
He had just turned into the Queen’s Road and was sauntering past
Whiteley’s with the air of one who knows that he has a right to a good
place, to two or three good places even, in the sun, when he noticed
just in front of him, peering intently at the New Season’s Models, a
young woman whom in his mild and melancholy days he would have only
hopelessly admired, but who now, to the Complete Man, seemed a destined
and accessible prey. She was fairly tall, but seemed taller than she
actually was, by reason of her remarkable slenderness. Not that she
looked disagreeably thin, far from it. It was a rounded slenderness. The
Complete Man decided to consider her as tubular—flexible and tubular,
like a section of boa constrictor, should one say. She was dressed in
clothes that emphasized this serpentine slimness, in a close-fitting
grey jacket that buttoned up to the neck and a long, narrow grey skirt
that came down to her ankles. On her head was a small, sleek black hat,
that looked almost as though it were made of metal. It was trimmed on
one side with a bunch of dull golden foliage.
Those golden leaves were the only touch of ornament in all the severe
smoothness and unbroken tubularity of her person. As for her face, that
was neither strictly beautiful nor strictly ugly, but combined elements
of both beauty and ugliness into a whole that was unexpected, that was
oddly and somehow unnaturally attractive.
Pretending, he too, to take an interest in the New Season’s Models,
Gumbril made, squinting sideways over the burning tip of his cigar, an
inventory of her features. The forehead, that was mostly hidden by her
hat; it might be pensively and serenely high, it might be of that degree
of lowness which in men is villainous, but in women is only another—a
rather rustic one perhaps, rather _canaille_ even, but definitely
another—attraction. There was no telling. As for her eyes, they were
green, and limpid; set wide apart in her head they looked out from under
heavy lids and through openings that slanted up towards the outer
corners. Her nose was slightly aquiline. Her mouth was full-lipped, but
straight and unexpectedly wide. Her chin was small, round and firm. She
had a pale skin, a little flushed over the cheek-bones, which were
prominent.
On the left cheek, close under the corner of the slanting eye, she had a
brown mole. Such hair as Gumbril could see beneath her hat was pale and
inconspicuously blond. When she had finished looking at the New Season’s
Models she moved slowly on, halting for a moment before the travelling
trunks and the fitted picnic baskets; dwelling for a full minute over
the corsets, passing the hats, for some reason, rather contemptuously,
but pausing, which seemed strange, for a long pensive look at the cigars
and wine. As for the tennis rackets and cricket bats, the school outfits
and the gentleman’s hosiery—she hadn’t so much as a look for one of
them. But how lovingly she lingered before the boots and shoes! Her own
feet, the Complete Man noticed with satisfaction, had an elegance of
florid curves. And while other folk walked on neat’s leather she was
content to be shod with nothing coarser than mottled serpent’s skin.
Slowly they drifted up Queen’s Road, lingering before every jeweller’s,
every antiquarian’s, every milliner’s on the way. The stranger gave him
no opportunity, and indeed, Gumbril reflected, how should she? For the
imbecile game on which he was relying is a travelling piquet for two
players, not a game of patience. No sane human being could play it in
solitude. He would have to make the opportunity himself.
All that was mild in him, all that was melancholy, shrank with a
sickened reluctance from the task of breaking—with what consequences
delicious and perilous in the future or, in the case of the deserved
snub, immediately humiliating?—a silence which, by the tenth or twelfth
shop window, had become quite unbearably significant. The Mild and
Melancholy one would have drifted to the top of the road, sharing, with
that community of tastes which is the basis of every happy union, her
enthusiasm for brass candlesticks and toasting-forks, imitation
Chippendale furniture, gold watch-bracelets and low-waisted summer
frocks; would have drifted to the top of the road and watched her,
dumbly, disappearing for ever into the green Park or along the blank
pavements of the Bayswater Road; would have watched her for ever
disappear and then, if the pubs had happened to be open, would have gone
and ordered a glass of port, and sitting at the bar would have savoured,
still dumbly, among the other drinkers, the muddy grapes of the Douro,
and his own unique loneliness.
That was what the Mild and Melancholy one would have done. But the
sight, as he gazed