Cover for The Analysis of Matter

Project Gutenberg #77427

The Analysis of Matter

Bertrand Russell

1927

Russell's philosophical treatment of physics and matter, prepared section by section from Project Gutenberg HTML.

Project Gutenberg #77427 Public domain in the United States Cover source Local typographic cover created for MojiMori from public-domain source metadata

Section 23 of 67 Page 16 of 44

CHAPTER XIV THE ABSTRACTNESS OF PHYSICS

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Chapter XIV — THE ABSTRACTNESS OF PHYSICS Central question How far has physics moved away from common sense? Main argument Russell reflects on the growing abstraction of physics and the widening gap between...

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in such a way that it shall become capable of scientific precision. I come now to the question of "objectivity" in a perception. This is a matter of degree: the more correct are the inferences we can draw from a percept as to other events (whether percepts or not) belonging to the same group, the more "objective" is the perception. (I propose this as a definition.) A percept may not belong to a group at all; in that case it has no objectivity. Hallucinations and dreams come under this head. Or we may be mistaken as to the position of the centre of the group; this is the case with a mirage, or with a reflection not recognized as such. Or we may perceive a colour or shape which is erratic, say owing to intervening smoke, and thus misleads us as to the colour or shape which others will see. I should not regard a perception as failing in objectivity through[Pg 223] mere vagueness. Vagueness diminishes the number of inferences that we can draw, but not their correctness. From a distance we perceive correctly that what is approaching is a man; when he gets near we perceive that he is Jones. But our previous perception did not fail in objectivity through failing to show that it was Jones. It would have failed of objectivity if, owing to intervening lenses, it had shown us a man standing on his head. When two people simultaneously have percepts which they regard as belonging to one group, if the inferences of the one differ from those of the other, one of them at least must be drawing false inferences, and must therefore have an element of subjectivity in his perception. It is only where the inferences of the two observers agree that both perceptions may be objective. It will be seen that, according to this view, the objectivity of a perception does not depend only upon what it is in itself, but also upon the experience of the percipient. A man accustomed to being short-sighted can judge objects much more correctly than a man whose vision suddenly acquires the same defect. Fatigue as well as alcohol may make us see double, but fatigue will not deceive us when it does so. Subjectivity in perceptions may be traced to three sources, physical, physiological, and psychological; or, better perhaps, physical, sensory, and cerebral. In all cases in which a percept is really a member of a group constituting a physical object, any element of subjectivity that it may possess is due to the distortions connected with intervening physical objectsthat, at least, is the theory which has been found successful. When these objects are between the body of the percipient and the centre of the group to which the percept belongs, the subjectivity is physical; when they are in the body of the percipient but not in his brain, they are sensory when they are in his brain, they are cerebral. The last of these, however, is usually purely hypothetical; the discoverable causes of the[Pg 224] subjectivity which we are calling cerebral are as a rule psychological. Physical subjectivity exists equally in a photograph or gramophone record; it is present already in the events, external to the percipient's body, which belong to the group in question and are very near to the sense-organ concerned in the perception. The stick that looks bent when it is half in water is an obvious example of physical subjectivity. So are many effects of reflexion, refraction, etc. The theory of relativity has brought to light a new kind of physical subjectivity, dependent upon relative motion. The prevention of mistaken inferences owing to physical subjectivity is part of the business of physics, and does not involve physiology or psychology. Physiological (or sensory) subjectivity arises through defects of the sense-organs or afferent nerves; it may also be produced by drugs. We can discover such defects by the comparison of different people's perceptions in a given situation. It should be observed that the intrinsic quality of a percept is unimportant in this respect: if one person sees red where another sees green, and green where another sees red, the fact will be undiscoverable and harmless. But if, where one person sees two colours, red and green, another only sees one, we have a discoverable difference, which is correctly described as a defect in the vision of the person who only sees one. It is always assumed that if two stimuli produce noticeably different effects in a given percipient at a given time, there must be differences in the stimuli correlated with the differences in their effects; while if the effects are not noticeably different, there may nevertheless be differences in the stimuli. Consequently 's senses are better than 's if perceives differences when does not. For the same reason, the microscope and the telescope are better than the naked eye. But this has, as a rule, more to do with vagueness than with[Pg 225] subjectivity. Subjectivity only enters in when we are led to make false inferences, not when we are merely unable to make inferences which another can make. A mere deficiency, such as blindness or deafness, does not amount to subjectivity, but seeing double does if it deceives us. It deceives us when it leads to false inferencese.g. that there are two tactual objects, or that a person near us will see two objects. Cerebral (or psychological) subjectivity arises as a result of past experience. An obvious example is a sensation which appears to be in a leg which has been amputated. We are liable to this kind of error whenever two things usually associated are