Project Gutenberg #844
The Importance of Being Earnest
Oscar Wilde
1895Wilde's comedy of manners, prepared cast list and act by act from Project Gutenberg plaintext.
Project Gutenberg #844 Public domain in the United States Cover source Local typographic cover created for MojiMori from public-domain source metadata
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AI Summary
Chapter 2 — First Act Central question How do Jack and Algernon's double lives begin to collide? Main argument Algernon learns that Jack is leading a double life: in town he is Ernest, while in the country he is...
love me then?
GWENDOLEN.
[Glibly.] Ah! that is clearly a metaphysical speculation, and like most
metaphysical speculations has very little reference at all to the
actual facts of real life, as we know them.
JACK.
Personally, darling, to speak quite candidly, I don’t much care about
the name of Ernest . . . I don’t think the name suits me at all.
GWENDOLEN.
It suits you perfectly. It is a divine name. It has a music of its own.
It produces vibrations.
JACK.
Well, really, Gwendolen, I must say that I think there are lots of
other much nicer names. I think Jack, for instance, a charming name.
GWENDOLEN.
Jack? . . . No, there is very little music in the name Jack, if any at
all, indeed. It does not thrill. It produces absolutely no vibrations .
. . I have known several Jacks, and they all, without exception, were
more than usually plain. Besides, Jack is a notorious domesticity for
John! And I pity any woman who is married to a man called John. She
would probably never be allowed to know the entrancing pleasure of a
single moment’s solitude. The only really safe name is Ernest.
JACK.
Gwendolen, I must get christened at once—I mean we must get married at
once. There is no time to be lost.
GWENDOLEN.
Married, Mr. Worthing?
JACK.
[Astounded.] Well . . . surely. You know that I love you, and you led
me to believe, Miss Fairfax, that you were not absolutely indifferent
to me.
GWENDOLEN.
I adore you. But you haven’t proposed to me yet. Nothing has been said
at all about marriage. The subject has not even been touched on.
JACK.
Well . . . may I propose to you now?
GWENDOLEN.
I think it would be an admirable opportunity. And to spare you any
possible disappointment, Mr. Worthing, I think it only fair to tell you
quite frankly before-hand that I am fully determined to accept you.
JACK.
Gwendolen!
GWENDOLEN.
Yes, Mr. Worthing, what have you got to say to me?
JACK.
You know what I have got to say to you.
GWENDOLEN.
Yes, but you don’t say it.
JACK.
Gwendolen, will you marry me? [Goes on his knees.]
GWENDOLEN.
Of course I will, darling. How long you have been about it! I am afraid
you have had very little experience in how to propose.
JACK.
My own one, I have never loved any one in the world but you.
GWENDOLEN.
Yes, but men often propose for practice. I know my brother Gerald does.
All my girl-friends tell me so. What wonderfully blue eyes you have,
Ernest! They are quite, quite, blue. I hope you will always look at me
just like that, especially when there are other people present. [Enter
Lady Bracknell.]
LADY BRACKNELL.
Mr. Worthing! Rise, sir, from this semi-recumbent posture. It is most
indecorous.
GWENDOLEN.
Mamma! [He tries to rise; she restrains him.] I must beg you to retire.
This is no place for you. Besides, Mr. Worthing has not quite finished
yet.
LADY BRACKNELL.
Finished what, may I ask?
GWENDOLEN.
I am engaged to Mr. Worthing, mamma. [They rise together.]
LADY BRACKNELL.
Pardon me, you are not engaged to any one. When you do become engaged
to some one, I, or your father, should his health permit him, will
inform you of the fact. An engagement should come on a young girl as a
surprise, pleasant or unpleasant, as the case may be. It is hardly a
matter that she could be allowed to arrange for herself . . . And now I
have a few questions to put to you, Mr. Worthing. While I am making
these inquiries, you, Gwendolen, will wait for me below in the
carriage.
