Project Gutenberg #98
A Tale of Two Cities
Charles Dickens
1859Dickens's French Revolution novel, prepared chapter by chapter from Project Gutenberg plaintext for vocabulary-focused reading.
Project Gutenberg #98 Public domain in the United States Cover source Local typographic cover created for MojiMori from public-domain source metadata
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AI Summary
Chapter 15 — CHAPTER XV. Knitting Central question What does Madame Defarge’s knitting signify? Main argument Madame Defarge’s repetitive knitting becomes a quiet symbol of revolutionary memory and patient naming....
There had been earlier drinking than usual in the wine-shop of Monsieur
Defarge. As early as six o’clock in the morning, sallow faces peeping
through its barred windows had descried other faces within, bending over
measures of wine. Monsieur Defarge sold a very thin wine at the best
of times, but it would seem to have been an unusually thin wine that
he sold at this time. A sour wine, moreover, or a souring, for its
influence on the mood of those who drank it was to make them gloomy. No
vivacious Bacchanalian flame leaped out of the pressed grape of Monsieur
Defarge: but, a smouldering fire that burnt in the dark, lay hidden in
the dregs of it.
This had been the third morning in succession, on which there had been
early drinking at the wine-shop of Monsieur Defarge. It had begun
on Monday, and here was Wednesday come. There had been more of early
brooding than drinking; for, many men had listened and whispered and
slunk about there from the time of the opening of the door, who could
not have laid a piece of money on the counter to save their souls. These
were to the full as interested in the place, however, as if they could
have commanded whole barrels of wine; and they glided from seat to seat,
and from corner to corner, swallowing talk in lieu of drink, with greedy
looks.
Notwithstanding an unusual flow of company, the master of the wine-shop
was not visible. He was not missed; for, nobody who crossed the
threshold looked for him, nobody asked for him, nobody wondered to see
only Madame Defarge in her seat, presiding over the distribution of
wine, with a bowl of battered small coins before her, as much defaced
and beaten out of their original impress as the small coinage of
humanity from whose ragged pockets they had come.
A suspended interest and a prevalent absence of mind, were perhaps
observed by the spies who looked in at the wine-shop, as they looked in
at every place, high and low, from the king’s palace to the criminal’s
gaol. Games at cards languished, players at dominoes musingly built
towers with them, drinkers drew figures on the tables with spilt drops
of wine, Madame Defarge herself picked out the pattern on her sleeve
with her toothpick, and saw and heard something inaudible and invisible
a long way off.
Thus, Saint Antoine in this vinous feature of his, until midday. It was
high noontide, when two dusty men passed through his streets and under
his swinging lamps: of whom, one was Monsieur Defarge: the other a
mender of roads in a blue cap. All adust and athirst, the two entered
the wine-shop. Their arrival had lighted a kind of fire in the breast
of Saint Antoine, fast spreading as they came along, which stirred and
flickered in flames of faces at most doors and windows. Yet, no one had
followed them, and no man spoke when they entered the wine-shop, though
the eyes of every man there were turned upon them.
“Good day, gentlemen!” said Monsieur Defarge.
It may have been a signal for loosening the general tongue. It elicited
an answering chorus of “Good day!”
“It is bad weather, gentlemen,” said Defarge, shaking his head.
Upon which, every man looked at his neighbour, and then all cast down
their eyes and sat silent. Except one man, who got up and went out.
“My wife,” said Defarge aloud, addressing Madame Defarge: “I have
travelled certain leagues with this good mender of roads, called
Jacques. I met him--by accident--a day and half’s journey out of Paris.
He is a good child, this mender of roads, called Jacques. Give him to
drink, my wife!”
A second man got up and went out. Madame Defarge set wine before the
mender of roads called Jacques, who doffed his blue cap to the company,
and drank. In the breast of his blouse he carried some coarse dark
bread; he ate of this between whiles, and sat munching and drinking near
Madame Defarge’s counter. A third man got up and went out.
Defarge refreshed himself with a draught of wine--but, he took less
than was given to the stranger, as being himself a man to whom it was no
rarity--and stood waiting until the countryman had made his breakfast.
He looked at no one present, and no one now looked at him; not even
Madame Defarge, who had taken up her knitting, and was at work.
“Have you finished your repast, friend?” he asked, in due season.
“Yes, thank you.”
“Come, then! You shall see the apartment that I told you you could
occupy. It will suit you to a marvel.”
Out of the wine-shop into the street, out of the street into a
courtyard, out of the courtyard up a steep staircase, out of the
staircase into a garret--formerly the garret where a white-haired man
sat on a low bench, stooping forward and very busy, making shoes.
No white-haired man was there now; but, the three men were there who had
gone out of the wine-shop singly. And between them and the white-haired
man afar off, was the one small link, that they had once looked in at
him through the chinks in the wall.
Defarge closed the door carefully, and spoke in a subdued voice:
“Jacques One, Jacques Two, Jacques Three! This is the witness
encountered by appointment, by me, Jacques Four. He will tell you all.
Speak, Jacques Five!”
