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Home / Books / An Essay on the Foundations of Geometry
Section 5 of 6
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Page 1 of 12
The Axioms of Geometry
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Section A .
THE AXIOMS OF PROJECTIVE GEOMETRY .
102.
Projective Geometry proper ,
as we saw in Chapter I .,
does not employ the conception of magnitude ,
and does not ,
therefore ,
require those axioms which ,
in the systems of the second or metrical period ,
were required solely to render possible the application of magnitude to space .
But we saw ,
also ,
that Cayley's
reduction of metrical to projective properties was purely technical and philosophically irrelevant .
Now it is in metrical properties alone —
apart from the exception to the axiom of the straight line ,
which itself ,
however ,
presupposes metrical properties [116]—
that non-Euclidean and Euclidean
spaces differ .
The properties dealt with by projective Geometry ,
therefore ,
in so far as these are obtained without the use of imaginaries ,
are properties common to all spaces .
Finally ,
the differences which appear between the Geometries of different spaces of the same curvature —
e .g.
between the Geometries of the plane and the cylinder —
are differences in projective properties [117].
Thus the necessity which arises ,
in metrical Geometry ,
for further qualifications besides those of constant curvature ,
disappears when our general space is defined by purely projective properties .
103.
We have good ground for expecting ,
therefore ,
that the axioms of projective Geometry will be the simplest and most complete expression of the indispensable requisites of any geometrical reasoning :
and this expectation ,
I hope ,
will not be disappointed .
Projective Geometry ,
in so far as it deals only with the properties common to all spaces ,
will be found ,
if I am not mistaken ,
to be wholly à priori,
to take nothing from experience ,
and to have ,
like Arithmetic ,
a creature of the pure intellect for its object .
If this be so ,
it is that branch of pure mathematics which Grassmann,
in his Ausdehnungslehre
of 1844,
felt to be possible ,
and endeavoured ,
in a brilliant failure ,
to construct without any appeal to the space of intuition .
104.
But unfortunately ,
the task of discovering the axioms of projective Geometry is far from easy .
They have ,
as yet ,
found no Riemann
or Helmholtz
to formulate them philosophically .
Many geometers have constructed systems ,
which they intended to be ,
and which ,
with sufficient care in interpretation ,
really are ,
free from metrical presuppositions .
But these presuppositions are so rooted in all the very elements of Geometry ,
that the task of eliminating them demands a reconstruction of the whole geometrical edifice .
Thus Euclid,
for example ,
deals ,
from the start ,
with spatial equality —
he employs the circle ,
which is necessarily defined by means of equality ,
and he bases all his later propositions on the congruence of triangles as discussed in Book I .[118]
Before we can use any elementary proposition of Euclid,
therefore ,
even if this expresses a projective property ,
we have to prove that the property in question can be deduced by projective methods .
This has not ,
in general ,
been done by projective geometers ,
who have too often assumed ,
for example ,
that the quadrilateral construction —
by which ,
as we saw in Chap .
I .,
they introduce projective coordinates —
or anharmonic ratio ,
which is primâ facie
metrical ,
could be satisfactorily established on their principles .
Both these assumptions ,
however ,
can be justified ,
and we may admit ,
therefore ,
that the claims of projective Geometry to logical independence of measurement or congruence are valid .
Let us see ,
then ,
how it proceeds .
105.
In the first place ,
it is important to realize that when coordinates are used ,
in projective Geometry ,
they are not coordinates in the ordinary metrical sense ,
i .
e .
the numerical measures of certain spatial magnitudes .
On the contrary ,
they are a set of numbers ,
arbitrarily but systematically assigned to different points ,
like the numbers of houses in a street ,
and serving only ,
from a philosophical standpoint ,
as convenient designations for points which the investigation wishes to distinguish .
But for the brevity of the alphabet ,
in fact ,
they might ,
as in Euclid,
be replaced by letters .
How they are introduced ,
and what they mean ,
has been discussed in Chapter I .
Here we have only to repeat a caution ,
whose neglect has led to much misunderstanding .
106.
The distinction between various points ,
then ,
is not a result ,
but a condition ,
of the projective coordinate system .
The coordinate system is a wholly extraneous ,
and merely convenient ,
set of marks ,
which in no way touches the essence of projective Geometry .
What we must begin with ,
in this domain ,
is the possibility of distinguishing various points from one another .
This may be designated ,
with Veronese,
as the first axiom of Geometry [119].
How we are to define a point ,
and how we distinguish it from other points ,
is for the moment irrelevant ;
for here we only wish to discover the nature of projective Geometry ,
and the kind of properties which it uses and demonstrates .
How ,
and with what justification ,
it uses and demonstrates them ,
we will discuss later .
107.
Now it is obvious that a mere collection of points ,
distinguished one from another ,
cannot found a Geometry :
we must have some idea of the manner in which the points are interrelated ,
in order to have an adequate subject-matter for discussion .
But since all ideas of quantity are excluded ,
the relations of points cannot be relations of distance in the ordinary sense ,
nor even ,
in the sense of ordinary Geometry ,
anharmonic ratios ,
for anharmonic ratios are usually defined as the ratios of four distances ,
or of four sines ,
and are thus quantitative .
But since all quantitative comparison presupposes an identity of quality ,
we may expect to find ,
in projective Geometry ,
the qualitative substrata of the metrical superstructure .
And this ,
we shall see ,
is actually the case .
We have not distance ,
but we have the straight line ;
we have not quantitative anharmonic ratio ,
but we have the property ,
in any four points on a line ,
of being the intersections with the rays of a given pencil .
