Project Gutenberg #1260
Jane Eyre
Charlotte Brontë
1847Charlotte Bronte's Bildungsroman and Gothic romance, prepared chapter by chapter from Project Gutenberg plaintext.
Project Gutenberg #1260 Public domain in the United States Cover source Local typographic cover created for MojiMori from public-domain source metadata
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AI Summary
Chapter 2 — CHAPTER II Central question How does Jane respond when the household’s violence becomes explicit? Main argument Jane’s resistance to John Reed marks her first open revolt against domination. The...
her husband’s death, by any tie?
It must have been most irksome to find herself bound by a hard-wrung
pledge to stand in the stead of a parent to a strange child she could
not love, and to see an uncongenial alien permanently intruded on her
own family group.
A singular notion dawned upon me. I doubted not—never doubted—that if
Mr. Reed had been alive he would have treated me kindly; and now, as I
sat looking at the white bed and overshadowed walls—occasionally also
turning a fascinated eye towards the dimly gleaming mirror—I began to
recall what I had heard of dead men, troubled in their graves by the
violation of their last wishes, revisiting the earth to punish the
perjured and avenge the oppressed; and I thought Mr. Reed’s spirit,
harassed by the wrongs of his sister’s child, might quit its
abode—whether in the church vault or in the unknown world of the
departed—and rise before me in this chamber. I wiped my tears and
hushed my sobs, fearful lest any sign of violent grief might waken a
preternatural voice to comfort me, or elicit from the gloom some haloed
face, bending over me with strange pity. This idea, consolatory in
theory, I felt would be terrible if realised: with all my might I
endeavoured to stifle it—I endeavoured to be firm. Shaking my hair from
my eyes, I lifted my head and tried to look boldly round the dark room;
at this moment a light gleamed on the wall. Was it, I asked myself, a
ray from the moon penetrating some aperture in the blind? No; moonlight
was still, and this stirred; while I gazed, it glided up to the ceiling
and quivered over my head. I can now conjecture readily that this
streak of light was, in all likelihood, a gleam from a lantern carried
by some one across the lawn: but then, prepared as my mind was for
horror, shaken as my nerves were by agitation, I thought the swift
darting beam was a herald of some coming vision from another world. My
heart beat thick, my head grew hot; a sound filled my ears, which I
deemed the rushing of wings; something seemed near me; I was oppressed,
suffocated: endurance broke down; I rushed to the door and shook the
lock in desperate effort. Steps came running along the outer passage;
the key turned, Bessie and Abbot entered.
“Miss Eyre, are you ill?” said Bessie.
“What a dreadful noise! it went quite through me!” exclaimed Abbot.
“Take me out! Let me go into the nursery!” was my cry.
“What for? Are you hurt? Have you seen something?” again demanded
Bessie.
“Oh! I saw a light, and I thought a ghost would come.” I had now got
hold of Bessie’s hand, and she did not snatch it from me.
“She has screamed out on purpose,” declared Abbot, in some disgust.
“And what a scream! If she had been in great pain one would have
excused it, but she only wanted to bring us all here: I know her
naughty tricks.”
“What is all this?” demanded another voice peremptorily; and Mrs. Reed
came along the corridor, her cap flying wide, her gown rustling
stormily. “Abbot and Bessie, I believe I gave orders that Jane Eyre
should be left in the red-room till I came to her myself.”
“Miss Jane screamed so loud, ma’am,” pleaded Bessie.
“Let her go,” was the only answer. “Loose Bessie’s hand, child: you
cannot succeed in getting out by these means, be assured. I abhor
artifice, particularly in children; it is my duty to show you that
tricks will not answer: you will now stay here an hour longer, and it
is only on condition of perfect submission and stillness that I shall
liberate you then.”
“O aunt! have pity! Forgive me! I cannot endure it—let me be punished
some other way! I shall be killed if—”
“Silence! This violence is all most repulsive:” and so, no doubt, she
felt it. I was a precocious actress in her eyes; she sincerely looked
on me as a compound of virulent passions, mean spirit, and dangerous
duplicity.
Bessie and Abbot having retreated, Mrs. Reed, impatient of my now
frantic anguish and wild sobs, abruptly thrust me back and locked me
in, without farther parley. I heard her sweeping away; and soon after
she was gone, I suppose I had a species of fit: unconsciousness closed
the scene.