Project Gutenberg #60483
Antic Hay
Aldous Huxley
1923Huxley's postwar London satire, prepared chapter by chapter from Project Gutenberg plaintext.
Project Gutenberg #60483 Public domain in the United States Cover source Local typographic cover created for MojiMori from public-domain source metadata
211
words at B2 or above
A1
A2
B1
B2
C1
C2
C2+
highlighted
at or above your level
AI Summary
Chapter 5 — CHAPTER V Central question What happens in the restaurant conversation? Main argument At dinner, the characters trade ironic observations, scientific talk, and social one-upmanship. The scene feels...
One after another, they engaged themselves in the revolving doors of the
restaurant, trotted round in the moving cage of glass and ejected
themselves into the coolness and darkness of the street. Shearwater
lifted up his large face and took two or three deep breaths. “Too much
carbon dioxide and ammonia in there,” he said.
“It is unfortunate that when two or three are gathered together in God’s
name, or even in the more civilized name of Mercaptan of the delicious
middle,” Mercaptan dexterously parried the prod which Coleman aimed at
him, “it is altogether deplorable that they should necessarily empest
the air.”
Lypiatt had turned his eyes heavenwards. “What stars,” he said, “and
what prodigious gaps between the stars!”
“A real light opera summer night.” And Mercaptan began to sing, in
fragmentary German, the ‘Barcarolle’ from the _Tales of Hoffmann_.
“Liebe Nacht, du schöne Nacht, oh stille mein tumpty-tum. Te, tum, Te
tum.... Delicious Offenbach. Ah, if only we could have a third Empire!
Another comic Napoleon! That would make Paris look like Paris again.
Tiddy, tumpty-ti-tum.”
They walked along without any particular destination, but simply for the
sake of walking through this soft cool night. Coleman led the way,
tapping the pavement at every step with the ferrule of his stick. “The
blind leading the blind,” he explained. “Ah, if only there were a ditch,
a crevasse, a great hole full of stinging centipedes and dung. How
gleefully I should lead you all into it!”
“I think you would do well,” said Shearwater gravely, “to go and see a
doctor.”
Coleman gave vent to a howl of delight.
“Does it occur to you,” he went on, “that at this moment we are walking
through the midst of seven million distinct and separate individuals,
each with distinct and separate lives and all completely indifferent to
our existence? Seven million people, each one of whom thinks himself
quite as important as each of us does. Millions of them are now sleeping
in an empested atmosphere. Hundreds of thousands of couples are at this
moment engaged in mutually caressing one another in a manner too hideous
to be thought of, but in no way differing from the manner in which each
of us performs, delightfully, passionately and beautifully, his similar
work of love. Thousands of women are now in the throes of parturition,
and of both sexes thousands are dying of the most diverse and appalling
diseases, or simply because they have lived too long. Thousands are
drunk, thousands have over-eaten, thousands have not had enough to eat.
And they are all alive, all unique and separate and sensitive, like you
and me. It’s a horrible thought. Ah, if I could lead them all into that
great hole of centipedes.”
He tapped and tapped on the pavement in front of him, as though
searching for the crevasse. At the top of his voice he began to chant:
“O all ye Beasts and Cattle, curse ye the Lord: curse him and vilify him
for ever.”
“All this religion,” sighed Mercaptan. “What with Lypiatt on one side,
being a muscular Christian artist, and Coleman on the other, howling the
black mass.... Really!” He elaborated an Italianate gesture, and turned
to Zoe. “What do you think of it all?” he asked.
Zoe jerked her head in Coleman’s direction. “I think e’s a bloody
swine,” she said. They were the first words she had spoken since she had
joined the party.
“Hear, hear!” cried Coleman, and he waved his stick.
