Project Gutenberg #174
The Picture of Dorian Gray
Oscar Wilde
1890Wilde's aesthetic Gothic novel, prepared preface and chapter by chapter from Project Gutenberg plaintext.
Project Gutenberg #174 Public domain in the United States Cover source Local typographic cover created for MojiMori from public-domain source metadata
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AI Summary
Chapter 17 — CHAPTER XVI. Central question How does the threatened return of James Vane change Dorian’s fear? Main argument James appears again as the embodiment of the past Dorian cannot permanently outpace....
over again, indeed.
In her dealings with man, destiny never closed her accounts.
There are moments, psychologists tell us, when the passion for sin, or
for what the world calls sin, so dominates a nature that every fibre of
the body, as every cell of the brain, seems to be instinct with fearful
impulses. Men and women at such moments lose the freedom of their will.
They move to their terrible end as automatons move. Choice is taken
from them, and conscience is either killed, or, if it lives at all,
lives but to give rebellion its fascination and disobedience its charm.
For all sins, as theologians weary not of reminding us, are sins of
disobedience. When that high spirit, that morning star of evil, fell
from heaven, it was as a rebel that he fell.
Callous, concentrated on evil, with stained mind, and soul hungry for
rebellion, Dorian Gray hastened on, quickening his step as he went, but
as he darted aside into a dim archway, that had served him often as a
short cut to the ill-famed place where he was going, he felt himself
suddenly seized from behind, and before he had time to defend himself,
he was thrust back against the wall, with a brutal hand round his
throat.
He struggled madly for life, and by a terrible effort wrenched the
tightening fingers away. In a second he heard the click of a revolver,
and saw the gleam of a polished barrel, pointing straight at his head,
and the dusky form of a short, thick-set man facing him.
“What do you want?” he gasped.
“Keep quiet,” said the man. “If you stir, I shoot you.”
“You are mad. What have I done to you?”
“You wrecked the life of Sibyl Vane,” was the answer, “and Sibyl Vane
was my sister. She killed herself. I know it. Her death is at your
door. I swore I would kill you in return. For years I have sought you.
I had no clue, no trace. The two people who could have described you
were dead. I knew nothing of you but the pet name she used to call you.
I heard it to-night by chance. Make your peace with God, for to-night
you are going to die.”
Dorian Gray grew sick with fear. “I never knew her,” he stammered. “I
never heard of her. You are mad.”
“You had better confess your sin, for as sure as I am James Vane, you
are going to die.” There was a horrible moment. Dorian did not know
what to say or do. “Down on your knees!” growled the man. “I give you
one minute to make your peace—no more. I go on board to-night for
India, and I must do my job first. One minute. That’s all.”
Dorian’s arms fell to his side. Paralysed with terror, he did not know
what to do. Suddenly a wild hope flashed across his brain. “Stop,” he
cried. “How long ago is it since your sister died? Quick, tell me!”
“Eighteen years,” said the man. “Why do you ask me? What do years
matter?”
“Eighteen years,” laughed Dorian Gray, with a touch of triumph in his
voice. “Eighteen years! Set me under the lamp and look at my face!”
James Vane hesitated for a moment, not understanding what was meant.
Then he seized Dorian Gray and dragged him from the archway.
Dim and wavering as was the wind-blown light, yet it served to show him
the hideous error, as it seemed, into which he had fallen, for the face
of the man he had sought to kill had all the bloom of boyhood, all the
unstained purity of youth. He seemed little more than a lad of twenty
summers, hardly older, if older indeed at all, than his sister had been
when they had parted so many years ago. It was obvious that this was
not the man who had destroyed her life.
He loosened his hold and reeled back. “My God! my God!” he cried, “and
I would have murdered you!”
Dorian Gray drew a long breath. “You have been on the brink of
committing a terrible crime, my man,” he said, looking at him sternly.
“Let this be a warning to you not to take vengeance into your own
hands.”
“Forgive me, sir,” muttered James Vane. “I was deceived. A chance word
I heard in that damned den set me on the wrong track.”
“You had better go home and put that pistol away, or you may get into
trouble,” said Dorian, turning on his heel and going slowly down the
street.
James Vane stood on the pavement in horror. He was trembling from head
to foot. After a little while, a black shadow that had been creeping
along the dripping wall moved out into the light and came close to him
with stealthy footsteps. He felt a hand laid on his arm and looked
round with a start. It was one of the women who had been drinking at
the bar.
“Why didn’t you kill him?” she hissed out, putting haggard face quite
close to his. “I knew you were following him when you rushed out from
Daly’s. You fool! You should have killed him. He has lots of money, and
he’s as bad as bad.”
“He is not the man I am looking for,” he answered, “and I want no man’s
money. I want a man’s life. The man whose life I want must be nearly
forty now. This one is little more than a boy. Thank God, I have not
got his blood upon my hands.”
The woman gave a bitter laugh. “Little more than a boy!” she sneered.
“Why, man, it’s nigh on eighteen years since Prince Charming made me
what I am.”
“You lie!” cried James Vane.
She raised her hand up to heaven. “Before God I am telling the truth,”
she cried.
“Before God?”
“Strike me dumb if it ain’t so. He is the worst one that comes here.
They say he has sold himself to the devil for a pretty face. It’s nigh
on eighteen years since I met him. He hasn’t changed much since then. I
have, though,” she added, with a sickly leer.
“You swear this?”
“I swear it,” came in hoarse echo from her flat mouth. “But don’t give
me away to him,” she whined; “I am afraid of him. Let me have some
money for my night’s lodging.”
He broke from her with an oath and rushed to the corner of the street,
but Dorian Gray had disappeared. When he looked back, the woman had
vanished also.