Project Gutenberg #60483
Antic Hay
Aldous Huxley
1923Huxley's postwar London satire, prepared chapter by chapter from Project Gutenberg plaintext.
Project Gutenberg #60483 Public domain in the United States Cover source Local typographic cover created for MojiMori from public-domain source metadata
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AI Summary
Chapter 16 — CHAPTER XVI Central question What is the meaning of the theatrical death scene? Main argument The stage performance turns death into spectacle, and Huxley lets the audience’s response reveal their...
the wind seemed almost a
country wind? “There’s drink there,” he said.
“Splendid!” cried the young man. They were all splendid people.
“There’s some gin,” said Gumbril.
“Capital aphrodisiac!” Coleman commented.
“Some light white wine.”
“Diuretic.”
“And some whisky.”
“The great emetic,” said Coleman. “Come on.” And he struck up the March
of the Fascisti. “_Giovinezza, giovinezza, primavera di bellezza_....”
The noise went fading down the dark, empty streets.
The gin, the white wine, and even, for the sake of the young stranger,
who wanted to sample everything, the emetic whisky, were produced.
“I like your rooms,” said Mrs. Viveash, looking round her. “And I resent
your secrecy about them, Theodore.”
“Drink, puppy!” Coleman refilled the boy’s glass.
“Here’s to secrecy,” Gumbril proposed. Shut it tightly, keep it dark,
cover it up. Be silent, prevaricate, lie outright. He laughed and drank.
“Do you remember,” he went on, “those instructive advertisements of
Eno’s Fruit Salt they used to have when we were young? There was one
little anecdote about a doctor who advised the hypochondriacal patient
who had come to consult him, to go and see Grimaldi, the clown; and the
patient answered, ‘I am Grimaldi.’ Do you remember?”
“No,” said Mrs. Viveash. “And why do you?”
“Oh, I don’t know. Or rather, I do know,” Gumbril corrected himself, and
laughed again.
The young man suddenly began to boast. “I lost two hundred pounds
yesterday playing _chemin de fer_,” he said, and looked round for
applause.
Coleman patted his curly head. “Delicious child!” he said. “You’re
positively Hogarthian.”
Angrily, the boy pushed him away. “What are you doing?” he shouted; then
turned and addressed himself once more to the others. “I couldn’t afford
it, you know—not a bloody penny of it. Not my money, either.” He seemed
to find it exquisitely humorous. “And that two hundred wasn’t all,” he
added, almost expiring with mirth.
“Tell Coleman how you borrowed his beard, Theodore.”
Gumbril was looking intently into his glass, as though he hoped to see
in its pale mixture of gin and Sauterne visions, as in a crystal, of the
future. Mrs. Viveash touched him on the arm and repeated her injunction.
“Oh, that!” said Gumbril rather irritably. “No. It isn’t an interesting
story.”
“Oh yes, it is! I insist,” said Mrs. Viveash, commanding peremptorily
from her death-bed.
Gumbril drank his gin and Sauterne. “Very well then,” he said
reluctantly, and began.
“I don’t know what my governor will say,” the young man put in once or
twice. But nobody paid any attention to him. He relapsed into a sulky
and, it seemed to him, very dignified silence. Under the warm, jolly
tipsiness he felt a chill of foreboding. He poured out some more whisky.
Gumbril warmed to his anecdote. Expiringly Mrs. Viveash laughed from
time to time, or smiled her agonizing smile. Coleman whooped like a
Redskin.
“And after the concert to these rooms,” said Gumbril.
Well, let everything go. Into the mud. Leave it there, and let the dogs
lift their hind legs over it as they pass.
“Ah! the genuine platonic fumblers,” commented Coleman.
“I am Grimaldi,” Gumbril laughed. Further than this it was difficult to
see where the joke could go. There, on the couch, where Mrs. Viveash and
Coleman were now sitting, she had lain sleeping in his arms.
“Towsing, in Elizabethan,” said Coleman.
Unreal, eternal in the secret darkness. A night that was an eternal
parenthesis among the other nights and days.
“I feel I’m going to be sick,” said the young man suddenly. He had
wanted to go on silently and haughtily sulking; but his stomach declined
to take part in the dignified game.
“Good Lord!” said Gumbril, and jumped up. But before he could do
anything effective, the young man had fulfilled his own prophecy.
“The real charm about debauchery,” said Coleman philosophically, “is its
total pointlessness, futility, and above all its incredible tediousness.
If it really were all roses and exhilaration, as these poor children
seem to imagine, it would be no better than going to church or studying
the higher mathematics. I should never touch a drop of wine or another
harlot again. It would be against my principles. I told you it was
emetic,” he called to the young man.
“And what are your principles?” asked Mrs. Viveash.
“Oh, strictly ethical,” said Coleman.
“You’re responsible for this creature,” said Gumbril, pointing to the
young man, who was sitting on the floor near the fireplace, cooling his
forehead against the marble of the mantelpiece. “You must take him away.
Really, what a bore!” His nose and mouth were all wrinkled up with
disgust.
“I’m sorry,” the young man whispered. He kept his eyes shut and his face
was exceedingly pale.
“But with pleasure,” said Coleman. “What’s your name?” he asked the
young man, “and where do you live?”
“My name is Porteous,” murmured the young man.
“Good lord!” cried Gumbril, letting himself fall on to the couch beside
Mrs. Viveash. “That’s the last straw!”