Skip to main content

We're in Beta! Found a bug? Let us know using the feedback button at the bottom right.

↑↓ navigate ↵ open esc close
Cover for Cicero's Brutus, or History of Famous Orators; also His Orator, or Accomplished Speaker

Project Gutenberg #9776

Cicero's Brutus, or History of Famous Orators; also His Orator, or Accomplished Speaker

Marcus Tullius Cicero

46 BCE

Cicero's history of Roman eloquence and his portrait of the ideal orator, on style, rhythm, and the three aims of speech: to prove, to please, and to move.

Project Gutenberg #9776 Public domain in the United States Cover source Local typographic cover created for The Missing Workbook from public-domain source metadata

Section 5 of 8 Page 1 of 4

Brutus, or the History of Eloquence (Part 4 of 4)

346 words at B2 or above
A1 A2 B1 B2 C1 C2 C2+
highlighted at or above your level

Keyboard: focus a highlighted word and press ↓ for its actions. Esc closes; Enter opens the word page.

markdown

Missing dictionary data: 9 unique words are not in the dictionary data yet. Amber marks show where they appear.

"But let us return to Calvus whom we have just mentioned,—an Orator who had received more literary improvements than Curio, and had a more accurate and delicate manner of speaking, which he conducted with great taste and elegance; but, (by being too minute and nice a critic upon himself,) while he was labouring to correct and refine his language, he suffered all the force and spirit of it to evaporate. In short, it was so exquisitely polished, as to charm the eye of every skilful observer; but it was little noticed by the common people in a crowded Forum, which is the proper theatre of Eloquence."—"His aim," said Brutus, "was to be admired as an Attic Orator: and to this we must attribute that accurate exility of style, which he constantly affected."—"This, indeed, was his professed character," replied I: "but he was deceived himself, and led others into the same mistake. It is true, whoever supposes that to speak in the Attic taste, is to avoid every awkward, every harsh, every vicious expression, has, in this sense, an undoubted right to refuse his approbation to every thing which is not strictly Attic. For he must naturally detest whatever is insipid, disgusting, or invernacular; while he considers a correctness and propriety of language as the religion, and good-manners of an Orator:—and every one who pretends to speak in public should adopt the same opinion. But if he bestows the name of Atticism on a half-starved, a dry, and a niggardly turn of expression, provided it is neat, correct, and genteel, I cannot say, indeed, that he bestows it improperly; as the Attic Orators, however, had many qualities of a more important nature, I would advise him to be careful that he does not overlook their different kinds and degrees of merit, and their great extent and variety of character. The Attic Speakers, he will tell me, are the models upon which he wishes to form his Eloquence. But which of them does he mean to fix upon? for they are not all of the same cast. Who, for instance, could be more unlike each other than Demosthenes and Lysias? or than Demosthenes and Hyperides? Or who more different from either of them, than Aeschines? Which of them, then, do you propose to imitate? If only one, this will be a tacit implication, that none of the rest were true masters of Atticism: if all, how can you possibly succeed, when their characters are so opposite? Let me further ask you, whether Demetrius Phalereus spoke in the Attic style? In my opinion, his Orations have the very smell of Athens. But he is certainly more florid than either Hyperides or Lysias; partly from the natural turn of his genius, and partly by choice. There were likewise two others, at the time we are speaking of, whose characters were equally dissimilar; and yet both of them were truly Attic. The first (Charisius) was the author of a number of speeches, which he composed for his friends, professedly in imitation of Lysias:—and the other (Demochares, the nephew of Demosthenes) wrote several Orations, and a regular History of what was transacted in Athens under his own observation; not so much, indeed, in the style of an Historian, as of an Orator. Hegesias took the former for his model, and had so vain a conceit of his own taste for Atticism, that he considered his predecessors, who were really masters of it, as mere rustics in comparison of himself. But what can be more insipid, more frivolous, or more puerile, than that very concinnity of expression which he actually acquired?"—"But still we wish to resemble the Attic Speakers."—"Do so, by all means. But were not those, then, true Attic Speakers, we have just been mentioning?"—"Nobody denies it; and these are the men we imitate."—"But how? when they are so very different, not only from each other, but from all the rest of their contemporaries?"—"True; but Thucydides is our leading pattern."—"This too I can allow, if you design to compose histories, instead of pleading causes. For Thucydides was both an exact, and a stately historian: but he never intended to write models for conducting a judicial process. I will even go so far as to add, that I have often commended the speeches which he has inserted into his history in great numbers; though I must frankly own, that I neither could imitate them, if I would, nor indeed would, if I could; like a man who would neither choose his wine so new as to have been turned off in the preceding vintage, nor so excessively old as to date its age from the consulship of Opimius or Anicius."—"The latter, you'll say, bears the highest price." "Very probable; but when it has too much age, it has lost that delicious flavour which pleases the palate, and, in my opinion, is scarcely tolerable."—"Would you choose, then, when you have a mind to regale yourself, to apply to a fresh, unripened cask?" "By no means; but still there is a certain age, when good wine arrives at its utmost perfection. In the same manner, I would recommend neither a raw, unmellowed style, which, (if I may so express myself) has been newly drawn off from the vat; nor the rough, and antiquated language of the grave and manly Thucydides. For even he, if he had lived a few years later, would have acquired a much softer and mellower turn of expression."