In the warm yellow light of the coffee-stall at Hyde Park Corner
loitered a little group of people. Among the peaked caps and the
chauffeurs’ dust-coats, among the weather-stained workmen’s jackets and
the knotted handkerchiefs, there emerged an alien elegance. A tall tubed
hat and a silk-faced overcoat, a cloak of flame-coloured satin, and in
bright, coppery hair a great Spanish comb of carved tortoiseshell.
“Well, I’m damned,” said Gumbril as they approached. “I believe it’s
Myra Viveash.”
“So it is,” said Lypiatt, peering in his turn. He began suddenly to walk
with an affected swagger, kicking his heels at every step. Looking at
himself from outside, his divining eyes pierced through the veil of
cynical _je-m’en-fichisme_ to the bruised heart beneath. Besides, he
didn’t want any one to guess.
“The Viveash is it?” Coleman quickened his rapping along the pavement.
“And who is the present incumbent?” He pointed at the top hat.
“Can it be Bruin Opps?” said Gumbril dubiously.
“Opps!” Coleman yelled out the name. “Opps!”
The top hat turned, revealing a shirt front, a long grey face, a glitter
of circular glass over the left eye. “Who the devil are you?” The voice
was harsh and arrogantly offensive.
“I am that I am,” said Coleman. “But I have with me”—he pointed to
Shearwater, to Gumbril, to Zoe—“a physiologue, a pedagogue and a
priapagogue; for I leave out of account mere artists and journalists
whose titles do not end with the magic syllable. And finally,”
indicating himself, “plain Dog, which being interpreted kabbalistically
backwards, signifies God. All at your service.” He took off his hat and
bowed.
The top hat turned back towards the Spanish comb. “Who is this horrible
drunk?” it inquired.
Mrs. Viveash did not answer him, but stepped forward to meet the
newcomers. In one hand she held a peeled, hard-boiled egg and a thick
slice of bread and butter in the other, and between her sentences she
bit at them alternately.
“Coleman!” she exclaimed, and her voice, as she spoke, seemed always on
the point of expiring, as though each word were the last, utterly
faintly and breakingly from a death-bed—the last, with all the profound
and nameless significance of the ultimate word. “It’s a very long time
since I heard you raving last. And you, Theodore darling, why do I never
see you now?”
Gumbril shrugged his shoulders. “Because you don’t want to, I suppose,”
he said.
Myra laughed and took another bite at her bread and butter.... She laid
the back of her hand—for she was still holding the butt end of her
hard-boiled egg—on Lypiatt’s arm. The Titan, who had been looking at the
sky, seemed to be surprised to find her standing there. “You?” he said,
smiling and wrinkling up his forehead interrogatively.
“It’s to-morrow I’m sitting for you, Casimir, isn’t it?”
“Ah, you remembered.” The veil parted for a moment. Poor Lypiatt! “And
happy Mercaptan? Always happy?”
Gallantly Mercaptan kissed the back of the hand which held the egg. “I
might be happier,” he murmured, rolling up at her from the snouty face a
pair of small brown eyes. “_Puis-je espérer?_”
Mrs. Viveash laughed expiringly from her inward death-bed and turned on
him, without speaking, her pale unwavering glance. Her eyes had a
formidable capacity for looking and expressing nothing; they were like
the pale blue eyes which peer out of the Siamese cat’s black velvet
mask.
“Bellissima,” murmured Mercaptan, flowering under their cool light.
Mrs. Viveash addressed herself to the company at large. “We have had the
most appalling evening,” she said. “Haven’t we, Bruin?”
Bruin Opps said nothing, but only scowled. He didn’t like these damned
intruders. The skin of his contracted brows oozed over the rim of his
monocle, on to the shining glass.
“I thought it would be fun,” Myra went on, “to go to that place at
Hampton Court, where you have dinner on an island and dance....”
“What is there about islands,” put in Mercaptan, in a deliciously
whimsical parenthesis, “that makes them so peculiarly voluptuous?
Cythera, Monkey Island, Capri. _Je me demande._”
“Another charming middle.” Coleman pointed his stick menacingly; Mr.
