Cover for A Treatise of Human Nature

Project Gutenberg #4705

A Treatise of Human Nature

David Hume

1739

Hume's major work on knowledge, mind, and morality, prepared section by section from Project Gutenberg HTML.

Project Gutenberg #4705 Public domain in the United States Cover source Local typographic cover created for MojiMori from public-domain source metadata

Section 16 of 106 Page 2 of 3

SECT. IV. OBJECTIONS ANSWERED.

119 words at B2 or above
A1 A2 B1 B2 C1 C2 C2+
highlighted at or above your level

AI Summary

Chapter 16 — SECT. IV. OBJECTIONS ANSWERED. Central question How does Hume respond to objections about continuity and division? Main argument He answers worries about the theory of space and time by insisting that...

markdown
is EQUAL to, or GREATER or LESS than another? Let any of them give an answer, to whatever sect he belongs, and whether he maintains the composition of extension by indivisible points, or by quantities divisible in infinitum. This question will embarrass both of them. There are few or no mathematicians, who defend the hypothesis of indivisible points; and yet these have the readiest and justest answer to the present question. They need only reply, that lines or surfaces are equal, when the numbers of points in each are equal; and that as the proportion of the numbers varies, the proportion of the lines and surfaces is also varyed. But though this answer be just, as well as obvious; yet I may affirm, that this standard of equality is entirely useless, and that it never is from such a comparison we determine objects to be equal or unequal with respect to each other. For as the points, which enter into the composition of any line or surface, whether perceived by the sight or touch, are so minute and so confounded with each other, that it is utterly impossible for the mind to compute their number, such a computation will Never afford us a standard by which we may judge of proportions. No one will ever be able to determine by an exact numeration, that an inch has fewer points than a foot, or a foot fewer than an ell or any greater measure: for which reason we seldom or never consider this as the standard of equality or inequality. As to those, who imagine, that extension is divisible in infinitum, it is impossible they can make use of this answer, or fix the equality of any line or surface by a numeration of its component parts. For since, according to their hypothesis, the least as well as greatest figures contain an infinite number of parts; and since infinite numbers, properly speaking, can neither be equal nor unequal with respect to each other; the equality or inequality of any portions of space can never depend on any proportion in the number of their parts. It is true, it may be said, that the inequality of an ell and a yard consists in the different numbers of the feet, of which they are composed; and that of a foot and a yard in the number of the inches. But as that quantity we call an inch in the one is supposed equal to what we call an inch in the other, and as it is impossible for the mind to find this equality by proceeding in infinitum with these references to inferior quantities: it is evident, that at last we must fix some standard of equality different from an enumeration of the parts. There are some[5], who pretend, that equality is best defined by congruity, and that any two figures are equal, when upon the placing of one upon the other, all their parts correspond to and touch each other. In order to judge of this definition let us consider, that since equality is a relation, it is not, strictly speaking, a property in the figures themselves, but arises merely from the comparison, which the mind makes betwixt them. If it consists, therefore, in this imaginary application and mutual contact of parts, we must at least have a distinct notion of these parts, and must conceive their contact. Now it is plain, that in this conception we would run up these parts to the greatest minuteness, which can possibly be conceived; since the contact of large parts would never render the figures equal. But the minutest parts we can conceive are mathematical points; and consequently this standard of equality is the same with that derived from the equality of the number of points; which we have already determined to be a just but an useless standard. We must therefore look to some other quarter for a solution of the present difficulty. [5] See Dr. Barrow's mathematical lectures. There are many philosophers, who refuse to assign any standard of equality, but assert, that it is sufficient to present two objects, that are equal, in order to give us a just notion of this proportion. All definitions, say they, are fruitless, without the perception of such objects; and where we perceive such objects, we no longer stand in need of any definition. To this reasoning, I entirely agree; and assert, that the only useful notion of equality, or inequality, is derived from the whole united appearance and the comparison of particular objects. It is evident, that the eye, or rather the mind is often able at one view to determine the proportions of bodies, and pronounce them equal to, or greater or less than each other, without examining or comparing the number of their minute parts. Such judgments are not only common, but in many cases certain and infallible. When the measure of a yard and that of a foot are presented, the mind can no more question, that the first is longer than the second, than it can doubt of those principles, which are the most clear and self-evident. There are therefore three proportions, which the mind distinguishes in the general appearance of its objects, and calls by the names of greater, less and equal. But though its decisions concerning these proportions be sometimes infallible, they are not always so; nor are our judgments of this kind more exempt from doubt and error than those on any other subject. We frequently correct our first opinion by a review and reflection; and pronounce those objects to be equal, which at first we esteemed unequal; and