GWENDOLEN.
[Reproachfully.] Mamma!
LADY BRACKNELL.
In the carriage, Gwendolen! [Gwendolen goes to the door. She and Jack
blow kisses to each other behind Lady Bracknell’s back. Lady Bracknell
looks vaguely about as if she could not understand what the noise was.
Finally turns round.] Gwendolen, the carriage!
GWENDOLEN.
Yes, mamma. [Goes out, looking back at Jack.]
LADY BRACKNELL.
[Sitting down.] You can take a seat, Mr. Worthing.
[Looks in her pocket for note-book and pencil.]
JACK.
Thank you, Lady Bracknell, I prefer standing.
LADY BRACKNELL.
[Pencil and note-book in hand.] I feel bound to tell you that you are
not down on my list of eligible young men, although I have the same
list as the dear Duchess of Bolton has. We work together, in fact.
However, I am quite ready to enter your name, should your answers be
what a really affectionate mother requires. Do you smoke?
JACK.
Well, yes, I must admit I smoke.
LADY BRACKNELL.
I am glad to hear it. A man should always have an occupation of some
kind. There are far too many idle men in London as it is. How old are
you?
JACK.
Twenty-nine.
LADY BRACKNELL.
A very good age to be married at. I have always been of opinion that a
man who desires to get married should know either everything or
nothing. Which do you know?
JACK.
[After some hesitation.] I know nothing, Lady Bracknell.
LADY BRACKNELL.
I am pleased to hear it. I do not approve of anything that tampers with
natural ignorance. Ignorance is like a delicate exotic fruit; touch it
and the bloom is gone. The whole theory of modern education is
radically unsound. Fortunately in England, at any rate, education
produces no effect whatsoever. If it did, it would prove a serious
danger to the upper classes, and probably lead to acts of violence in
Grosvenor Square. What is your income?
JACK.
Between seven and eight thousand a year.
LADY BRACKNELL.
[Makes a note in her book.] In land, or in investments?
JACK.
In investments, chiefly.
LADY BRACKNELL.
That is satisfactory. What between the duties expected of one during
one’s lifetime, and the duties exacted from one after one’s death, land
has ceased to be either a profit or a pleasure. It gives one position,
and prevents one from keeping it up. That’s all that can be said about
land.
JACK.
I have a country house with some land, of course, attached to it, about
fifteen hundred acres, I believe; but I don’t depend on that for my
real income. In fact, as far as I can make out, the poachers are the
only people who make anything out of it.
LADY BRACKNELL.
A country house! How many bedrooms? Well, that point can be cleared up
afterwards. You have a town house, I hope? A girl with a simple,
unspoiled nature, like Gwendolen, could hardly be expected to reside in
the country.
JACK.
Well, I own a house in Belgrave Square, but it is let by the year to
Lady Bloxham. Of course, I can get it back whenever I like, at six
months’ notice.
LADY BRACKNELL.
Lady Bloxham? I don’t know her.
JACK.
Oh, she goes about very little. She is a lady considerably advanced in
years.
LADY BRACKNELL.
Ah, nowadays that is no guarantee of respectability of character. What
number in Belgrave Square?
JACK.
149.
LADY BRACKNELL.
[Shaking her head.] The unfashionable side. I thought there was
something. However, that could easily be altered.
JACK.
Do you mean the fashion, or the side?
LADY BRACKNELL.
[Sternly.] Both, if necessary, I presume. What are your politics?
JACK.
Well, I am afraid I really have none. I am a Liberal Unionist.
LADY BRACKNELL.
Oh, they count as Tories. They dine with us. Or come in the evening, at
any rate. Now to minor matters. Are your parents living?
JACK.
I have lost both my parents.
LADY BRACKNELL.
To lose one parent, Mr. Worthing, may be regarded as a misfortune; to
lose both looks like carelessness. Who was your father? He was
evidently a man of some wealth. Was he born in what the Radical papers
call the purple of commerce, or did he rise from the ranks of the
aristocracy?