Mercaptan stepped quickly out of range.
“So we took a cab,” Mrs. Viveash continued, “and set out. And what a
cab, my God! A cab with only one gear and that the lowest. A cab as old
as the century, a museum specimen, a collector’s piece.” They had been
hours and hours on the way. And when they got there, the food they were
offered to eat, the wine they were expected to drink! From her eternal
death-bed Mrs. Viveash cried out in unaffected horror. Everything tasted
as though it has been kept soaking for a week in the river before being
served up—rather weedy, with that delicious typhoid flavour of Thames
water. There was Thames even in the champagne. They had not been able to
eat so much as a crust of bread. Hungry and thirsty, they had
re-embarked in their antique taxi, and here, at last, they were, at the
first outpost of civilization, eating for dear life.
“Oh, a terrible evening,” Mrs. Viveash concluded. “The only thing which
kept up my spirits was the spectacle of Bruin’s bad temper. You’ve no
idea, Bruin, what an incomparable comic you can be.”
Bruin ignored the remark. With an expression of painfully repressed
disgust he was eating a hard-boiled egg. Myra’s caprices were becoming
more and more impossible. That Hampton Court business had been bad
enough; but when it came to eating in the street, in the middle of a lot
of filthy workmen—well, really, that was rather too much.
Mrs. Viveash looked about her. “Am I never to know who this mysterious
person is?” She pointed to Shearwater, who was standing a little apart
from the group, his back leaning against the Park railings and staring
thoughtfully at the ground.
“The physiologue,” Coleman explained, “and he has the key. The key, the
key!” He hammered the pavement with his stick.
Gumbril performed the introduction in more commonplace style.
“You don’t seem to take much interest in us, Mr. Shearwater,” Myra
called expiringly. Shearwater looked up; Mrs. Viveash regarded him
intently through pale, unwavering eyes, smiling as she looked that
queer, downward-turning smile which gave to her face, through its mask
of laughter, a peculiar expression of agony. “You don’t seem to take
much interest in us,” she repeated.
Shearwater shook his heavy head. “No,” he said, “I don’t think I do.”
“Why don’t you?”
“Why should I? There’s not time to be interested in everything. One can
only be interested in what’s worth while.”
“And we’re not worth while?”
“Not to me personally,” replied Shearwater with candour. “The Great Wall
of China, the political situation in Italy, the habits of Trematodes—all
these are most interesting in themselves. But they aren’t interesting to
me; I don’t permit them to be. I haven’t the leisure.”
“And what do you allow yourself to be interested in?”
“Shall we go?” said Bruin impatiently; he had succeeded in swallowing
the last fragment of his hard-boiled egg. Mrs. Viveash did not answer,
did not even look at him.
Shearwater, who had hesitated before replying, was about to speak. But
Coleman answered for him. “Be respectful,” he said to Mrs. Viveash.
“This is a great man. He reads no papers, not even those in which our
Mercaptan so beautifully writes. He does not know what a beaver is. And
he lives for nothing but the kidneys.”
Mrs. Viveash smiled her smile of agony. “Kidneys? But what a _memento
mori_. There are other portions of the anatomy.” She threw back her
cloak revealing an arm, a bare shoulder, a slant of pectoral muscle. She
was wearing a white dress that, leaving her back and shoulders bare,
came up, under either arm, to a point in front and was held there by a
golden thread about the neck. “For example,” she said, and twisted her
hand several times over and over, making the slender arm turn at the
elbow, as though to demonstrate the movement of the articulations and
the muscular play.
“_Memento vivere_,” Mr. Mercaptan aptly commented. “_Vivamus, mea
Lesbia, atque amemus._”
Mrs. Viveash dropped her arm and pulled the cloak back into place. She
looked at Shearwater, who had followed all her movements with
conscientious attention, and who now nodded with an expression of
interrogation on his face, as though to ask: what next?
“