The mender of roads, blue cap in hand, wiped his swarthy forehead with
it, and said, “Where shall I commence, monsieur?”
“Commence,” was Monsieur Defarge’s not unreasonable reply, “at the
commencement.”
“I saw him then, messieurs,” began the mender of roads, “a year ago this
running summer, underneath the carriage of the Marquis, hanging by the
chain. Behold the manner of it. I leaving my work on the road, the sun
going to bed, the carriage of the Marquis slowly ascending the hill, he
hanging by the chain--like this.”
Again the mender of roads went through the whole performance; in which
he ought to have been perfect by that time, seeing that it had been
the infallible resource and indispensable entertainment of his village
during a whole year.
Jacques One struck in, and asked if he had ever seen the man before?
“Never,” answered the mender of roads, recovering his perpendicular.
Jacques Three demanded how he afterwards recognised him then?
“By his tall figure,” said the mender of roads, softly, and with his
finger at his nose. “When Monsieur the Marquis demands that evening,
‘Say, what is he like?’ I make response, ‘Tall as a spectre.’”
“You should have said, short as a dwarf,” returned Jacques Two.
“But what did I know? The deed was not then accomplished, neither did he
confide in me. Observe! Under those circumstances even, I do not
offer my testimony. Monsieur the Marquis indicates me with his finger,
standing near our little fountain, and says, ‘To me! Bring that rascal!’
My faith, messieurs, I offer nothing.”
“He is right there, Jacques,” murmured Defarge, to him who had
interrupted. “Go on!”
“Good!” said the mender of roads, with an air of mystery. “The tall man
is lost, and he is sought--how many months? Nine, ten, eleven?”
“No matter, the number,” said Defarge. “He is well hidden, but at last
he is unluckily found. Go on!”
“I am again at work upon the hill-side, and the sun is again about to
go to bed. I am collecting my tools to descend to my cottage down in the
village below, where it is already dark, when I raise my eyes, and see
coming over the hill six soldiers. In the midst of them is a tall man
with his arms bound--tied to his sides--like this!”
With the aid of his indispensable cap, he represented a man with his
elbows bound fast at his hips, with cords that were knotted behind him.
“I stand aside, messieurs, by my heap of stones, to see the soldiers
and their prisoner pass (for it is a solitary road, that, where any
spectacle is well worth looking at), and at first, as they approach, I
see no more than that they are six soldiers with a tall man bound, and
that they are almost black to my sight--except on the side of the sun
going to bed, where they have a red edge, messieurs. Also, I see that
their long shadows are on the hollow ridge on the opposite side of the
road, and are on the hill above it, and are like the shadows of giants.
Also, I see that they are covered with dust, and that the dust moves
with them as they come, tramp, tramp! But when they advance quite near
to me, I recognise the tall man, and he recognises me. Ah, but he would
be well content to precipitate himself over the hill-side once again, as
on the evening when he and I first encountered, close to the same spot!”
He described it as if he were there, and it was evident that he saw it
vividly; perhaps he had not seen much in his life.
“I do not show the soldiers that I recognise the tall man; he does not
show the soldiers that he recognises me; we do it, and we know it, with
our eyes. ‘Come on!’ says the chief of that company, pointing to the
village, ‘bring him fast to his tomb!’ and they bring him faster. I
follow. His arms are swelled because of being bound so tight, his wooden
shoes are large and clumsy, and he is lame. Because he is lame, and
consequently slow, they drive him with their guns--like this!”
He imitated the action of a man’s being impelled forward by the
butt-ends of muskets.
“As they descend the hill like madmen running a race, he falls. They
laugh and pick him up again. His face is bleeding and covered with dust,
but he cannot touch it; thereupon they laugh again. They bring him into
the village; all the village runs to look; they take him past the mill,
and up to the prison; all the village sees the prison gate open in the
darkness of the night, and swallow him--like this!”
He opened his mouth as wide as he could, and shut it with a sounding
snap of his teeth. Observant of his unwillingness to mar the effect by
opening it again, Defarge said, “Go on, Jacques.”
“All the village,” pursued the mender of roads, on tiptoe and in a low
voice, “withdraws; all the village whispers by the fountain; all the
village sleeps; all the village dreams of that unhappy one, within the
locks and bars of the prison on the crag, and never to come out of it,
except to perish. In the morning, with my tools upon my shoulder, eating
my morsel of black bread as I go, I make a circuit by the prison, on
my way to my work. There I see him, high up, behind the bars of a lofty
iron cage, bloody and dusty as last night, looking through. He has no
hand free, to wave to me; I dare not call to him; he regards me like a
dead man.”
Defarge and the three glanced darkly at one another. The looks of all
of them were dark, repressed, and revengeful, as they listened to the
countryman’s story; the manner of all of them, while it was secret, was
authoritative too. They had the air of a rough tribunal; Jacques One
and Two sitting on the old pallet-bed, each with his chin resting on
his hand, and his eyes intent on the road-mender; Jacques Three, equally
intent, on one knee behind them, with his agitated hand always gliding
over the network of fine nerves about his mouth and nose; Defarge