Project Gutenberg #844
The Importance of Being Earnest
Oscar Wilde
1895Wilde's comedy of manners, prepared cast list and act by act from Project Gutenberg plaintext.
Project Gutenberg #844 Public domain in the United States Cover source Local typographic cover created for MojiMori from public-domain source metadata
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AI Summary
Chapter 2 — First Act Central question How do Jack and Algernon's double lives begin to collide? Main argument Algernon learns that Jack is leading a double life: in town he is Ernest, while in the country he is...
got the remotest knowledge of how to live,
nor the smallest instinct about when to die.
JACK.
Oh, that is nonsense!
ALGERNON.
It isn’t!
JACK.
Well, I won’t argue about the matter. You always want to argue about
things.
ALGERNON.
That is exactly what things were originally made for.
JACK.
Upon my word, if I thought that, I’d shoot myself . . . [A pause.] You
don’t think there is any chance of Gwendolen becoming like her mother
in about a hundred and fifty years, do you, Algy?
ALGERNON.
All women become like their mothers. That is their tragedy. No man
does. That’s his.
JACK.
Is that clever?
ALGERNON.
It is perfectly phrased! and quite as true as any observation in
civilised life should be.
JACK.
I am sick to death of cleverness. Everybody is clever nowadays. You
can’t go anywhere without meeting clever people. The thing has become
an absolute public nuisance. I wish to goodness we had a few fools
left.
ALGERNON.
We have.
JACK.
I should extremely like to meet them. What do they talk about?
ALGERNON.
The fools? Oh! about the clever people, of course.
JACK.
What fools!
ALGERNON.
By the way, did you tell Gwendolen the truth about your being Ernest in
town, and Jack in the country?
JACK.
[In a very patronising manner.] My dear fellow, the truth isn’t quite
the sort of thing one tells to a nice, sweet, refined girl. What
extraordinary ideas you have about the way to behave to a woman!
ALGERNON.
The only way to behave to a woman is to make love to her, if she is
pretty, and to some one else, if she is plain.
JACK.
Oh, that is nonsense.
ALGERNON.
What about your brother? What about the profligate Ernest?
JACK.
Oh, before the end of the week I shall have got rid of him. I’ll say he
died in Paris of apoplexy. Lots of people die of apoplexy, quite
suddenly, don’t they?
ALGERNON.
Yes, but it’s hereditary, my dear fellow. It’s a sort of thing that
runs in families. You had much better say a severe chill.
JACK.
You are sure a severe chill isn’t hereditary, or anything of that kind?
ALGERNON.
Of course it isn’t!
JACK.
Very well, then. My poor brother Ernest is carried off suddenly, in
Paris, by a severe chill. That gets rid of him.
ALGERNON.
But I thought you said that . . . Miss Cardew was a little too much
interested in your poor brother Ernest? Won’t she feel his loss a good
deal?
JACK.
Oh, that is all right. Cecily is not a silly romantic girl, I am glad
to say. She has got a capital appetite, goes long walks, and pays no
attention at all to her lessons.
ALGERNON.
I would rather like to see Cecily.
JACK.
I will take very good care you never do. She is excessively pretty, and
she is only just eighteen.
ALGERNON.
Have you told Gwendolen yet that you have an excessively pretty ward
who is only just eighteen?
JACK.
Oh! one doesn’t blurt these things out to people. Cecily and Gwendolen
are perfectly certain to be extremely great friends. I’ll bet you
anything you like that half an hour after they have met, they will be
calling each other sister.
ALGERNON.
Women only do that when they have called each other a lot of other
things first. Now, my dear boy, if we want to get a good table at
Willis’s, we really must go and dress. Do you know it is nearly seven?
JACK.
[Irritably.] Oh! It always is nearly seven.
ALGERNON.
Well, I’m hungry.
JACK.
I never knew you when you weren’t . . .
ALGERNON.
What shall we do after dinner? Go to a theatre?
JACK.
Oh no! I loathe listening.
ALGERNON.
Well, let us go to the Club?
JACK.
