Project Gutenberg #174
The Picture of Dorian Gray
Oscar Wilde
1890Wilde's aesthetic Gothic novel, prepared preface and chapter by chapter from Project Gutenberg plaintext.
Project Gutenberg #174 Public domain in the United States Cover source Local typographic cover created for MojiMori from public-domain source metadata
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AI Summary
Chapter 19 — CHAPTER XVIII. Central question How does the book stage the confrontation between Dorian’s desire for escape and the world’s persistence? Main argument Dorian’s attempt to detach from consequence...
This unfortunate accident has upset me. I have a
horrible presentiment that something of the kind may happen to me.”
“What nonsense!”
“I hope it is, but I can’t help feeling it. Ah! here is the duchess,
looking like Artemis in a tailor-made gown. You see we have come back,
Duchess.”
“I have heard all about it, Mr. Gray,” she answered. “Poor Geoffrey is
terribly upset. And it seems that you asked him not to shoot the hare.
How curious!”
“Yes, it was very curious. I don’t know what made me say it. Some whim,
I suppose. It looked the loveliest of little live things. But I am
sorry they told you about the man. It is a hideous subject.”
“It is an annoying subject,” broke in Lord Henry. “It has no
psychological value at all. Now if Geoffrey had done the thing on
purpose, how interesting he would be! I should like to know some one
who had committed a real murder.”
“How horrid of you, Harry!” cried the duchess. “Isn’t it, Mr. Gray?
Harry, Mr. Gray is ill again. He is going to faint.”
Dorian drew himself up with an effort and smiled. “It is nothing,
Duchess,” he murmured; “my nerves are dreadfully out of order. That is
all. I am afraid I walked too far this morning. I didn’t hear what
Harry said. Was it very bad? You must tell me some other time. I think
I must go and lie down. You will excuse me, won’t you?”
They had reached the great flight of steps that led from the
conservatory on to the terrace. As the glass door closed behind Dorian,
Lord Henry turned and looked at the duchess with his slumberous eyes.
“Are you very much in love with him?” he asked.
She did not answer for some time, but stood gazing at the landscape. “I
wish I knew,” she said at last.
He shook his head. “Knowledge would be fatal. It is the uncertainty
that charms one. A mist makes things wonderful.”
“One may lose one’s way.”
“All ways end at the same point, my dear Gladys.”
“What is that?”
“Disillusion.”
“It was my _début_ in life,” she sighed.
“It came to you crowned.”
“I am tired of strawberry leaves.”
“They become you.”
“Only in public.”
“You would miss them,” said Lord Henry.
“I will not part with a petal.”
“Monmouth has ears.”
“Old age is dull of hearing.”
“Has he never been jealous?”
“I wish he had been.”
He glanced about as if in search of something. “What are you looking
for?” she inquired.
“The button from your foil,” he answered. “You have dropped it.”
She laughed. “I have still the mask.”
“It makes your eyes lovelier,” was his reply.
She laughed again. Her teeth showed like white seeds in a scarlet
fruit.
Upstairs, in his own room, Dorian Gray was lying on a sofa, with terror
in every tingling fibre of his body. Life had suddenly become too
hideous a burden for him to bear. The dreadful death of the unlucky
beater, shot in the thicket like a wild animal, had seemed to him to
pre-figure death for himself also. He had nearly swooned at what Lord
Henry had said in a chance mood of cynical jesting.
At five o’clock he rang his bell for his servant and gave him orders to
pack his things for the night-express to town, and to have the brougham
at the door by eight-thirty. He was determined not to sleep another
night at Selby Royal. It was an ill-omened place. Death walked there in
the sunlight. The grass of the forest had been spotted with blood.
Then he wrote a note to Lord Henry, telling him that he was going up to
town to consult his doctor and asking him to entertain his guests in
his absence. As he was putting it into the envelope, a knock came to
the door, and his valet informed him that the head-keeper wished to see
him. He frowned and bit his lip. “Send him in,” he muttered, after some
moments’ hesitation.
As soon as the man entered, Dorian pulled his chequebook out of a
drawer and spread it out before him.
“I suppose you have come about the unfortunate accident of this
morning, Thornton?” he said, taking up a pen.
“Yes, sir,” answered the gamekeeper.
“Was the poor fellow married? Had he any people dependent on him?”
asked Dorian, looking bored. “If so, I should not like them to be left
in want, and will send them any sum of money you may think necessary.”
“We don’t know who he is, sir. That is what I took the liberty of
coming to you about.”
“Don’t know who he is?” said Dorian, listlessly. “What do you mean?
Wasn’t he one of your men?”
“No, sir. Never saw him before. Seems like a sailor, sir.”
The pen dropped from Dorian Gray’s hand, and he felt as if his heart
had suddenly stopped beating. “A sailor?” he cried out. “Did you say a
sailor?”
“Yes, sir. He looks as if he had been a sort of sailor; tattooed on
both arms, and that kind of thing.”
“Was there anything found on him?” said Dorian, leaning forward and
looking at the man with startled eyes. “Anything that would tell his
name?”
“Some money, sir—not much, and a six-shooter. There was no name of any
kind. A decent-looking man, sir, but rough-like. A sort of sailor we
think.”
Dorian started to his feet. A terrible hope fluttered past him. He
clutched at it madly. “Where is the body?” he exclaimed. “Quick! I must
see it at once.”
“It is in an empty stable in the Home Farm, sir. The folk don’t like to
have that sort of thing in their houses. They say a corpse brings bad
luck.”
“The Home Farm! Go there at once and meet me. Tell one of the grooms to
bring my horse round. No. Never mind. I’ll go to the stables myself. It
will save time.”
In less than a quarter of an hour, Dorian Gray was galloping down the
long avenue as hard as he could go. The trees seemed to sweep past him
in spectral procession, and wild shadows to fling themselves across his
path. Once the mare swerved at a white gate-post and nearly threw him.
He lashed her across the neck with his crop. She cleft the dusky air
like an arrow. The stones flew from her hoofs.
At last he reached the Home Farm. Two men were loitering in the yard.
He leaped from the saddle and threw the reins to one of them. In the
farthest stable a light was glimmering. Something seemed to tell him
that the body was there, and he hurried to the door and put his hand
upon the latch.
There he paused for a moment, feeling that he was on the brink of a
discovery that would either make or mar his life. Then he thrust the
door open and entered.
On a heap of sacking in the far corner was lying the dead body of a man
dressed in a coarse shirt and a pair of blue trousers. A spotted
handkerchief had been placed over the face. A coarse candle, stuck in a
bottle, sputtered beside it.
Dorian Gray shuddered. He felt that his could not be the hand to take
the handkerchief away, and called out to one of the farm-servants to
come to him.
“Take that thing off the face. I wish to see it,” he said, clutching at
the door-post for support.
When the farm-servant had done so, he stepped forward. A cry of joy
broke from his lips. The man who had been shot in the thicket was James
Vane.
He stood there for some minutes looking at the dead body. As he rode
home, his eyes were full of tears, for he knew he was safe.