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Cover for Cicero's Brutus, or History of Famous Orators; also His Orator, or Accomplished Speaker

Project Gutenberg #9776

Cicero's Brutus, or History of Famous Orators; also His Orator, or Accomplished Speaker

Marcus Tullius Cicero

46 BCE

Cicero's history of Roman eloquence and his portrait of the ideal orator, on style, rhythm, and the three aims of speech: to prove, to please, and to move.

Project Gutenberg #9776 Public domain in the United States Cover source Local typographic cover created for The Missing Workbook from public-domain source metadata

Section 4 of 8 Page 1 of 7

Brutus, or the History of Eloquence (Part 3 of 4)

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"Here, if one of the people was to be judge, the same person who had heard the first Speaker with a degree of admiration, would, on hearing the second, despise himself for his former want of judgment:—whereas a man of taste and erudition, on hearing Scaevola, would have observed that he was really master of a rich and ornamental style; but if, on comparing the manner in which each of them concluded his cause, it was to be enquired which of the two was the best Orator, the decision of the man of learning would not have differed from that of the vulgar. What advantage, then, it will be said, has the skilful critic over the illiterate hearer? A great and very important advantage; if it is indeed a matter of any consequence, to be able to discover by what means that which is the true and real end of speaking, is either obtained or lost. He has likewise this additional superiority, that when two or more Orators, as has frequently happened, have shared the applauses of the Public, he can judge, on a careful observation of the principal merits of each, what is the most perfect character of Eloquence: since whatever does not meet the approbation of the people, must be equally condemned by a more intelligent hearer. For as it is easily understood by the sound of a harp, whether the strings are skilfully touched; so it may likewise be discovered from the manner in which the passions of an audience are affected, how far the Speaker is able to command them. A man, therefore, who is a real connoisseur in the art, can sometimes by a single glance as he passes through the Forum, and without stopping to listen attentively to what is said, form a tolerable judgment of the ability of the Speaker. When he observes any of the Bench either yawning, or speaking to the person who is next to him, or looking carelessly about him, or sending to enquire the time of day, or teazing the Quaestor to dismiss the court; he concludes very naturally that the cause upon trial is not pleaded by an Orator who understands how to apply the powers of language to the passions of the judges, as a skilful musician applies his fingers to the harp. On the other hand, if, as he passes by, he beholds the judges looking attentively before them, as if they were either receiving some material information, or visibly approved what they had already heard—if he sees them listening to the voice of the Pleader with a kind of extasy like a fond bird to some melodious tune;— and, above all, if he discovers in their looks any strong indications of pity, abhorrence, or any other emotion of the mind;—though he should not be near enough to hear a single word, he immediately discovers that the cause is managed by a real Orator, who is either performing, or has already played his part to good purpose." After I had concluded these digressive remarks, my two friends were kind enough to signify their approbation, and I resumed my subject.—"As this digression," said I, "took its rise from Cotta and Sulpicius, whom I mentioned as the two most approved Orators of the age they lived in, I shall first return to them, and afterwards notice the rest in their proper order, according to the plan we began upon. I have already observed that there are two classes of good Orators (for we have no concern with any others) of which the former are distinguished by the simple neatness and brevity of their language, and the latter by their copious dignity and elevation: but although the preference must always be given to that which is great and striking; yet, in speakers of real merit, whatever is most perfect of the kind, is justly entitled to our commendation. It must, however, be observed, that the close and simple Orator should be careful not to sink into a driness and poverty of expression; while, on the other hand, the copious and more stately Speaker should be equally on his guard against a swelling and empty parade of words. "To begin with Cotta, he had a ready, quick Invention, and spoke correctly and freely; and as he very prudently avoided every forcible exertion of his voice on account of the weakness of his lungs, so his language was equally adapted to the delicacy of his constitution. There was nothing in his style but what was neat, compact, and healthy; and (what may justly be considered as his greatest excellence) though he was scarcely able, and therefore never attempted to force the passions of the judges by a strong and spirited elocution, yet he managed them so artfully, that the gentle emotions he raised in them, answered exactly the same purpose, and produced the same effect, as the violent ones which were excited by Sulpicius. For Sulpicius was really the most striking, and, if I may be allowed the expression, the most tragical Orator I ever heard:—his voice was strong and sonorous, and yet sweet, and flowing:—his gesture, and the sway of his body, was graceful and ornamental, but in such a style as to appear to have been formed for the Forum, and not for the stage:—and his language, though rapid and voluble, was neither loose nor exuberant. He was a professed imitator of Crassus, while Cotta chose Antonius for his model: but the latter wanted the force of Antonius, and the former the agreeable humour of Crassus."