JACK.
I am afraid I really don’t know. The fact is, Lady Bracknell, I said I
had lost my parents. It would be nearer the truth to say that my
parents seem to have lost me . . . I don’t actually know who I am by
birth. I was . . . well, I was found.
LADY BRACKNELL.
Found!
JACK.
The late Mr. Thomas Cardew, an old gentleman of a very charitable and
kindly disposition, found me, and gave me the name of Worthing, because
he happened to have a first-class ticket for Worthing in his pocket at
the time. Worthing is a place in Sussex. It is a seaside resort.
LADY BRACKNELL.
Where did the charitable gentleman who had a first-class ticket for
this seaside resort find you?
JACK.
[Gravely.] In a hand-bag.
LADY BRACKNELL.
A hand-bag?
JACK.
[Very seriously.] Yes, Lady Bracknell. I was in a hand-bag—a somewhat
large, black leather hand-bag, with handles to it—an ordinary hand-bag
in fact.
LADY BRACKNELL.
In what locality did this Mr. James, or Thomas, Cardew come across this
ordinary hand-bag?
JACK.
In the cloak-room at Victoria Station. It was given to him in mistake
for his own.
LADY BRACKNELL.
The cloak-room at Victoria Station?
JACK.
Yes. The Brighton line.
LADY BRACKNELL.
The line is immaterial. Mr. Worthing, I confess I feel somewhat
bewildered by what you have just told me. To be born, or at any rate
bred, in a hand-bag, whether it had handles or not, seems to me to
display a contempt for the ordinary decencies of family life that
reminds one of the worst excesses of the French Revolution. And I
presume you know what that unfortunate movement led to? As for the
particular locality in which the hand-bag was found, a cloak-room at a
railway station might serve to conceal a social indiscretion—has
probably, indeed, been used for that purpose before now—but it could
hardly be regarded as an assured basis for a recognised position in
good society.
JACK.
May I ask you then what you would advise me to do? I need hardly say I
would do anything in the world to ensure Gwendolen’s happiness.
LADY BRACKNELL.
I would strongly advise you, Mr. Worthing, to try and acquire some
relations as soon as possible, and to make a definite effort to produce
at any rate one parent, of either sex, before the season is quite over.
JACK.
Well, I don’t see how I could possibly manage to do that. I can produce
the hand-bag at any moment. It is in my dressing-room at home. I really
think that should satisfy you, Lady Bracknell.
LADY BRACKNELL.
Me, sir! What has it to do with me? You can hardly imagine that I and
Lord Bracknell would dream of allowing our only daughter—a girl brought
up with the utmost care—to marry into a cloak-room, and form an
alliance with a parcel? Good morning, Mr. Worthing!
[Lady Bracknell sweeps out in majestic indignation.]
JACK.
Good morning! [Algernon, from the other room, strikes up the Wedding
March. Jack looks perfectly furious, and goes to the door.] For
goodness’ sake don’t play that ghastly tune, Algy. How idiotic you are!
[The music stops and Algernon enters cheerily.]
ALGERNON.
Didn’t it go off all right, old boy? You don’t mean to say Gwendolen
refused you? I know it is a way she has. She is always refusing people.
I think it is most ill-natured of her.
JACK.
Oh, Gwendolen is as right as a trivet. As far as she is concerned, we
are engaged. Her mother is perfectly unbearable. Never met such a
Gorgon . . . I don’t really know what a Gorgon is like, but I am quite
sure that Lady Bracknell is one. In any case, she is a monster, without
being a myth, which is rather unfair . . . I beg your pardon, Algy, I
suppose I shouldn’t talk about your own aunt in that way before you.
ALGERNON.
My dear boy, I love hearing my relations abused. It is the only thing
that makes me put up with them at all. Relations are simply a tedious
pack of people, who haven’t