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Project Gutenberg #2529

The Analysis of Mind

Bertrand Russell

1921

Russell's study of mind and psychology, split into readable sections from Project Gutenberg HTML.

Project Gutenberg #2529 Public domain in the United States Cover source Local typographic cover created for MojiMori from public-domain source metadata

Section 9 of 15 Page 4 of 5

LECTURE IX. MEMORY

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Lecture IX — Memory Central question How can the present know the past? Main argument Russell treats memory as a kind of knowledge that requires explanation rather than philosophical awe. He wants to distinguish...

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content of what is believed, but in the nature of the belief-feeling. I might have just the same images and expect their realization; I might entertain them without any belief, as in reading a novel; or I might entertain them together with a time-determination, and give bare assent, as in reading history. I shall return to this subject in a later lecture, when we come to the analysis of belief. For the present, I wish to make it clear that a certain special kind of belief is the distinctive characteristic of memory. The problem as to whether memory can be explained as habit or association requires to be considered afresh in connection with the causes of our remembering something. Let us take again the case of my being asked what I had for breakfast this morning. In this case the question leads to my setting to work to recollect. It is a little strange that the question should instruct me as to what it is that I am to recall. This has to do with understanding words, which will be the topic of the next lecture; but something must be said about it now. Our understanding of the words "breakfast this morning" is a habit, in spite of the fact that on each fresh day they point to a different occasion. "This morning" does not, whenever it is used, mean the same thing, as "John" or "St. Paul's" does; it means a different period of time on each different day. It follows that the habit which constitutes our understanding of the words "this morning" is not the habit of associating the words with a fixed object, but the habit of associating them with something having a fixed time-relation to our present. This morning has, to-day, the same time-relation to my present that yesterday morning had yesterday. In order to understand the phrase "this morning" it is necessary that we should have a way of feeling time-intervals, and that this feeling should give what is constant in the meaning of the words "this morning." This appreciation of time-intervals is, however, obviously a product of memory, not a presupposition of it. It will be better, therefore, if we wish to analyse the causation of memory by something not presupposing memory, to take some other instance than that of a question about "this morning." Let us take the case of coming into a familiar room where something has been changedsay a new picture hung on the wall. We may at first have only a sense that SOMETHING is unfamiliar, but presently we shall remember, and say "that picture was not on the wall before." In order to make the case definite, we will suppose that we were only in the room on one former occasion. In this case it seems fairly clear what happens. The other objects in the room are associated, through the former occasion, with a blank space of wall where now there is a picture. They call up an image of a blank wall, which clashes with perception of the picture. The image is associated with the belief-feeling which we found to be distinctive of memory, since it can neither be abolished nor harmonized with perception. If the room had remained unchanged, we might have had only the feeling of familiarity without the definite remembering; it is the change that drives us from the present to memory of the past. We may generalize this instance so as to cover the causes of many memories. Some present feature of the environment is associated, through past experiences, with something now absent; this absent something comes before us as an image, and is contrasted with present sensation. In cases of this sort, habit (or association) explains why the present feature of the environment brings up the memory-image, but it does not explain the memory-belief. Perhaps a more complete analysis could explain the memory-belief also on lines of association and habit, but the causes of beliefs are obscure, and we cannot investigate them yet. For the present we must content ourselves with the fact that the memory-image can be explained by habit. As regards the memory-belief, we must, at least provisionally, accept Bergson's view that it cannot be brought under the head of habit, at any rate when it first occurs, i.e. when we remember something we never remembered before. We must now consider somewhat more closely the content of a memory-belief. The memory-belief confers upon the memory-image something which we may call "meaning;" it makes us feel that the image points to an object which existed in the past. In order to deal with this topic we must consider the verbal expression of the memory-belief. We might be tempted to put the memory-belief into the words: "Something like this image occurred." But such words would be very far from an accurate translation of the simplest kind of memory-belief. "Something like this image" is a very complicated conception. In the simplest kind of memory we are not aware of the difference between an image and the sensation which it copies, which may be called its "prototype." When the image is before us, we judge rather "this occurred." The image is not distinguished from the object which existed in the past: the word "this" covers both, and enables us to have a memory-belief which does not introduce the complicated notion "something like this." It might be objected that, if we judge "this occurred" when in fact "this" is a present image, we judge falsely, and the memory-belief, so interpreted, becomes deceptive. This, however, would be a mistake, produced by attempting to give to words a precision which they do