Oh, no! I hate talking.
ALGERNON.
Well, we might trot round to the Empire at ten?
JACK.
Oh, no! I can’t bear looking at things. It is so silly.
ALGERNON.
Well, what shall we do?
JACK.
Nothing!
ALGERNON.
It is awfully hard work doing nothing. However, I don’t mind hard work
where there is no definite object of any kind.
[Enter Lane.]
LANE.
Miss Fairfax.
[Enter Gwendolen. Lane goes out.]
ALGERNON.
Gwendolen, upon my word!
GWENDOLEN.
Algy, kindly turn your back. I have something very particular to say to
Mr. Worthing.
ALGERNON.
Really, Gwendolen, I don’t think I can allow this at all.
GWENDOLEN.
Algy, you always adopt a strictly immoral attitude towards life. You
are not quite old enough to do that. [Algernon retires to the
fireplace.]
JACK.
My own darling!
GWENDOLEN.
Ernest, we may never be married. From the expression on mamma’s face I
fear we never shall. Few parents nowadays pay any regard to what their
children say to them. The old-fashioned respect for the young is fast
dying out. Whatever influence I ever had over mamma, I lost at the age
of three. But although she may prevent us from becoming man and wife,
and I may marry some one else, and marry often, nothing that she can
possibly do can alter my eternal devotion to you.
JACK.
Dear Gwendolen!
GWENDOLEN.
The story of your romantic origin, as related to me by mamma, with
unpleasing comments, has naturally stirred the deeper fibres of my
nature. Your Christian name has an irresistible fascination. The
simplicity of your character makes you exquisitely incomprehensible to
me. Your town address at the Albany I have. What is your address in the
country?
JACK.
The Manor House, Woolton, Hertfordshire.
[Algernon, who has been carefully listening, smiles to himself, and
writes the address on his shirt-cuff. Then picks up the Railway Guide.]
GWENDOLEN.
There is a good postal service, I suppose? It may be necessary to do
something desperate. That of course will require serious consideration.
I will communicate with you daily.
JACK.
My own one!
GWENDOLEN.
How long do you remain in town?
JACK.
Till Monday.
GWENDOLEN.
Good! Algy, you may turn round now.
ALGERNON.
Thanks, I’ve turned round already.
GWENDOLEN.
You may also ring the bell.
JACK.
You will let me see you to your carriage, my own darling?
GWENDOLEN.
Certainly.
JACK.
[To Lane, who now enters.] I will see Miss Fairfax out.
LANE.
Yes, sir. [Jack and Gwendolen go off.]
[Lane presents several letters on a salver to Algernon. It is to be
surmised that they are bills, as Algernon, after looking at the
envelopes, tears them up.]
ALGERNON.
A glass of sherry, Lane.
LANE.
Yes, sir.
ALGERNON.
To-morrow, Lane, I’m going Bunburying.
LANE.
Yes, sir.
ALGERNON.
I shall probably not be back till Monday. You can put up my dress
clothes, my smoking jacket, and all the Bunbury suits . . .
LANE.
Yes, sir. [Handing sherry.]
ALGERNON.
I hope to-morrow will be a fine day, Lane.
LANE.
It never is, sir.
ALGERNON.
Lane, you’re a perfect pessimist.
LANE.
I do my best to give satisfaction, sir.
[Enter Jack. Lane goes off.]
JACK.
There’s a sensible, intellectual girl! the only girl I ever cared for
in my life. [Algernon is laughing immoderately.] What on earth are you
so amused at?
ALGERNON.
Oh, I’m a little anxious about poor Bunbury, that is all.
JACK.
If you don’t take care, your friend Bunbury will get you into a serious
scrape some day.
ALGERNON.
I love scrapes. They are the only things that are never serious.
JACK.
Oh, that’s nonsense, Algy. You never talk anything but nonsense.
ALGERNON.
Nobody ever does.
[Jack looks indignantly at him, and leaves the room. Algernon lights a
cigarette, reads his shirt-cuff, and smiles.]
ACT DROP