Project Gutenberg #1260
Jane Eyre
Charlotte Brontë
1847Charlotte Bronte's Bildungsroman and Gothic romance, prepared chapter by chapter from Project Gutenberg plaintext.
Project Gutenberg #1260 Public domain in the United States Cover source Local typographic cover created for MojiMori from public-domain source metadata
242
words at B2 or above
A1
A2
B1
B2
C1
C2
C2+
highlighted
at or above your level
AI Summary
Chapter 15 — CHAPTER XV Central question Who is Adèle, and what does Rochester’s past reveal? Main argument Rochester explains Adèle’s origin and his connection to Céline Varens, turning his history into something...
Mr. Rochester did, on a future occasion, explain it. It was one
afternoon, when he chanced to meet me and Adèle in the grounds: and
while she played with Pilot and her shuttlecock, he asked me to walk up
and down a long beech avenue within sight of her.
He then said that she was the daughter of a French opera-dancer, Céline
Varens, towards whom he had once cherished what he called a “_grande
passion_.” This passion Céline had professed to return with even
superior ardour. He thought himself her idol, ugly as he was: he
believed, as he said, that she preferred his “_taille d’athlète_” to
the elegance of the Apollo Belvidere.
“And, Miss Eyre, so much was I flattered by this preference of the
Gallic sylph for her British gnome, that I installed her in an hotel;
gave her a complete establishment of servants, a carriage, cashmeres,
diamonds, dentelles, &c. In short, I began the process of ruining
myself in the received style, like any other spoony. I had not, it
seems, the originality to chalk out a new road to shame and
destruction, but trode the old track with stupid exactness not to
deviate an inch from the beaten centre. I had—as I deserved to have—the
fate of all other spoonies. Happening to call one evening when Céline
did not expect me, I found her out; but it was a warm night, and I was
tired with strolling through Paris, so I sat down in her boudoir; happy
to breathe the air consecrated so lately by her presence. No,—I
exaggerate; I never thought there was any consecrating virtue about
her: it was rather a sort of pastille perfume she had left; a scent of
musk and amber, than an odour of sanctity. I was just beginning to
stifle with the fumes of conservatory flowers and sprinkled essences,
when I bethought myself to open the window and step out on to the
balcony. It was moonlight and gaslight besides, and very still and
serene. The balcony was furnished with a chair or two; I sat down, and
took out a cigar,—I will take one now, if you will excuse me.”
Here ensued a pause, filled up by the producing and lighting of a
cigar; having placed it to his lips and breathed a trail of Havannah
incense on the freezing and sunless air, he went on—
“I liked bonbons too in those days, Miss Eyre, and I was
_croquant_—(overlook the barbarism)—_croquant_ chocolate comfits, and
smoking alternately, watching meantime the equipages that rolled along
the fashionable streets towards the neighbouring opera-house, when in
an elegant close carriage drawn by a beautiful pair of English horses,
and distinctly seen in the brilliant city-night, I recognised the
‘voiture’ I had given Céline. She was returning: of course my heart
thumped with impatience against the iron rails I leant upon. The
carriage stopped, as I had expected, at the hotel door; my flame (that
is the very word for an opera inamorata) alighted: though muffed in a
cloak—an unnecessary encumbrance, by-the-bye, on so warm a June
evening—I knew her instantly by her little foot, seen peeping from the
skirt of her dress, as she skipped from the carriage-step. Bending over
the balcony, I was about to murmur ‘Mon ange’—in a tone, of course,
which should be audible to the ear of love alone—when a figure jumped
from the carriage after her; cloaked also; but that was a spurred heel
which had rung on the pavement, and that was a hatted head which now
passed under the arched _porte cochère_ of the hotel.
“You never felt jealousy, did you, Miss Eyre? Of course not: I need not
ask you; because you never felt love. You have both sentiments yet to
experience: your soul sleeps; the shock is yet to be given which shall
waken it. You think all existence lapses in as quiet a flow as that in
which your youth has hitherto slid away. Floating on with closed eyes
and muffled ears, you neither see the rocks bristling not far off in
the bed of the flood, nor hear the breakers boil at their base. But I
tell you—and you may mark my words—you will come some day to a craggy
pass in the channel, where the whole of life’s stream will be broken up
into whirl and tumult, foam and noise: either you will be dashed to
atoms on crag points, or lifted up and borne on by some master-wave
into a calmer current—as I am now.
“I like this day; I like that sky of steel; I like the sternness and
stillness of the world under this frost. I like Thornfield, its
antiquity, its retirement, its old crow-trees and thorn-trees, its grey
façade, and lines of dark windows reflecting that metal welkin: and yet
how long have I abhorred the very thought of it, shunned it like a
great plague-house? How I do still abhor—”
He ground his teeth and was silent: he arrested his step and struck his
boot against the hard ground. Some hated thought seemed to have him in
its grip, and to hold him so tightly that he could not advance.
