Project Gutenberg #345
Dracula
Bram Stoker
1897Stoker's epistolary vampire novel, prepared chapter by chapter from Project Gutenberg plaintext.
Project Gutenberg #345 Public domain in the United States Cover source Local typographic cover created for MojiMori from public-domain source metadata
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Chapter 2 — CHAPTER II JONATHAN HARKER’s JOURNAL--continued Central question What is the castle like once Jonathan arrives? Main argument Jonathan notices that the castle is impressive but unsettling, with unusual...
not the key of the door leading
to it from the house, but I have taken with my kodak views of it from
various points. The house has been added to, but in a very straggling
way, and I can only guess at the amount of ground it covers, which must
be very great. There are but few houses close at hand, one being a very
large house only recently added to and formed into a private lunatic
asylum. It is not, however, visible from the grounds.”
When I had finished, he said:--
“I am glad that it is old and big. I myself am of an old family, and to
live in a new house would kill me. A house cannot be made habitable in a
day; and, after all, how few days go to make up a century. I rejoice
also that there is a chapel of old times. We Transylvanian nobles love
not to think that our bones may lie amongst the common dead. I seek not
gaiety nor mirth, not the bright voluptuousness of much sunshine and
sparkling waters which please the young and gay. I am no longer young;
and my heart, through weary years of mourning over the dead, is not
attuned to mirth. Moreover, the walls of my castle are broken; the
shadows are many, and the wind breathes cold through the broken
battlements and casements. I love the shade and the shadow, and would
be alone with my thoughts when I may.” Somehow his words and his look
did not seem to accord, or else it was that his cast of face made his
smile look malignant and saturnine.
Presently, with an excuse, he left me, asking me to put all my papers
together. He was some little time away, and I began to look at some of
the books around me. One was an atlas, which I found opened naturally at
England, as if that map had been much used. On looking at it I found in
certain places little rings marked, and on examining these I noticed
that one was near London on the east side, manifestly where his new
estate was situated; the other two were Exeter, and Whitby on the
Yorkshire coast.
It was the better part of an hour when the Count returned. “Aha!” he
said; “still at your books? Good! But you must not work always. Come; I
am informed that your supper is ready.” He took my arm, and we went into
the next room, where I found an excellent supper ready on the table. The
Count again excused himself, as he had dined out on his being away from
home. But he sat as on the previous night, and chatted whilst I ate.
After supper I smoked, as on the last evening, and the Count stayed with
me, chatting and asking questions on every conceivable subject, hour
after hour. I felt that it was getting very late indeed, but I did not
say anything, for I felt under obligation to meet my host’s wishes in
every way. I was not sleepy, as the long sleep yesterday had fortified
me; but I could not help experiencing that chill which comes over one at
the coming of the dawn, which is like, in its way, the turn of the tide.
They say that people who are near death die generally at the change to
the dawn or at the turn of the tide; any one who has when tired, and
tied as it were to his post, experienced this change in the atmosphere
can well believe it. All at once we heard the crow of a cock coming up
with preternatural shrillness through the clear morning air; Count
Dracula, jumping to his feet, said:--
“Why, there is the morning again! How remiss I am to let you stay up so
long. You must make your conversation regarding my dear new country of
England less interesting, so that I may not forget how time flies by
us,” and, with a courtly bow, he quickly left me.
I went into my own room and drew the curtains, but there was little to
notice; my window opened into the courtyard, all I could see was the
warm grey of quickening sky. So I pulled the curtains again, and have
written of this day.
* * * * *
_8 May._--I began to fear as I wrote in this book that I was getting too
diffuse; but now I am glad that I went into detail from the first, for
there is something so strange about this place and all in it that I
cannot but feel uneasy. I wish I were safe out of it, or that I had
never come. It may be that this strange night-existence is telling on
me; but would that that were all! If there were any one to talk to I
could bear it, but there is no one. I have only the Count to speak with,
and he!--I fear I am myself the only living soul within the place. Let
me be prosaic so far as facts can be; it will help me to bear up, and
imagination must not run riot with me. If it does I am lost. Let me say
at once how I stand--or seem to.
I only slept a few hours when I went to bed, and feeling that I could
not sleep any more, got up. I had hung my shaving glass by the window,
and was just beginning to shave. Suddenly I felt a hand on my shoulder,
and heard the Count’s voice saying to me, “Good-morning.” I started, for
it amazed me that I had not seen him, since the reflection of the glass
covered the whole room behind me. In starting I had cut myself slightly,
but did not notice it at the moment. Having answered the Count’s
salutation, I turned to the glass again to see how I had been mistaken.
This time there could be no error, for the man was close to me, and I
could see him over my shoulder. But there was no reflection of him in
the mirror! The whole room behind me was displayed; but there was no
sign of a man in it, except myself. This was startling, and, coming on
the top of so many strange things, was beginning to increase that vague
feeling of uneasiness which I always have when the Count is near; but at
the instant I saw that the cut had bled a little, and the blood was
trickling over my chin. I laid down the razor, turning as I did so half
round to look for some sticking plaster. When the Count saw my face, his
eyes blazed with a sort of demoniac fury, and he suddenly made a grab at
my throat. I drew away, and his hand touched the string of beads which
held the crucifix. It made an instant change in him, for the fury passed
so quickly that I could hardly believe that it was ever there.
“Take care,” he said, “take care how you cut yourself. It is more
dangerous than you think in this country.” Then seizing the shaving
glass, he went on: “And this is the wretched thing that has done the
mischief. It is a foul bauble of man’s vanity. Away with it!” and
opening the heavy window with one wrench of his terrible hand, he flung
out the glass, which was shattered into a thousand pieces on the stones
of the courtyard far below. Then he withdrew without a word. It is very
annoying, for I do not see how I am to shave, unless in my watch-case or
the bottom of the shaving-pot, which is fortunately of metal.
When I went into the dining-room, breakfast was prepared; but I could
not find the Count anywhere. So I breakfasted alone. It is strange that
as yet I have not seen the Count eat or drink. He must be a very
peculiar man! After breakfast I did a little exploring in the castle. I
went out on the stairs, and found a room looking towards the South. The
view was magnificent, and from where I stood there was every opportunity
of seeing it. The castle is on the very edge of a terrible precipice. A
stone falling from the window would fall a thousand feet without
touching anything! As far as the eye can reach is a sea of green tree
tops, with occasionally a deep rift where there is a chasm. Here and
there are silver threads where the rivers wind in deep gorges through
the forests.
But I am not in heart to describe beauty, for when I had seen the view I
explored further; doors, doors, doors everywhere, and all locked and
bolted. In no place save from the windows in the castle walls is there
an available exit.
The castle is a veritable prison, and I am a prisoner!