Project Gutenberg #1260
Jane Eyre
Charlotte Brontë
1847Charlotte Bronte's Bildungsroman and Gothic romance, prepared chapter by chapter from Project Gutenberg plaintext.
Project Gutenberg #1260 Public domain in the United States Cover source Local typographic cover created for MojiMori from public-domain source metadata
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AI Summary
Chapter 15 — CHAPTER XV Central question Who is Adèle, and what does Rochester’s past reveal? Main argument Rochester explains Adèle’s origin and his connection to Céline Varens, turning his history into something...
carpet round swimming in water.
“What is it? and who did it?” he asked.
I briefly related to him what had transpired: the strange laugh I had
heard in the gallery: the step ascending to the third storey; the
smoke,—the smell of fire which had conducted me to his room; in what
state I had found matters there, and how I had deluged him with all the
water I could lay hands on.
“What is it and who did it?” he asked
He listened very gravely; his face, as I went on, expressed more
concern than astonishment; he did not immediately speak when I had
concluded.
“Shall I call Mrs. Fairfax?” I asked.
“Mrs. Fairfax? No; what the deuce would you call her for? What can she
do? Let her sleep unmolested.”
“Then I will fetch Leah, and wake John and his wife.”
“Not at all: just be still. You have a shawl on. If you are not warm
enough, you may take my cloak yonder; wrap it about you, and sit down
in the arm-chair: there,—I will put it on. Now place your feet on the
stool, to keep them out of the wet. I am going to leave you a few
minutes. I shall take the candle. Remain where you are till I return;
be as still as a mouse. I must pay a visit to the second storey. Don’t
move, remember, or call any one.”
He went: I watched the light withdraw. He passed up the gallery very
softly, unclosed the staircase door with as little noise as possible,
shut it after him, and the last ray vanished. I was left in total
darkness. I listened for some noise, but heard nothing. A very long
time elapsed. I grew weary: it was cold, in spite of the cloak; and
then I did not see the use of staying, as I was not to rouse the house.
I was on the point of risking Mr. Rochester’s displeasure by disobeying
his orders, when the light once more gleamed dimly on the gallery wall,
and I heard his unshod feet tread the matting. “I hope it is he,”
thought I, “and not something worse.”
He re-entered, pale and very gloomy. “I have found it all out,” said
he, setting his candle down on the washstand; “it is as I thought.”
“How, sir?”
He made no reply, but stood with his arms folded, looking on the
ground. At the end of a few minutes he inquired in rather a peculiar
tone—
“I forget whether you said you saw anything when you opened your
chamber door.”
“No, sir, only the candlestick on the ground.”
“But you heard an odd laugh? You have heard that laugh before, I should
think, or something like it?”
“Yes, sir: there is a woman who sews here, called Grace Poole,—she
laughs in that way. She is a singular person.”
“Just so. Grace Poole—you have guessed it. She is, as you say,
singular—very. Well, I shall reflect on the subject. Meantime, I am
glad that you are the only person, besides myself, acquainted with the
precise details of to-night’s incident. You are no talking fool: say
nothing about it. I will account for this state of affairs” (pointing
to the bed): “and now return to your own room. I shall do very well on
the sofa in the library for the rest of the night. It is near four:—in
two hours the servants will be up.”
“Good-night, then, sir,” said I, departing.
He seemed surprised—very inconsistently so, as he had just told me to
go.
“What!” he exclaimed, “are you quitting me already, and in that way?”
“You said I might go, sir.”
“But not without taking leave; not without a word or two of
acknowledgment and good-will: not, in short, in that brief, dry
fashion. Why, you have saved my life!—snatched me from a horrible and
excruciating death! and you walk past me as if we were mutual
strangers! At least shake hands.”
He held out his hand; I gave him mine: he took it first in one, then in
both his own.
“You have saved my life: I have a pleasure in owing you so immense a
debt. I cannot say more. Nothing else that has being would have been
tolerable to me in the character of creditor for such an obligation:
but you: it is different;—I feel your benefits no burden, Jane.”
He paused; gazed at me: words almost visible trembled on his lips,—but
his voice was checked.
“Good-night again, sir. There is no debt, benefit, burden, obligation,
in the case.”
“I knew,” he continued, “you would do me good in some way, at some
time;—I saw it in your eyes when I first beheld you: their expression
and smile did not”—(again he stopped)—“did not” (he proceeded hastily)
“strike delight to my very inmost heart so for nothing. People talk of
natural sympathies; I have heard of good genii: there are grains of
truth in the wildest fable. My cherished preserver, good-night!”
Strange energy was in his voice, strange fire in his look.
“I am glad I happened to be awake,” I said: and then I was going.
“What! you _will_ go?”
“I am cold, sir.”
“Cold? Yes,—and standing in a pool! Go, then, Jane; go!” But he still
retained my hand, and I could not free it. I bethought myself of an
expedient.
“I think I hear Mrs. Fairfax move, sir,” said I.
“Well, leave me:” he relaxed his fingers, and I was gone.
I regained my couch, but never thought of sleep. Till morning dawned I
was tossed on a buoyant but unquiet sea, where billows of trouble
rolled under surges of joy. I thought sometimes I saw beyond its wild
waters a shore, sweet as the hills of Beulah; and now and then a
freshening gale, wakened by hope, bore my spirit triumphantly towards
the bourne: but I could not reach it, even in fancy—a counteracting
breeze blew off land, and continually drove me back. Sense would resist
delirium: judgment would warn passion. Too feverish to rest, I rose as
soon as day dawned.