Project Gutenberg #1260
Jane Eyre
Charlotte Brontë
1847Charlotte Bronte's Bildungsroman and Gothic romance, prepared chapter by chapter from Project Gutenberg plaintext.
Project Gutenberg #1260 Public domain in the United States Cover source Local typographic cover created for MojiMori from public-domain source metadata
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AI Summary
Chapter 31 — CHAPTER XXXI Central question What is Jane’s real place once she is restored to society? Main argument Jane discovers that Moor House is her own family inheritance and that she now has resources, not...
the temperate clime of Albion moulded; as pure
hues of rose and lily as ever her humid gales and vapoury skies
generated and screened, justified, in this instance, the term. No charm
was wanting, no defect was perceptible; the young girl had regular and
delicate lineaments; eyes shaped and coloured as we see them in lovely
pictures, large, and dark, and full; the long and shadowy eyelash which
encircles a fine eye with so soft a fascination; the pencilled brow
which gives such clearness; the white smooth forehead, which adds such
repose to the livelier beauties of tint and ray; the cheek oval, fresh,
and smooth; the lips, fresh too, ruddy, healthy, sweetly formed; the
even and gleaming teeth without flaw; the small dimpled chin; the
ornament of rich, plenteous tresses—all advantages, in short, which,
combined, realise the ideal of beauty, were fully hers. I wondered, as
I looked at this fair creature: I admired her with my whole heart.
Nature had surely formed her in a partial mood; and, forgetting her
usual stinted step-mother dole of gifts, had endowed this, her darling,
with a grand-dame’s bounty.
What did St. John Rivers think of this earthly angel? I naturally asked
myself that question as I saw him turn to her and look at her; and, as
naturally, I sought the answer to the inquiry in his countenance. He
had already withdrawn his eye from the Peri, and was looking at a
humble tuft of daisies which grew by the wicket.
“A lovely evening, but late for you to be out alone,” he said, as he
crushed the snowy heads of the closed flowers with his foot.
“Oh, I only came home from S——” (she mentioned the name of a large town
some twenty miles distant) “this afternoon. Papa told me you had opened
your school, and that the new mistress was come; and so I put on my
bonnet after tea, and ran up the valley to see her: this is she?”
pointing to me.
“It is,” said St. John.
“Do you think you shall like Morton?” she asked of me, with a direct
and naïve simplicity of tone and manner, pleasing, if child-like.
“I hope I shall. I have many inducements to do so.”
“Did you find your scholars as attentive as you expected?”
“Quite.”
“Do you like your house?”
“Very much.”
“Have I furnished it nicely?”
“Very nicely, indeed.”
“And made a good choice of an attendant for you in Alice Wood?”
“You have indeed. She is teachable and handy.” (This then, I thought,
is Miss Oliver, the heiress; favoured, it seems, in the gifts of
fortune, as well as in those of nature! What happy combination of the
planets presided over her birth, I wonder?)
“I shall come up and help you to teach sometimes,” she added. “It will
be a change for me to visit you now and then; and I like a change. Mr.
Rivers, I have been _so_ gay during my stay at S——. Last night, or
rather this morning, I was dancing till two o’clock. The ——th regiment
are stationed there since the riots; and the officers are the most
agreeable men in the world: they put all our young knife-grinders and
scissor merchants to shame.”
It seemed to me that Mr. St. John’s under lip protruded, and his upper
lip curled a moment. His mouth certainly looked a good deal compressed,
and the lower part of his face unusually stern and square, as the
laughing girl gave him this information. He lifted his gaze, too, from
the daisies, and turned it on her. An unsmiling, a searching, a meaning
gaze it was. She answered it with a second laugh, and laughter well
became her youth, her roses, her dimples, her bright eyes.
As he stood, mute and grave, she again fell to caressing Carlo. “Poor
Carlo loves me,” said she. “_He_ is not stern and distant to his
friends; and if he could speak, he would not be silent.”
As she patted the dog’s head, bending with native grace before his
young and austere master, I saw a glow rise to that master’s face. I
saw his solemn eye melt with sudden fire, and flicker with resistless
emotion. Flushed and kindled thus, he looked nearly as beautiful for a
man as she for a woman. His chest heaved once, as if his large heart,
weary of despotic constriction, had expanded, despite the will, and
made a vigorous bound for the attainment of liberty. But he curbed it,
I think, as a resolute rider would curb a rearing steed. He responded
neither by word nor movement to the gentle advances made him.
“Papa says you never come to see us now,” continued Miss Oliver,
looking up. “You are quite a stranger at Vale Hall. He is alone this
evening, and not very well: will you return with me and visit him?”
“It is not a seasonable hour to intrude on Mr. Oliver,” answered St.
John.
“Not a seasonable hour! But I declare it is. It is just the hour when
papa most wants company: when the works are closed and he has no
business to occupy him. Now, Mr. Rivers, _do_ come. Why are you so very
shy, and so very sombre?” She filled up the hiatus his silence left by
a reply of her own.
“I forgot!” she exclaimed, shaking her beautiful curled head, as if
shocked at herself. “I am so giddy and thoughtless! _Do_ excuse me. It
had slipped my memory that you have good reasons to be indisposed for
joining in my chatter. Diana and Mary have left you, and Moor House is
shut up, and you are so lonely. I am sure I pity you. Do come and see
papa.”
“Not to-night, Miss Rosamond, not to-night.”
Mr. St. John spoke almost like an automaton: himself only knew the
effort it cost him thus to refuse.
“Well, if you are so obstinate, I will leave you; for I dare not stay
any longer: the dew begins to fall. Good evening!”
She held out her hand. He just touched it. “Good evening!” he repeated,
in a voice low and hollow as an echo. She turned, but in a moment
returned.
“Are you well?” she asked. Well might she put the question: his face
was blanched as her gown.
“Quite well,” he enunciated; and, with a bow, he left the gate. She
went one way; he another. She turned twice to gaze after him as she
tripped fairy-like down the field; he, as he strode firmly across,
never turned at all.
This spectacle of another’s suffering and sacrifice rapt my thoughts
from exclusive meditation on my own. Diana Rivers had designated her
brother “inexorable as death.” She had not exaggerated.