Project Gutenberg #174
The Picture of Dorian Gray
Oscar Wilde
1890Wilde's aesthetic Gothic novel, prepared preface and chapter by chapter from Project Gutenberg plaintext.
Project Gutenberg #174 Public domain in the United States Cover source Local typographic cover created for MojiMori from public-domain source metadata
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AI Summary
Chapter 9 — CHAPTER VIII. Central question How does Dorian begin to live with the secret of the portrait? Main argument Dorian confides in Basil only partly, holding back the real terror of the image while...
moment she touched actual
life, she marred it, and it marred her, and so she passed away. Mourn
for Ophelia, if you like. Put ashes on your head because Cordelia was
strangled. Cry out against Heaven because the daughter of Brabantio
died. But don’t waste your tears over Sibyl Vane. She was less real
than they are.”
There was a silence. The evening darkened in the room. Noiselessly, and
with silver feet, the shadows crept in from the garden. The colours
faded wearily out of things.
After some time Dorian Gray looked up. “You have explained me to
myself, Harry,” he murmured with something of a sigh of relief. “I felt
all that you have said, but somehow I was afraid of it, and I could not
express it to myself. How well you know me! But we will not talk again
of what has happened. It has been a marvellous experience. That is all.
I wonder if life has still in store for me anything as marvellous.”
“Life has everything in store for you, Dorian. There is nothing that
you, with your extraordinary good looks, will not be able to do.”
“But suppose, Harry, I became haggard, and old, and wrinkled? What
then?”
“Ah, then,” said Lord Henry, rising to go, “then, my dear Dorian, you
would have to fight for your victories. As it is, they are brought to
you. No, you must keep your good looks. We live in an age that reads
too much to be wise, and that thinks too much to be beautiful. We
cannot spare you. And now you had better dress and drive down to the
club. We are rather late, as it is.”
“I think I shall join you at the opera, Harry. I feel too tired to eat
anything. What is the number of your sister’s box?”
“Twenty-seven, I believe. It is on the grand tier. You will see her
name on the door. But I am sorry you won’t come and dine.”
“I don’t feel up to it,” said Dorian listlessly. “But I am awfully
obliged to you for all that you have said to me. You are certainly my
best friend. No one has ever understood me as you have.”
“We are only at the beginning of our friendship, Dorian,” answered Lord
Henry, shaking him by the hand. “Good-bye. I shall see you before
nine-thirty, I hope. Remember, Patti is singing.”
As he closed the door behind him, Dorian Gray touched the bell, and in
a few minutes Victor appeared with the lamps and drew the blinds down.
He waited impatiently for him to go. The man seemed to take an
interminable time over everything.
As soon as he had left, he rushed to the screen and drew it back. No;
there was no further change in the picture. It had received the news of
Sibyl Vane’s death before he had known of it himself. It was conscious
of the events of life as they occurred. The vicious cruelty that marred
the fine lines of the mouth had, no doubt, appeared at the very moment
that the girl had drunk the poison, whatever it was. Or was it
indifferent to results? Did it merely take cognizance of what passed
within the soul? He wondered, and hoped that some day he would see the
change taking place before his very eyes, shuddering as he hoped it.
Poor Sibyl! What a romance it had all been! She had often mimicked
death on the stage. Then Death himself had touched her and taken her
with him. How had she played that dreadful last scene? Had she cursed
him, as she died? No; she had died for love of him, and love would
always be a sacrament to him now. She had atoned for everything by the
sacrifice she had made of her life. He would not think any more of what
she had made him go through, on that horrible night at the theatre.
When he thought of her, it would be as a wonderful tragic figure sent
on to the world’s stage to show the supreme reality of love. A
wonderful tragic figure? Tears came to his eyes as he remembered her
childlike look, and winsome fanciful ways, and shy tremulous grace. He
brushed them away hastily and looked again at the picture.
He felt that the time had really come for making his choice. Or had his
choice already been made? Yes, life had decided that for him—life, and
his own infinite curiosity about life. Eternal youth, infinite passion,
pleasures subtle and secret, wild joys and wilder sins—he was to have
all these things. The portrait was to bear the burden of his shame:
that was all.
A feeling of pain crept over him as he thought of the desecration that
was in store for the fair face on the canvas. Once, in boyish mockery
of Narcissus, he had kissed, or feigned to kiss, those painted lips
that now smiled so cruelly at him. Morning after morning he had sat
before the portrait wondering at its beauty, almost enamoured of it, as
it seemed to him at times. Was it to alter now with every mood to which
he yielded? Was it to become a monstrous and loathsome thing, to be
hidden away in a locked room, to be shut out from the sunlight that had
so often touched to brighter gold the waving wonder of its hair? The
pity of it! the pity of it!
For a moment, he thought of praying that the horrible sympathy that
existed between him and the picture might cease. It had changed in
answer to a prayer; perhaps in answer to a prayer it might remain
unchanged. And yet, who, that knew anything about life, would surrender
the chance of remaining always young, however fantastic that chance
might be, or with what fateful consequences it might be fraught?
Besides, was it really under his control? Had it indeed been prayer
that had produced the substitution? Might there not be some curious
scientific reason for it all? If thought could exercise its influence
upon a living organism, might not thought exercise an influence upon
dead and inorganic things? Nay, without thought or conscious desire,
might not things external to ourselves vibrate in unison with our moods
and passions, atom calling to atom in secret love or strange affinity?
But the reason was of no importance. He would never again tempt by a
prayer any terrible power. If the picture was to alter, it was to
alter. That was all. Why inquire too closely into it?
For there would be a real pleasure in watching it. He would be able to
follow his mind into its secret places. This portrait would be to him
the most magical of mirrors. As it had revealed to him his own body, so
it would reveal to him his own soul. And when winter came upon it, he
would still be standing where spring trembles on the verge of summer.
When the blood crept from its face, and left behind a pallid mask of
chalk with leaden eyes, he would keep the glamour of boyhood. Not one
blossom of his loveliness would ever fade. Not one pulse of his life
would ever weaken. Like the gods of the Greeks, he would be strong, and
fleet, and joyous. What did it matter what happened to the coloured
image on the canvas? He would be safe. That was everything.
He drew the screen back into its former place in front of the picture,
smiling as he did so, and passed into his bedroom, where his valet was
already waiting for him. An hour later he was at the opera, and Lord
Henry was leaning over his chair.