Project Gutenberg #4238
On the Economy of Machinery and Manufactures
Charles Babbage
1832Babbage's study of machinery, factories, automation, and labor, prepared chapter by chapter from Project Gutenberg HTML.
Project Gutenberg #4238 Public domain in the United States Cover source Local typographic cover created for MojiMori from public-domain source metadata
177
words at B2 or above
A1
A2
B1
B2
C1
C2
C2+
highlighted
at or above your level
Missing dictionary data: 9 unique words are not in the dictionary data yet. Amber marks show where they appear.
will not be straight, and will, consequently, be unfit for its purpose.
Copying with elongation
140. In this species of copying there exists but little resemblance between the copy and the original. It is the cross-section only of the thing produced which is similar to the tool through which it passes. When the substances to be operated upon are hard, they must frequently pass in succession through several holes, and it is in some cases necessary to anneal them at intervals.
141. Wire drawing. The metal to be converted into wire is made of a cylindrical form, and drawn forcibly through circular holes in plates of steel: at each passage it becomes smaller. and, when finished, its section at any point is a precise copy of the last hole through which it passed. Upon the larger kinds of wire, fine lines may sometimes be traced, running longitudinally. these arise from slight imperfections in the holes of the draw-plates. For many purposes of the arts, wire, the section of which is square or half round, is required: the same method of making it is pursued, except that the holes through which it is drawn are in such cases themselves square, or half-round, or of whatever other form the wire is required to be. A species of wire is made, the section of which resembles a star with from six to twelve rays; this is called pinion wire, and is used by the clockmakers. They file away all the rays from a short piece, except from about half an inch near one end: this becomes a pinion for a clock; and the leaves or teeth are already burnished and finished, from having passed through the draw-plate.
142. Tube drawing. The art of forming tubes of uniform diameter is nearly similar in its mode of execution to wire drawing. The sheet brass is bent round and soldered so as to form a hollow cylinder; and if the diameter outside is that which is required to be uniform, it is drawn through a succession of holes, as in wire drawing: If the inside diameter is to be uniform, a succession of steel cylinders, called triblets, are drawn through the brass tube. In making tubes for telescopes, it is necessary that both the inside and outside should be uniform. A steel triblet, therefore, is first passed into the tube, which is then drawn through a succession of holes, until the outside diameter is reduced to the required size. The metal of which the tube is formed is condensed between these holes and the steel cylinder within; and when the latter is withdrawn the internal surface appears polished. The brass tube is considerably extended by this process, sometimes even to double its first length.
143. Leaden pipes. Leaden pipes for the conveyance of water were formerly made by casting; but it has been found that they can be made both cheaper and better by drawing them through holes in the manner last described. A cylinder of lead, of five or six inches in diameter and about two feet long, is cast with a small hole through its axis, and an iron triblet of about fifteen feet in length is forced into the hole. It is then drawn through a series of holes, until the lead is extended upon the triblet from one end to the other, and is of the proper thickness in proportion to the size of the pipe.
144. Iron rolling. When cylinders of iron of greater thickness than wire are required, they are formed by passing wrought iron between rollers, each of which has sunk in it a semi-cylindrical groove; and as such rollers rarely touch accurately, a longitudinal line will usually be observed in the cylinders so manufactured. Bar iron is thus shaped into all the various forms of round, square, half-round, oval, etc. in which it occurs in commerce. A particular species of moulding is thus made, which resembles, in its section, that part of the frame of a window which separates two adjacent panes of glass. Being much stronger than wood, it can be considerably reduced in thickness, and consequently offers less obstruction to the light; it is much used for skylights.
145. It is sometimes required that the iron thus produced should not be of uniform thickness throughout. This is the case in bars for railroads, where greater depth is required towards the middle of the rail which is at the greatest distance from the supports. This form is produced by cutting the groove in the rollers deeper at those parts where additional strength is required, so that the hollow which surrounds the roller would, if it could be unwound, be a mould of the shape the iron is intended to fit.
146. Vermicelli. The various forms into which this paste is made are given by forcing it through holes in tin plate. It passes through them, and appears on the other side in long strings. The cook makes use of the same method in preparing butter and ornamental pastry for the table, and the confectioner in forming cylindrical lozenges of various composition.
Of copying with altered dimensions
147. Of the pentagraph. This mode of copying is chiefly used for drawings or maps: the instrument is simple; and, although usually employed in reducing, is capable of enlarging the size of the copy. An automaton figure, exhibited in London a short time since, which drew profiles of its visitors, was regulated by a mechanism on this principle. A small aperture in the wall, opposite the seat in which the person is placed whose profile is taken, conceals a camera lucida, which is placed in an adjoining apartment: and an assistant, by moving a point, connected by a pentagraph with the hand of the automaton, over the outline of the head, causes the figure to trace a corresponding profile.