regard an object as less, though before it appeared greater than another. Nor is this the only correction, which these judgments of our senses undergo; but we often discover our error by a juxtaposition of the objects; or where that is impracticable, by the use of some common and invariable measure, which being successively applied to each, informs us of their different proportions. And even this correction is susceptible of a new correction, and of different degrees of exactness, according to the nature of the instrument, by which we measure the bodies, and the care which we employ in the comparison. When therefore the mind is accustomed to these judgments and their corrections, and finds that the same proportion which makes two figures have in the eye that appearance, which we call equality, makes them also correspond to each other, and to any common measure, with which they are compared, we form a mixed notion of equality derived both from the looser and stricter methods of comparison. But we are not content with this. For as sound reason convinces us that there are bodies vastly more minute than those, which appear to the senses; and as a false reason would perswade us, that there are bodies infinitely more minute; we clearly perceive, that we are not possessed of any instrument or art of measuring, which can secure us from ill error and uncertainty. We are sensible, that the addition or removal of one of these minute parts, is not discernible either in the appearance or measuring; and as we imagine, that two figures, which were equal before, cannot be equal after this removal or addition, we therefore suppose some imaginary standard of equality, by which the appearances and measuring are exactly corrected, and the figures reduced entirely to that proportion. This standard is plainly imaginary. For as the very idea of equality is that of such a particular appearance corrected by juxtaposition or a common measure. The notion of any correction beyond what we have instruments and art to make, is a mere fiction of the mind, and useless as well as incomprehensible. But though this standard be only imaginary, the fiction however is very natural; nor is anything more usual, than for the mind to proceed after this manner with any action, even after the reason has ceased, which first determined it to begin. This appears very conspicuously with regard to time; where though it is evident we have no exact method of determining the proportions of parts, not even so exact as in extension, yet the various corrections of our measures, and their different degrees of exactness, have given as an obscure and implicit notion of a perfect and entire equality. The case is the same in many other subjects. A musician finding his ear becoming every day more delicate, and correcting himself by reflection and attention, proceeds with the same act of the mind, even when the subject fails him, and entertains a notion of a compleat TIERCE or OCTAVE, without being able to tell whence he derives his standard. A painter forms the same fiction with regard to colours. A mechanic with regard to motion. To the one light and shade; to the other swift and slow are imagined to be capable of an exact comparison and equality beyond the judgments of the senses. We may apply the same reasoning to CURVE and RIGHT lines. Nothing is more apparent to the senses, than the distinction betwixt a curve and a right line; nor are there any ideas we more easily form than the ideas of these objects. But however easily we may form these ideas, it is impossible to produce any definition of them, which will fix the precise boundaries betwixt them. When we draw lines upon paper, or any continued surface, there is a certain order, by which the lines run along from one point to another, that they may produce the entire impression of a curve or right line; but this order is perfectly unknown, and nothing is observed but the united appearance. Thus even upon the system of indivisible points, we can only form a distant notion of some unknown standard to these objects. Upon that of infinite divisibility we cannot go even this length; but are reduced meerly to the general appearance, as the rule by which we determine lines to be either curve or right ones. But though we can give no perfect definition of these lines, nor produce any very exact method of distinguishing the one from the other; yet this hinders us not from correcting the first appearance by a more accurate consideration, and by a comparison with some rule, of whose rectitude from repeated trials we have a greater assurance. And it is from these corrections, and by carrying on the same action of the mind, even when its reason fails us, that we form the loose idea of a perfect standard to these figures, without being able to explain or comprehend it. It is true, mathematicians pretend they give an exact definition of a right line, when they say, it is the shortest way betwixt two points. But in the first place I observe, that this is more properly the discovery of one of the properties of a right line, than a just deflation of it. For I ask any one, if upon mention of a right line he thinks not immediately on such a particular appearance, and if it is not by accident only that he considers this property? A right line can be comprehended alone; but this definition is unintelligible without a comparison with other lines, which we conceive to be more extended. In common life it is established as a maxim, that the straightest way is always the shortest; which would be as absurd as to say, the shortest way is always the shortest, if our idea of a right line was not different from that of the shortest way betwixt two points. Secondly, I repeat what I have already established, that we have no precise idea of equality and inequality, shorter and longer, more than of a right line or a curve; and consequently that the one can never afford us a perfect standard for the other. An exact idea can never be built on such as are loose and undetermined. The idea

Send feedback

Optional — only if you'd like a reply.