Project Gutenberg #1999
Crome Yellow
Aldous Huxley
1921Huxley's country-house satire, prepared chapter by chapter from Project Gutenberg plaintext for vocabulary-focused reading.
Project Gutenberg #1999 Public domain in the United States Cover source Local typographic cover created for MojiMori from public-domain source metadata
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AI Summary
Chapter 13 — CHAPTER XIII. Central question What does Henry’s finished history of Crome mean? Main argument Henry announces that his long-gestating History of Crome is finally complete, turning family memory into...
men had brought a servant. Not for thirty
years had Crome been desecrated by the presence of so many members of
the common race of men. Sir Hercules was appalled and indignant, but the
laws of hospitality had to be obeyed. He received the young gentlemen
with grave politeness and sent the servants to the kitchen, with orders
that they should be well cared for.
“The old family dining-table was dragged out into the light and dusted
(Sir Hercules and his lady were accustomed to dine at a small table
twenty inches high). Simon, the aged butler, who could only just look
over the edge of the big table, was helped at supper by the three
servants brought by Ferdinando and his guests.
“Sir Hercules presided, and with his usual grace supported a
conversation on the pleasures of foreign travel, the beauties of art and
nature to be met with abroad, the opera at Venice, the singing of the
orphans in the churches of the same city, and on other topics of a
similar nature. The young men were not particularly attentive to his
discourses; they were occupied in watching the efforts of the butler to
change the plates and replenish the glasses. They covered their laughter
by violent and repeated fits of coughing or choking. Sir Hercules
affected not to notice, but changed the subject of the conversation to
sport. Upon this one of the young men asked whether it was true, as he
had heard, that he used to hunt the rabbit with a pack of pug dogs. Sir
Hercules replied that it was, and proceeded to describe the chase in
some detail. The young men roared with laughter.
“When supper was over, Sir Hercules climbed down from his chair and,
giving as his excuse that he must see how his lady did, bade them
good-night. The sound of laughter followed him up the stairs. Filomena
was not asleep; she had been lying on her bed listening to the sound of
enormous laughter and the tread of strangely heavy feet on the stairs
and along the corridors. Sir Hercules drew a chair to her bedside
and sat there for a long time in silence, holding his wife’s hand and
sometimes gently squeezing it. At about ten o’clock they were startled
by a violent noise. There was a breaking of glass, a stamping of feet,
with an outburst of shouts and laughter. The uproar continuing for
several minutes, Sir Hercules rose to his feet and, in spite of his
wife’s entreaties, prepared to go and see what was happening. There
was no light on the staircase, and Sir Hercules groped his way down
cautiously, lowering himself from stair to stair and standing for a
moment on each tread before adventuring on a new step. The noise was
louder here; the shouting articulated itself into recognisable words
and phrases. A line of light was visible under the dining-room door. Sir
Hercules tiptoed across the hall towards it. Just as he approached the
door there was another terrific crash of breaking glass and jangled
metal. What could they be doing? Standing on tiptoe he managed to look
through the keyhole. In the middle of the ravaged table old Simon, the
butler, so primed with drink that he could scarcely keep his balance,
was dancing a jig. His feet crunched and tinkled among the broken glass,
and his shoes were wet with spilt wine. The three young men sat round,
thumping the table with their hands or with the empty wine bottles,
shouting and laughing encouragement. The three servants leaning against
the wall laughed too. Ferdinando suddenly threw a handful of walnuts at
the dancer’s head, which so dazed and surprised the little man that he
staggered and fell down on his back, upsetting a decanter and several
glasses. They raised him up, gave him some brandy to drink, thumped
him on the back. The old man smiled and hiccoughed. ‘To-morrow,’ said
Ferdinando, ‘we’ll have a concerted ballet of the whole household.’
‘With father Hercules wearing his club and lion-skin,’ added one of his
companions, and all three roared with laughter.
“Sir Hercules would look and listen no further. He crossed the hall once
more and began to climb the stairs, lifting his knees painfully high
at each degree. This was the end; there was no place for him now in the
world, no place for him and Ferdinando together.
“His wife was still awake; to her questioning glance he answered, ‘They
are making mock of old Simon. To-morrow it will be our turn.’ They were
silent for a time.
“At last Filomena said, ‘I do not want to see to-morrow.’
“‘It is better not,’ said Sir Hercules. Going into his closet he wrote
in his day-book a full and particular account of all the events of the
evening. While he was still engaged in this task he rang for a servant
and ordered hot water and a bath to be made ready for him at eleven
o’clock. When he had finished writing he went into his wife’s room, and
preparing a dose of opium twenty times as strong as that which she
was accustomed to take when she could not sleep, he brought it to her,
saying, ‘Here is your sleeping-draught.’
“Filomena took the glass and lay for a little time, but did not drink
immediately. The tears came into her eyes. ‘Do you remember the songs we
used to sing, sitting out there sulla terrazza in the summer-time?’ She
began singing softly in her ghost of a cracked voice a few bars from
Stradella’s ‘Amor amor, non dormir piu.’ ‘And you playing on the violin,
it seems such a short time ago, and yet so long, long, long. Addio,
amore, a rivederti.’ She drank off the draught and, lying back on the
pillow, closed her eyes. Sir Hercules kissed her hand and tiptoed away,
as though he were afraid of waking her. He returned to his closet, and
having recorded his wife’s last words to him, he poured into his bath
the water that had been brought up in accordance with his orders. The
water being too hot for him to get into the bath at once, he took down
from the shelf his copy of Suetonius. He wished to read how Seneca had
died. He opened the book at random. ‘But dwarfs,’ he read, ‘he held in
abhorrence as being lusus naturae and of evil omen.’ He winced as though
he had been struck. This same Augustus, he remembered, had exhibited in
the amphitheatre a young man called Lucius, of good family, who was
not quite two feet in height and weighed seventeen pounds, but had
a stentorian voice. He turned over the pages. Tiberius, Caligula,
Claudius, Nero: it was a tale of growing horror. ‘Seneca his preceptor,
he forced to kill himself.’ And there was Petronius, who had called
his friends about him at the last, bidding them talk to him, not of the
consolations of philosophy, but of love and gallantry, while the life
was ebbing away through his opened veins. Dipping his pen once more in
the ink he wrote on the last page of his diary: ‘He died a Roman death.’
Then, putting the toes of one foot into the water and finding that it
was not too hot, he threw off his dressing-gown and, taking a razor in
his hand, sat down in the bath. With one deep cut he severed the artery
in his left wrist, then lay back and composed his mind to meditation.
The blood oozed out, floating through the water in dissolving wreaths
and spirals. In a little while the whole bath was tinged with pink. The
colour deepened; Sir Hercules felt himself mastered by an invincible
drowsiness; he was sinking from vague dream to dream. Soon he was sound
asleep. There was not much blood in his small body.”