148. By turning. The art of turning might perhaps itself be classed amongst the arts of copying. A steel axis, called a mandril, having a pulley attached to the middle of it, is supported at one end either by a conical point, or by a cylindrical collar, and at the other end by another collar, through which it passes. The extremity which projects beyond this last collar is formed into a screw, by which various instruments, called chucks, can be attached to it. These chucks are intended to hold the various materials to be submitted to the operation of turning, and have a great variety of forms. The mandril with the chuck is made to revolve by a strap which passes over the pulley that is attached to it, and likewise over a larger wheel moved either by the foot, or by its connection with steam or water power. All work which is executed on a mandril partakes in some measure of the irregularities in the form of that mandril; and the perfect circularity of section which ought to exist in every part of the work, can only be ensured by an equal accuracy in the mandril and its collar.
149. Rose engine turning. This elegant art depends in a great measure on copying. Circular plates of metal called rosettes, having various indentations on the surfaces and edges, are fixed on the mandril, which admits of a movement either end-wise or laterally: a fixed obstacle called the 'touch', against which the rosettes are pressed by a spring, obliges the mandril to follow their indentations, and thus causes the cutting tool to trace out the same pattern on the work. The distance of the cutting tool from the centre being usually less than the radius of the rosette, causes the copy to be much diminished.
150. Copying dies. A lathe has been long known in France, and recently been used at the English mint for copying dies. A blunt point is carried by a very slow spiral movement successively over every part of the die to be copied, and is pressed by a weight into all the cavities; while a cutting point connected with it by the machine traverses the face of a piece of soft steel, in which it cuts the device of the original die on the same or on a diminished scale. The degree of excellence of the copy increases in proportion as it is smaller than the original. The die of a crown-piece will furnish by copy a very tolerable die for a sixpence. But the chief use to be expected from this lathe is to prepare all the coarser parts, and leave only the finer and more expressive lines for the skill and genius of the artist.
151. Shoe-last making engine. An instrument not very unlike in principle was proposed for the purpose of making shoe lasts. A pattern last of a shoe for the right foot was placed in one part of the apparatus, and when the machine was moved, two pieces of wood, placed in another part which had been previously adjusted by screws, were cut into lasts greater or less than the original, as was desired; and although the pattern was for the right foot, one of the lasts was for the left, an effect which was produced by merely interposing a wheel which reversed the motion between the two pieces of wood to be cut into lasts.
152. Engine for copying busts. Many years since, the late Mr Watt amused himself with constructing an engine to produce copies of busts or statues, either of the same size as the original, or in a diminished proportion. The substances on which he operated were various, and some of the results were shewn to his friends, but the mechanism by which they were made has never been described. More recently, Mr Hawkins, who, nearly at the same time, had also contrived a similar machine, has placed it in the hands of an artist, who has made copies in ivory from a variety of busts. The art of multiplying in different sizes the figures of the sculptor, aided by that of rendering their acquisition cheap through the art of casting, promises to give additional value to his productions, and to diffuse more widely the pleasure arising from their possession.
153. Screw cutting. When this operation is performed in the lathe by means of a screw upon the mandril, it is essentially an art of copying, but it is only the number of threads in a given length which is copied; the form of the thread, and length as well as the diameter of the screw to be cut, are entirely independent of those from which the copy is made. There is another method of cutting screws in a lathe by means of one pattern screw, which, being connected by wheels with the mandril, guides the cutting point. In this process, unless the time of revolution of the mandril is the same as that of the screw which guides the cutting point, the number of threads in a given length will be different. If the mandril move quicker than the cutting point, the screw which is produced will be finer than the original; if it move slower, the copy will be more coarse than the original. The screw thus generated may be finer or coarser— it may be larger or smaller in diameter—it may have the same or a greater number of threads than that from which it is copied; yet all the defects which exist in the original will be accurately transmitted, under the modified circumstances, to every individual generated from it.
154. Printing from copper plates with altered dimensions. Some very singular specimens of an art of copying, not yet made public, were brought from Paris a few years since. A watchmaker in that city, of the name of Gonord, had contrived a method by which he could take from the same copperplate impressions of different sizes, either larger or smaller than the original design. Having procured four impressions of a parrot, surrounded by a circle, executed in this manner, I shewed them to the late Mr Lowry, an engraver equally