—"How extremely difficult, then," said Brutus, "must be the art of speaking, when such consummate Orators as these were each of them destitute of one of its principal beauties!"—"We may likewise observe," said I, "in the present instance, that two Orators may have the highest degree of merit, who are totally unlike each other: for none could be more so than Cotta and Sulpicius, and yet both of them were far superior to any of their cotemporaries. It is therefore the business of every intelligent matter to take notice what is the natural bent of his pupil's capacity; and, taking that for his guide, to imitate the conduct of Socrates with his two scholars Theopompus and Ephorus, who, after remarking the lively genius of the former, and the mild and timid bashfulness of the latter, is reported to have said that he applied a spur to the one, and a curb to the other. The Orations now extant, which bear the name of Sulpicius, are supposed to have been written after his decease by my cotemporary P. Canutius, a man indeed of inferior rank, but who, in my mind, had a great command of language. But we have not a single speech of Sulpicius that was really his own: for I have often heard him say, that he neither had, nor ever could commit any thing of the kind to writing. And as to Cotta's speech in defence of himself, called a vindication of the Varian Law, it was composed, at his own request, by L. Aelius. This Aelius was a man of merit, and a very worthy Roman knight, who was thoroughly versed in the Greek and Roman literature. He had likewise a critical knowledge of the antiquities of his country, both as to the date and particulars of every new improvement, and every memorable transaction, and was perfectly well read in the ancient writers;—a branch of learning in which he was succeeded by our friend Varro, a man of genius, and of the most extensive erudition, who afterwards enlarged the plan by many valuable collections of his own, and gave a much fuller and more elegant system of it to the Public. For Aelius himself chose to assume the character of a Stoic, and neither aimed to be, nor ever was an Orator: but he composed several Orations for other people to pronounce; as for Q. Metellus, F. Q. Caepio, and Q. Pompeius Rufus; though the latter composed those speeches himself which he spoke in his own defence, but not without the assistance of Aelius. For I myself was present at the writing of them, in the younger part of my life, when I used to attend Aelius for the benefit of his instructions. But I am surprised, that Cotta, who was really an excellent Orator, and a man of good learning, should be willing that the trifling Speeches of Aelius mould be published to the world as his. "To the two above-mentioned, no third person of the same age was esteemed an equal: Pomponius, however, was a Speaker much to my taste; or, at least, I have very little fault to find with him. But there was no employment for any in capital causes, excepting for those I have already mentioned; because Antonius, who was always courted on these occasions, was very ready to give his service; and Crassus, though not so compliable, generally consented, on any pressing sollicitation, to give his. Those who had not interest enough to engage either of these, commonly applied to Philip, or Caesar; but when Cotta and Sulpicius were at liberty, they generally had the preference: so that all the causes in which any honour was to be acquired, were pleaded by these six Orators. We may add, that trials were not so frequent then as they are at present; neither did people employ, as they do now, several pleaders on the same side of the question,—a practice which is attended with many disadvantages. For hereby we are often obliged to speak in reply to those whom we had not an opportunity of hearing; in which case, what has been alledged on the opposite side, is often represented to us either falsely or imperfectly; and besides, it is a very material circumstance, that I myself should be present to see with what countenance my antagonist supports his allegations, and, still more so, to observe the effect of every part of his discourse upon the audience. And as every defence should be conducted upon one uniform plan, nothing can be more improperly contrived, than to re-commence it by assigning the peroration, or pathetical part of it, to a second advocate. For every cause can have but one natural introduction and conclusion; and all the other parts of it, like the members of an animal body, will best retain their proper strength and beauty, when they are regularly disposed and connected. We may add, that as it is very difficult in a single Oration of any length, to avoid saying something which does not comport with the rest of it so well as it ought to do, how much more difficult must it be to contrive that nothing shall be said, which does not tally exactly with the speech of another person who has spoken before you? But as it certainly requires more labour to plead a whole cause, than only a part of it, and as many advantageous connections are formed by assisting in a suit in which several persons are interested, the custom, however preposterous in itself, has been readily adopted. "There were some, however, who esteemed Curio the third best Orator of the age; perhaps, because his language was brilliant and pompous, and because he had a habit (for which I suppose he was indebted to his domestic education) of expressing himself with tolerable correctness: for he was a man of very little learning. But it is a circumstance of great importance, what sort of people we are used to converse with at home, especially in the more early part of life; and what sort of language we have been accustomed to hear from our tutors and parents, not excepting the mother. We have all read the Letters of Cornelia, the mother of the Gracchi; and are satisfied, that her sons were not so much nurtured in their mother's lap, as in

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