Project Gutenberg #1999
Crome Yellow
Aldous Huxley
1921Huxley's country-house satire, prepared chapter by chapter from Project Gutenberg plaintext for vocabulary-focused reading.
Project Gutenberg #1999 Public domain in the United States Cover source Local typographic cover created for MojiMori from public-domain source metadata
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AI Summary
Chapter 19 — CHAPTER XIX. Central question What does the History of Crome finally become in the room? Main argument Henry reads from his ancestral chronicle, turning family history into a living but self-enclosed...
announced, and got up.
“So am I,” said Anne, yawning. But she lacked the energy to rise from
her arm-chair.
The night was hot and oppressive. Round the open windows the curtains
hung unmoving. Ivor, fanning himself with the portrait of an Astral
Being, looked out into the darkness and drew a breath.
“The air’s like wool,” he declared.
“It will get cooler after midnight,” said Henry Wimbush, and cautiously
added, “perhaps.”
“I shan’t sleep, I know.”
Priscilla turned her head in his direction; the monumental coiffure
nodded exorbitantly at her slightest movement. “You must make an
effort,” she said. “When I can’t sleep, I concentrate my will: I say,
‘I will sleep, I am asleep!’ And pop! off I go. That’s the power of
thought.”
“But does it work on stuffy nights?” Ivor inquired. “I simply cannot
sleep on a stuffy night.”
“Nor can I,” said Mary, “except out of doors.”
“Out of doors! What a wonderful idea!” In the end they decided to sleep
on the towers--Mary on the western tower, Ivor on the eastern. There
was a flat expanse of leads on each of the towers, and you could get a
mattress through the trap doors that opened on to them. Under the stars,
under the gibbous moon, assuredly they would sleep. The mattresses were
hauled up, sheets and blankets were spread, and an hour later the two
insomniasts, each on his separate tower, were crying their good-nights
across the dividing gulf.
On Mary the sleep-compelling charm of the open air did not work with its
expected magic. Even through the mattress one could not fail to be aware
that the leads were extremely hard. Then there were noises: the owls
screeched tirelessly, and once, roused by some unknown terror, all the
geese of the farmyard burst into a sudden frenzy of cackling. The stars
and the gibbous moon demanded to be looked at, and when one meteorite
had streaked across the sky, you could not help waiting, open-eyed and
alert, for the next. Time passed; the moon climbed higher and higher in
the sky. Mary felt less sleepy than she had when she first came out.
She sat up and looked over the parapet. Had Ivor been able to sleep? she
wondered. And as though in answer to her mental question, from
behind the chimney-stack at the farther end of the roof a white form
noiselessly emerged--a form that, in the moonlight, was recognisably
Ivor’s. Spreading his arms to right and left, like a tight-rope dancer,
he began to walk forward along the roof-tree of the house. He swayed
terrifyingly as he advanced. Mary looked on speechlessly; perhaps he was
walking in his sleep! Suppose he were to wake up suddenly, now! If she
spoke or moved it might mean his death. She dared look no more, but sank
back on her pillows. She listened intently. For what seemed an immensely
long time there was no sound. Then there was a patter of feet on the
tiles, followed by a scrabbling noise and a whispered “Damn!” And
suddenly Ivor’s head and shoulders appeared above the parapet. One leg
followed, then the other. He was on the leads. Mary pretended to wake up
with a start.
“Oh!” she said. “What are you doing here?”
“I couldn’t sleep,” he explained, “so I came along to see if you
couldn’t. One gets bored by oneself on a tower. Don’t you find it so?”
It was light before five. Long, narrow clouds barred the east, their
edges bright with orange fire. The sky was pale and watery. With the
mournful scream of a soul in pain, a monstrous peacock, flying heavily
up from below, alighted on the parapet of the tower. Ivor and Mary
started broad awake.
“Catch him!” cried Ivor, jumping up. “We’ll have a feather.” The
frightened peacock ran up and down the parapet in an absurd distress,
curtseying and bobbing and clucking; his long tail swung ponderously
back and forth as he turned and turned again. Then with a flap and swish
he launched himself upon the air and sailed magnificently earthward,
with a recovered dignity. But he had left a trophy. Ivor had his
feather, a long-lashed eye of purple and green, of blue and gold. He
handed it to his companion.
“An angel’s feather,” he said.
Mary looked at it for a moment, gravely and intently. Her purple pyjamas
clothed her with an ampleness that hid the lines of her body; she looked
like some large, comfortable, unjointed toy, a sort of Teddy-bear--but
a Teddy bear with an angel’s head, pink cheeks, and hair like a bell
of gold. An angel’s face, the feather of an angel’s wing...Somehow the
whole atmosphere of this sunrise was rather angelic.
“It’s extraordinary to think of sexual selection,” she said at last,
looking up from her contemplation of the miraculous feather.
“Extraordinary!” Ivor echoed. “I select you, you select me. What luck!”
He put his arm round her shoulders and they stood looking eastward. The
first sunlight had begun to warm and colour the pale light of the dawn.
Mauve pyjamas and white pyjamas; they were a young and charming couple.
The rising sun touched their faces. It was all extremely symbolic;
but then, if you choose to think so, nothing in this world is not
symbolical. Profound and beautiful truth!
“I must be getting back to my tower,” said Ivor at last.
“Already?”
“I’m afraid so. The varletry will soon be up and about.”
“Ivor...” There was a prolonged and silent farewell.
“And now,” said Ivor, “I repeat my tight-rope stunt.”
Mary threw her arms round his neck. “You mustn’t, Ivor. It’s dangerous.
Please.”
He had to yield at last to her entreaties. “All right,” he said, “I’ll
go down through the house and up at the other end.”
He vanished through the trap door into the darkness that still lurked
within the shuttered house. A minute later he had reappeared on the
farther tower; he waved his hand, and then sank down, out of sight,
behind the parapet. From below, in the house, came the thin wasp-like
buzzing of an alarum-clock. He had gone back just in time.