And from this basis ,
we can build up a qualitative science of abstract externality ,
which is projective Geometry .
How this happens ,
I shall now proceed to show .
108.
All geometrical reasoning is ,
in the last resort ,
circular :
if we start by assuming points ,
they can only be defined by the lines or planes which relate them ;
and if we start by assuming lines or planes ,
they can only be defined by the points through which they pass .
This is an inevitable circle ,
whose ground of necessity will appear as we proceed .
It is ,
therefore ,
somewhat arbitrary to start either with points or with lines ,
as the eminently projective principle of duality mathematically illustrates ;
nevertheless we will elect ,
with most geometers ,
to start with points [120].
We suppose ,
therefore ,
as our datum ,
a set of discrete points ,
for the moment without regard to their interconnections .
But since connections are essential to any reasoning about them as a system ,
we introduce ,
to begin with ,
the axiom of the straight line .
Any two of our points ,
we say ,
lie on a line which those two points completely define .
This line ,
being determined by the two points ,
may be regarded as a relation of the two points ,
or an adjective of the system formed by both together .
This is the only purely qualitative adjective —
as will be proved later —
of a system of two points .
Now projective Geometry can only take account of qualitative adjectives ,
and can distinguish between different points only by their relations to other points ,
since all points ,
per se,
are qualitatively similar .
Hence it comes that ,
for projective Geometry ,
when two points only are given ,
they are qualitatively indistinguishable from any two other points on the same straight line ,
since any two such other points have the same qualitative relation .
Reciprocally ,
since one straight line is a figure determined by any two of its points ,
and all points are qualitatively similar ,
it follows that all straight lines are qualitatively similar .
We may regard a point ,
therefore ,
as determined by two straight lines which meet in it ,
and the point ,
on this view ,
becomes the only qualitative relation between the two straight lines .
Hence ,
if the point only be regarded as given ,
the two straight lines are qualitatively indistinguishable from any other pair through the point .
109.
The extension of these two reciprocal principles is the essence of all projective transformations ,
and indeed of all projective Geometry .
The fundamental operations ,
by which figures are projectively transformed ,
are called projection and section .
The various forms of projection and section are defined in Cremona's "
Projective Geometry ,"
Chapter I .,
from which I quote the following account .
"
To project from a fixed point S (
the centre of projection )
a figure (ABCD ...
abcd ...)
composed of points and straight lines ,
is to construct the straight lines or projecting rays SA, SB, SC, SD, ...
and the planes (
projecting planes ) Sa, Sb, Sc, Sd, ...
We thus obtain a new figure composed of straight lines and planes which all pass through the centre S .
"
To cut by a fixed plane σ (
transversal plane )
a figure (αβγδ ...
abcd ...)
made up of planes and straight lines ,
is to construct the straight lines or traces σα, σβ, σγ ...
and the points or traces σa ,
σb , σc....[121]
By this means we obtain a new figure composed of straight lines and points lying in the plane σ.
"
To project from a fixed straight line s (
the axis )
a figure ABCD
composed of points ,
is to construct the planes sA ,
sB ,
sC ....
The figure thus obtained is composed of planes which all pass through the axis s .
"
To cut by a fixed straight line s (
a transversal )
a figure αβγδ ...
composed of planes ,
is to construct the points sα ,
sβ ,
sγ ....
In this way a new figure is obtained ,
composed of points all lying on the fixed transversal s .
"
If a figure is composed of straight lines a ,
b , c ...
which all pass through a fixed point or centre S ,
it can be projected from a straight line or axis s passing through S ;
the result is a figure composed of planes sa ,
sb ,
sc ....
"
If a figure is composed of straight lines a ,
b , c ...
all lying in a fixed plane ,
it may be cut by a straight line (
transversal )
s lying in the same plane ;
the figure which results is formed by the points sa ,
sb ,
sc ...."
110.
The successive application ,
to any figure ,
of two reciprocal operations of projection and section ,
is regarded as producing a figure protectively indistinguishable from the first ,
provided only that the dimensions of the original figure were the same as those of the resulting figure ,
that ,
for example ,
if the second operation be section by a plane ,
the original figure shall have been a plane figure .
The figures obtained from a given figure ,
by projection or section alone ,
are related to that figure by the principle of duality ,
of which we shall have to speak later on .
I shall endeavour to show ,
in what follows ,
first ,
in what sense figures obtained from each other by projective transformation are qualitatively alike ;
secondly ,
what axioms ,
or adjectives of space ,
are involved in the principle of projective transformation ;
and thirdly ,
that these adjectives must belong to any form of externality with more than one dimension ,
and are ,
therefore ,
à priori
properties of any possible space .
For the sake of simplicity ,
I shall in general confine myself to two dimensions .
In so doing ,
I shall introduce no important difference of principle ,
and shall greatly simplify the mathematics involved .
111.
The two mathematically fundamental things in projective Geometry are anharmonic ratio ,
and the quadrilateral construction .
Everything else follows mathematically from these two .
Now what is meant ,
in projective Geometry ,
by anharmonic ratio ?
If we start from anharmonic ratio as ordinarily defined ,
we are met by the difficulty of its quantitative nature [122].
But among the properties deduced from this definition ,
many ,
if not most ,
are purely qualitative .
The most fundamental of these is that ,
if through any four points in a straight line we draw four straight lines which meet in a point ,
and if we then draw a new straight line meeting these four ,
the four new points of intersection have the same anharmonic ratio as the four points we started with .
Thus ,
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