Project Gutenberg #98
A Tale of Two Cities
Charles Dickens
1859Dickens's French Revolution novel, prepared chapter by chapter from Project Gutenberg plaintext for vocabulary-focused reading.
Project Gutenberg #98 Public domain in the United States Cover source Local typographic cover created for MojiMori from public-domain source metadata
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AI Summary
Chapter 7 — CHAPTER VII. Monseigneur in Town Central question What does aristocratic life in France look like from the inside? Main argument Dickens satirizes the French elite through Monseigneur’s lavish routine,...
attention, its capacity of helping such a look was to be found in the
line of the mouth, and the lines of the orbits of the eyes, being much
too horizontal and thin; still, in the effect of the face made, it was a
handsome face, and a remarkable one.
Its owner went downstairs into the courtyard, got into his carriage, and
drove away. Not many people had talked with him at the reception; he had
stood in a little space apart, and Monseigneur might have been warmer
in his manner. It appeared, under the circumstances, rather agreeable
to him to see the common people dispersed before his horses, and
often barely escaping from being run down. His man drove as if he were
charging an enemy, and the furious recklessness of the man brought no
check into the face, or to the lips, of the master. The complaint had
sometimes made itself audible, even in that deaf city and dumb age,
that, in the narrow streets without footways, the fierce patrician
custom of hard driving endangered and maimed the mere vulgar in a
barbarous manner. But, few cared enough for that to think of it a second
time, and, in this matter, as in all others, the common wretches were
left to get out of their difficulties as they could.
With a wild rattle and clatter, and an inhuman abandonment of
consideration not easy to be understood in these days, the carriage
dashed through streets and swept round corners, with women screaming
before it, and men clutching each other and clutching children out of
its way. At last, swooping at a street corner by a fountain, one of its
wheels came to a sickening little jolt, and there was a loud cry from a
number of voices, and the horses reared and plunged.
But for the latter inconvenience, the carriage probably would not have
stopped; carriages were often known to drive on, and leave their wounded
behind, and why not? But the frightened valet had got down in a hurry,
and there were twenty hands at the horses’ bridles.
“What has gone wrong?” said Monsieur, calmly looking out.
A tall man in a nightcap had caught up a bundle from among the feet of
the horses, and had laid it on the basement of the fountain, and was
down in the mud and wet, howling over it like a wild animal.
“Pardon, Monsieur the Marquis!” said a ragged and submissive man, “it is
a child.”
“Why does he make that abominable noise? Is it his child?”
“Excuse me, Monsieur the Marquis--it is a pity--yes.”
The fountain was a little removed; for the street opened, where it was,
into a space some ten or twelve yards square. As the tall man suddenly
got up from the ground, and came running at the carriage, Monsieur the
Marquis clapped his hand for an instant on his sword-hilt.
“Killed!” shrieked the man, in wild desperation, extending both arms at
their length above his head, and staring at him. “Dead!”
The people closed round, and looked at Monsieur the Marquis. There was
nothing revealed by the many eyes that looked at him but watchfulness
and eagerness; there was no visible menacing or anger. Neither did the
people say anything; after the first cry, they had been silent, and they
remained so. The voice of the submissive man who had spoken, was flat
and tame in its extreme submission. Monsieur the Marquis ran his eyes
over them all, as if they had been mere rats come out of their holes.
He took out his purse.
“It is extraordinary to me,” said he, “that you people cannot take care
of yourselves and your children. One or the other of you is for ever in
the way. How do I know what injury you have done my horses. See! Give
him that.”
He threw out a gold coin for the valet to pick up, and all the heads
craned forward that all the eyes might look down at it as it fell. The
tall man called out again with a most unearthly cry, “Dead!”
He was arrested by the quick arrival of another man, for whom the rest
made way. On seeing him, the miserable creature fell upon his shoulder,
sobbing and crying, and pointing to the fountain, where some women were
stooping over the motionless bundle, and moving gently about it. They
were as silent, however, as the men.
“I know all, I know all,” said the last comer. “Be a brave man, my
Gaspard! It is better for the poor little plaything to die so, than to
live. It has died in a moment without pain. Could it have lived an hour
as happily?”
“You are a philosopher, you there,” said the Marquis, smiling. “How do
they call you?”
“They call me Defarge.”
“Of what trade?”
“Monsieur the Marquis, vendor of wine.”
“Pick up that, philosopher and vendor of wine,” said the Marquis,
throwing him another gold coin, “and spend it as you will. The horses
there; are they right?”
Without deigning to look at the assemblage a second time, Monsieur the
Marquis leaned back in his seat, and was just being driven away with the
air of a gentleman who had accidentally broke some common thing, and had
paid for it, and could afford to pay for it; when his ease was suddenly
disturbed by a coin flying into his carriage, and ringing on its floor.
“Hold!” said Monsieur the Marquis. “Hold the horses! Who threw that?”
He looked to the spot where Defarge the vendor of wine had stood, a
moment before; but the wretched father was grovelling on his face on
the pavement in that spot, and the figure that stood beside him was the
figure of a dark stout woman, knitting.
“You dogs!” said the Marquis, but smoothly, and with an unchanged front,
except as to the spots on his nose: “I would ride over any of you very
willingly, and exterminate you from the earth. If I knew which rascal
threw at the carriage, and if that brigand were sufficiently near it, he
should be crushed under the wheels.”
So cowed was their condition, and so long and hard their experience of
what such a man could do to them, within the law and beyond it, that not
a voice, or a hand, or even an eye was raised. Among the men, not one.
But the woman who stood knitting looked up steadily, and looked the
Marquis in the face. It was not for his dignity to notice it; his
contemptuous eyes passed over her, and over all the other rats; and he
leaned back in his seat again, and gave the word “Go on!”
He was driven on, and other carriages came whirling by in quick
succession; the Minister, the State-Projector, the Farmer-General, the
Doctor, the Lawyer, the Ecclesiastic, the Grand Opera, the Comedy, the
whole Fancy Ball in a bright continuous flow, came whirling by. The rats
had crept out of their holes to look on, and they remained looking
on for hours; soldiers and police often passing between them and the
spectacle, and making a barrier behind which they slunk, and through
which they peeped. The father had long ago taken up his bundle and
bidden himself away with it, when the women who had tended the bundle
while it lay on the base of the fountain, sat there watching the running
of the water and the rolling of the Fancy Ball--when the one woman who
had stood conspicuous, knitting, still knitted on with the steadfastness
of Fate. The water of the fountain ran, the swift river ran, the day ran
into evening, so much life in the city ran into death according to rule,
time and tide waited for no man, the rats were sleeping close together
in their dark holes again, the Fancy Ball was lighted up at supper, all
things ran their course.