not possess when used by unsophisticated people. It is true that the image is not absolutely identical with its prototype, and if the word "this" meant the image to the exclusion of everything else, the judgment "this occurred" would be false. But identity is a precise conception, and no word, in ordinary speech, stands for anything precise. Ordinary speech does not distinguish between identity and close similarity. A word always applies, not only to one particular, but to a group of associated particulars, which are not recognized as multiple in common thought or speech. Thus primitive memory, when it judges that "this occurred," is vague, but not false. Vague identity, which is really close similarity, has been a source of many of the confusions by which philosophy has lived. Of a vague subject, such as a "this," which is both an image and its prototype, contradictory predicates are true simultaneously: this existed and does not exist, since it is a thing remembered, but also this exists and did not exist, since it is a present image. Hence Bergson's interpenetration of the present by the past, Hegelian continuity and identity-in-diversity, and a host of other notions which are thought to be profound because they are obscure and confused. The contradictions resulting from confounding image and prototype in memory force us to precision. But when we become precise, our remembering becomes different from that of ordinary life, and if we forget this we shall go wrong in the analysis of ordinary memory. Vagueness and accuracy are important notions, which it is very necessary to understand. Both are a matter of degree. All thinking is vague to some extent, and complete accuracy is a theoretical ideal not practically attainable. To understand what is meant by accuracy, it will be well to consider first instruments of measurement, such as a balance or a thermometer. These are said to be accurate when they give different results for very slightly different stimuli.* A clinical thermometer is accurate when it enables us to detect very slight differences in the temperature of the blood. We may say generally that an instrument is accurate in proportion as it reacts differently to very slightly different stimuli. When a small difference of stimulus produces a great difference of reaction, the instrument is accurate; in the contrary case it is not. * This is a necessary but not a sufficient condition. The subject of accuracy and vagueness will be considered again in Lecture XIII. Exactly the same thing applies in defining accuracy of thought or perception. A musician will respond differently to very minute differences in playing which would be quite imperceptible to the ordinary mortal. A negro can see the difference between one negro and another one is his friend, another his enemy. But to us such different responses are impossible: we can merely apply the word "negro" indiscriminately. Accuracy of response in regard to any particular kind of stimulus is improved by practice. Understanding a language is a case in point. Few Frenchmen can hear any difference between the sounds "hall" and "hole," which produce quite different impressions upon us. The two statements "the hall is full of water" and "the hole is full of water" call for different responses, and a hearing which cannot distinguish between them is inaccurate or vague in this respect. Precision and vagueness in thought, as in perception, depend upon the degree of difference between responses to more or less similar stimuli. In the case of thought, the response does not follow immediately upon the sensational stimulus, but that makes no difference as regards our present question. Thus to revert to memory: A memory is "vague" when it is appropriate to many different occurrences: for instance, "I met a man" is vague, since any man would verify it. A memory is "precise" when the occurrences that would verify it are narrowly circumscribed: for instance, "I met Jones" is precise as compared to "I met a man." A memory is "accurate" when it is both precise and true, i.e. in the above instance, if it was Jones I met. It is precise even if it is false, provided some very definite occurrence would have been required to make it true. It follows from what has been said that a vague thought has more likelihood of being true than a precise one. To try and hit an object with a vague thought is like trying to hit the bull's eye with a lump of putty: when the putty reaches the target, it flattens out all over it, and probably covers the bull's eye along with the rest. To try and hit an object with a precise thought is like trying to hit the bull's eye with a bullet. The advantage of the precise thought is that it distinguishes between the bull's eye and the rest of the target. For example, if the whole target is represented by the fungus family and the bull's eye by mushrooms, a vague thought which can only hit the target as a whole is not much use from a culinary point of view. And when I merely remember that I met a man, my memory may be very inadequate to my practical requirements, since it may make a great difference whether I met Brown or Jones. The memory "I met Jones" is relatively precise. It is accurate if I met Jones, inaccurate if I met Brown, but precise in either case as against the mere recollection that I met a man. The distinction between accuracy and precision is however, not fundamental. We may omit precision from out thoughts and confine ourselves to the distinction between accuracy and vagueness. We may then set up the following definitions: An instrument is "reliable" with respect to a given set of stimuli when to stimuli which are not relevantly different it gives always responses which are not relevantly different. An instrument is a "measure" of a set of stimuli which are serially ordered when its responses, in all cases where they are relevantly different, are arranged in a series in the same order. The "degree of accuracy" of an instrument which is a reliable measurer is the ratio of the difference of response to the difference of stimulus in cases where the difference of stimulus is small.* That is to

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