for some reason dissociated. Certain sensations have, in the past, been generally associated with a stimulus in the leg; but they have had as intermediaries conditions of the nerves between the leg and the brain. If these previously intermediate conditions arise in a person who has lost his leg, he will interpret them as sensations in his leg, if he has momentarily forgotten that he has lost his lege.g. on waking from sleep. In all perception (except perhaps during the first weeks of life) there is a large element of interpretation due to past experience, and this element is subjective when the present situation does not contain the correlations whose past occurrence has caused the interpretation. All these sources of error have to be guarded against if perception is not to mislead us. The ways of guarding against them are those suggested by common sense and perfected by science; they are all such as to substitute laws with few or no exceptions for laws with a comparatively large number of exceptions. It will be seen that very little can be inferred with confidence from a single percept; we need observation from different points of view, and throughout a certain period of time. It is true that we shall usually be right in what we infer from a single percept, but that is because the objects[Pg 226] that surround us mostly belong to familiar kindsmen, horses, motor-cars, etc. But it would not be difficult to construct situations which would deceive at the first glance, especially if we could be suddenly transported into a quite unfamiliar world, like Wells's Martians. Water, for example, would completely puzzle a person who had never seen a liquid, if such a person could exist. In this matter, as elsewhere, we proceed step by step from the easy but precarious inferences of common sense to the difficult but more reliable inferences of science. Where the intervening medium is relevant in inferring other members of a group from a percept, it is obvious that the single percept is theoretically inadequate as a basis for inference, since, by a change in the medium, the same percept might be associated with a different group. In this case, the distorting element in the medium may be directly discovered by other perceptse.g. glass may be touchedor it may be merely inferred by examining the way in which percepts belonging to one group change from place to placee.g. refraction in air. When it has been inferred, the inference needs to be tested by examining whether it has further consequences which can be verified. All this is a commonplace. It remains to say something about the inference from percepts to events which no one perceives. It is not its validity that I wish to examine now, but its scopei.e. how much we can know about unperceived events, assuming the causal theory of perception. It is sometimes urged that an unperceived cause of a perception must be a mere Ding-an-sich or Spencerian Unknowable. This seems to me only very partially true, if we accept the usual canons of scientific inference. We assume that differences in percepts imply differences in stimulii.e. if a person hears two sounds at once, or sees two colours at once, two physically different stimuli have reached his ear or his eye. This principle,[Pg 227] together with spatio-temporal continuity, suffices to give a great deal of knowledge as to the structure of stimuli. Their intrinsic characters, it is true, must remain unknown; but we may assume that the stimuli causing us to hear notes of different pitches form a series in respect of some character which corresponds causally with pitch, and we may make similar assumptions in regard to colour or any other character of sensations which is capable of serial arrangement. And we can without difficulty extend geometry to the world outside our perceptions, although the space of that world will only correspond to the space of perception in certain respects, and will be by no means identical with the space of perception. What we assume is, formally, something like this: there is a roughly one-one relation between stimulus and percepti.e. between the events just outside the sense-organ and the event which we call a perception. This enables us to infer certain mathematical properties of the stimulus when we know the percept, and conversely enables us to infer the percept when we know these mathematical properties of the stimulus Consequently, except when we are studying physiology or psychology, we may suppose that what is happening in a place is what a person would perceive in that place, provided we use, in inference, only those properties of the percept which it shares with the stimulus. E.g. we must not use the blueness of blue, but we may use its difference from red or yellow. We cannot argue that because a picture looks beautiful, therefore there is beauty in the system of stimuli, because beauty may depend upon the actual qualities.[49] But nothing in physical science ever depends upon the actual qualities. Hence for practical purposes in physics the difference between percept and stimulus only compels us to confine ourselves to the structural properties of percepts; so long as we do this,[Pg 228] we need hardly trouble to remember that percept and stimulus are different. In physiology and psychology this does not hold, since we are concerned with the process intervening between stimulus and perception, or with perception itself. Even in physics, it does not hold strictly, because the relation of stimulus and perception is not strictly one-one. It is only approximately so, even when we confine ourselves to stimuli to a given sense of a given person at a given timee.g. two colours which I perceive side by side. Even here, vagueness comes in, so that slightly different stimuli may give indistinguishable perceptions. This constitutes an essential limitation to our knowledge, enshrined in the notion of "probable error." It can, however, be reduced to a minimum by the usual methods and constitutes, therefore, rather a practical difficulty than a theoretical problem. FOOTNOTES: [49] If we accepted the theory that beauty depends only upon "significant form," we should have to say that a musical score is as beautiful as the

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