—"Let us, then, imitate Demosthenes."—"Good Gods! to what else do I direct all my endeavours, and my wishes! But it is, perhaps, my misfortune not to succeed. These Atticisers, however, acquire with ease the paltry character they aim at; not once recollecting that it is not only recorded in history, but must have been the natural consequence of his superior fame, that when Demosthenes was to speak in public, all Greece flocked in crowds to hear him. But when our Attic gentry venture to speak, they are presently deserted not only by the little throng around them who have no interest in the dispute, (which alone is a mortifying proof of their insignificance) but even by their associates and fellow-advocates. If to speak, therefore, in a dry and lifeless manner, is the true criterion of Atticism, they are heartily welcome to enjoy the credit of it: but if they wish to put their abilities to the trial, let them attend the Comitia, or a judicial process of real importance. The open Forum demands a fuller, and more elevated tone: and he is the Orator for me, who is so universally admired that when he is to plead an interesting cause, all the benches are filled beforehand, the tribunal crowded, the clerks and notaries busy in adjusting their seats, the populace thronging about the rostra, and the judge brisk, and vigilant;—he, who has such a commanding air, that when he rises up to speak, the whole audience is hushed into a profound silence, which is soon interrupted by their repeated plaudits, and acclamations, or by those successive bursts of laughter, or violent transports of passion, which he knows how to excite at his pleasure; so that even a distant observer, though unacquainted with the subject he is speaking upon, can easily discover that his hearers are pleased with him, and that a Roscius is performing his part on the stage. Whoever has the happiness to be thus followed and applauded is, beyond dispute, an Attic speaker: for such was Pericles,—such was Hyperides, and Aeschines,—and such, in the most eminent degree, was the great Demosthenes! If indeed, these connoisseurs, who have so much dislike to every thing bold and ornamental, only mean to say that an accurate, a judicious, and a neat, and compact, but unembellished style, is really an Attic one, they are not mistaken. For in an art of such wonderful extent and variety as that of speaking, even this subtile and confined character may claim a place: so that the conclusion will be, that it is very possible to speak in the Attic taste, without deserving the name of an Orator; but that all in general who are truly eloquent, are likewise Attic Speakers.—It is time, however, to return to Hortensius."—" Indeed, I think so," cried Brutus: "though I must acknowledge that this long digression of yours has entertained me very agreeably." "But I made some remarks," said Atticus, "which I had several times a mind to mention; only I was loath to interrupt you. As your discourse, however, seems to be drawing towards an end, I think I may venture to out with them."—"By all means," replied I.—"I readily grant, then," said he, "that there is something very humourous and elegant in that continued Irony, which Socrates employs to so much advantage in the dialogues of Plato, Xenophon, and Aeschines. For when a dispute commences on the nature of wisdom, he professes, with a great deal of humour and ingenuity, to have no pretensions to it himself; while, with a kind of concealed raillery, he ascribes the highest degree of it to those who had the arrogance to lay an open claim to it. Thus, in Plato, he extols Protagoras, Hippias, Prodicus, Gorgias, and several others, to the skies: but represents himself as a mere ignorant. This in him was peculiarly becoming; nor can I agree with Epicurus, who thinks it censurable. But in a professed History, (for such, in fact, is the account you have been giving us of the Roman Orators) I shall leave you to judge, whether an application of the Irony is not equally reprehensible, as it would be in giving a judicial evidence."—"Pray, what are you driving at," said I,— "for I cannot comprehend you."—"I mean," replied he, "in the first place, that the commendations which you have bestowed upon some of our Orators, have a tendency to mislead the opinion of those who are unacquainted with their true characters. There were likewise several parts of your account, at which I could scarcely forbear laughing: as, for instance, when you compared old Cato to Lysias. He was, indeed, a great, and a very extraordinary man. Nobody, I believe, will say to the contrary. But shall we call him an Orator? Shall we pronounce him the rival of Lysias, who was the most finished character of the kind? If we mean to jest, this comparison of your's would form a pretty Irony: but if we are talking in real earnest, we should pay the same scrupulous regard to truth, as if we were giving evidence upon oath. As a Citizen, a Senator, a General, and, in short, a man who was distinguished by his prudence, his activity, and every other virtue, your favourite Cato has my highest approbation. I can likewise applaud his speeches, considering the time he lived in. They exhibit the out-lines of a great genius; but such, however, as are evidently rude and imperfect. In the same manner, when you represented his Antiquities as replete with all the graces of Oratory, and compared Cato with Philistus and Thucydides, did you really imagine, that you could persuade me and Brutus to believe you? or would you seriously degrade those, whom none of the Greeks themselves have been able to equal, into a comparison with a stiff country, gentleman, who scarcely suspected that there was any such thing in being, as a copious and ornamental style? You have likewise said much in commendation of Galba;—if as the best Speaker of his age, I can so far agree with you, for such was the character he bore:—but if you meant to recommend him as an Orator, produce his Orations (for they are still extant) and then tell me honestly, whether you would wish your friend Brutus here to speak as he? Lepidus too was the author of

Send feedback

What is this about?

Choose the closest match.

Optional — only if you'd like a reply.