We were ascending the avenue when he thus paused; the hall was before
us. Lifting his eye to its battlements, he cast over them a glare such
as I never saw before or since. Pain, shame, ire, impatience, disgust,
detestation, seemed momentarily to hold a quivering conflict in the
large pupil dilating under his ebon eyebrow. Wild was the wrestle which
should be paramount; but another feeling rose and triumphed: something
hard and cynical: self-willed and resolute: it settled his passion and
petrified his countenance: he went on—
“During the moment I was silent, Miss Eyre, I was arranging a point
with my destiny. She stood there, by that beech-trunk—a hag like one of
those who appeared to Macbeth on the heath of Forres. ‘You like
Thornfield?’ she said, lifting her finger; and then she wrote in the
air a memento, which ran in lurid hieroglyphics all along the
house-front, between the upper and lower row of windows, ‘Like it if
you can! Like it if you dare!’
“‘I will like it,’ said I; ‘I dare like it;’ and” (he subjoined
moodily) “I will keep my word; I will break obstacles to happiness, to
goodness—yes, goodness. I wish to be a better man than I have been,
than I am; as Job’s leviathan broke the spear, the dart, and the
habergeon, hindrances which others count as iron and brass, I will
esteem but straw and rotten wood.”
Adèle here ran before him with her shuttlecock. “Away!” he cried
harshly; “keep at a distance, child; or go in to Sophie!” Continuing
then to pursue his walk in silence, I ventured to recall him to the
point whence he had abruptly diverged—
“Did you leave the balcony, sir,” I asked, “when Mdlle. Varens
entered?”
I almost expected a rebuff for this hardly well-timed question, but, on
the contrary, waking out of his scowling abstraction, he turned his
eyes towards me, and the shade seemed to clear off his brow. “Oh, I had
forgotten Céline! Well, to resume. When I saw my charmer thus come in
accompanied by a cavalier, I seemed to hear a hiss, and the green snake
of jealousy, rising on undulating coils from the moonlit balcony,
glided within my waistcoat, and ate its way in two minutes to my
heart’s core. Strange!” he exclaimed, suddenly starting again from the
point. “Strange that I should choose you for the confidant of all this,
young lady; passing strange that you should listen to me quietly, as if
it were the most usual thing in the world for a man like me to tell
stories of his opera-mistresses to a quaint, inexperienced girl like
you! But the last singularity explains the first, as I intimated once
before: you, with your gravity, considerateness, and caution were made
to be the recipient of secrets. Besides, I know what sort of a mind I
have placed in communication with my own: I know it is one not liable
to take infection: it is a peculiar mind: it is a unique one. Happily I
do not mean to harm it: but, if I did, it would not take harm from me.
The more you and I converse, the better; for while I cannot blight you,
you may refresh me.” After this digression he proceeded—
“I remained in the balcony. ‘They will come to her boudoir, no doubt,’
thought I: ‘let me prepare an ambush.’ So putting my hand in through
the open window, I drew the curtain over it, leaving only an opening
through which I could take observations; then I closed the casement,
all but a chink just wide enough to furnish an outlet to lovers’
whispered vows: then I stole back to my chair; and as I resumed it the
pair came in. My eye was quickly at the aperture. Céline’s chamber-maid
entered, lit a lamp, left it on the table, and withdrew. The couple
were thus revealed to me clearly: both removed their cloaks, and there
was ‘the Varens,’ shining in satin and jewels,—my gifts of course,—and
there was her companion in an officer’s uniform; and I knew him for a
young roué of a vicomte—a brainless and vicious youth whom I had
sometimes met in society, and had never thought of hating because I
despised him so absolutely. On recognising him, the fang of the snake
Jealousy was instantly broken; because at the same moment my love for
Céline sank under an extinguisher. A woman who could betray me for such
a rival was not worth contending for; she deserved only scorn; less,
however, than I, who had been her dupe.
“They began to talk; their conversation eased me completely: frivolous,
mercenary, heartless, and senseless, it was rather calculated to weary
than enrage a listener. A card of mine lay on the table; this being
perceived, brought my name under discussion. Neither of them possessed
energy or wit to belabour me soundly, but they insulted me as coarsely
as they could in their little way: especially Céline, who even waxed
rather brilliant on my personal defects—deformities she termed them.
Now it had been her custom to launch out into fervent admiration of
what she called my ‘_beauté mâle_:’ wherein she differed diametrically
from you, who told me point-blank, at the second interview, that you
did not think me handsome. The contrast struck me at the time and—”
Adèle here came running up again.
“Monsieur, John has just been to say that your agent has called and
wishes to see you.”
“Ah! in that case I must abridge. Opening the window, I walked in upon
them; liberated Céline from my protection; gave her notice to vacate
her hotel; offered her a purse for immediate exigencies; disregarded
screams, hysterics, prayers, protestations, convulsions; made an
appointment with the vicomte for a meeting at the Bois de Boulogne.
Next morning I had the pleasure of encountering him; left a bullet in
one of his poor etiolated arms, feeble as the wing of a chicken in the
pip, and then thought I had done with the whole crew. But unluckily the
Varens, six months before, had given me this filette Adèle, who, she
affirmed, was my daughter; and perhaps she may be, though I see no
proofs of such grim paternity written in her countenance: Pilot is more
like me than she. Some years after I had broken with the mother, she
abandoned her child, and ran away to Italy with a musician or singer. I
acknowledged no natural claim on Adèle’s part to be supported by me,
nor do I now acknowledge any, for I am not her father; but hearing that
she was quite destitute, I e’en took the poor thing