Cover for When the Sleeper Wakes

Project Gutenberg #775

When the Sleeper Wakes

H. G. Wells

1899

Wells's technological dystopia about a sleeper awakening in the future, prepared chapter by chapter from Project Gutenberg HTML.

Project Gutenberg #775 Public domain in the United States Cover source Local typographic cover created for MojiMori from public-domain source metadata

Section 5 of 25 Page 2 of 3

CHAPTER IV. THE SOUND OF A TUMULT

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fact.” Graham accepted the indisputable now with raised eyebrows and depressed mouth. He sat silent for a moment, and then asked a question, “Is there a mill or dynamo near here?” He did not wait for an answer. “Things have changed tremendously, I suppose?” he said. “What is that shouting?” he asked abruptly. “Nothing,” said the thickset man impatiently. “It’s people. You’ll understand better laterperhaps. As you say, things have changed.” He spoke shortly, his brows were knit, and he glanced about him like a man trying to decide in an emergency. “We must get you clothes and so forth, at any rate. Better wait here until some can come. No one will come near you. You want shaving.” Graham rubbed his chin. The man with the flaxen beard came back towards them, turned suddenly, listened for a moment, lifted his eyebrows at the older man, and hurried off through the archway towards the balcony. The tumult of shouting grew louder, and the thickset man turned and listened also. He cursed suddenly under his breath, and turned his eyes upon Graham with an unfriendly expression. It was a surge of many voices, rising and falling, shouting and screaming, and once came a sound like blows and sharp cries, and then a snapping like the crackling of dry sticks. Graham strained his ears to draw some single thread of sound from the woven tumult. Then he perceived, repeated again and again, a certain formula. For a time he doubted his ears. But surely these were the words: “Show us the Sleeper! Show us the Sleeper!” The thickset man rushed suddenly to the archway. “Wild!” he cried, “How do they know? Do they know? Or is it guessing?” There was perhaps an answer. “I can’t come,” said the thickset man; “I have him to see to. But shout from the balcony.” There was an inaudible reply. “Say he is not awake. Anything! I leave it to you.” He came hurrying back to Graham. “You must have clothes at once,” he said. “You cannot stop hereand it will be impossible to—” He rushed away, Graham shouting unanswered questions after him. In a moment he was back. “I can’t tell you what is happening. It is too complex to explain. In a moment you shall have your clothes made. Yesin a moment. And then I can take you away from here. You will find out our troubles soon enough.” “But those voices. They were shouting—?” “Something about the Sleeperthat’s you. They have some twisted idea. I don’t know what it is. I know nothing.” A shrill bell jetted acutely across the indistinct mingling of remote noises, and this brusque person sprang to a little group of appliances in the corner of the room. He listened for a moment, regarding a ball of crystal, nodded, and said a few indistinct words; then he walked to the wall through which the two men had vanished. It rolled up again like a curtain, and he stood waiting. Graham lifted his arm and was astonished to find what strength the restoratives had given him. He thrust one leg over the side of the couch and then the other. His head no longer swam. He could scarcely credit his rapid recovery. He sat feeling his limbs. The man with the flaxen beard re-entered from the archway, and as he did so the cage of a lift came sliding down in front of the thickset man, and a lean, grey-bearded man, carrying a roll, and wearing a tightly-fitting costume of dark green, appeared therein. “This is the tailor,” said the thickset man with an introductory gesture. “It will never do for you to wear that black. I cannot understand how it got here. But I shall. I shall. You will be as rapid as possible?” he said to the tailor. The man in green bowed, and, advancing, seated himself by Graham on the bed. His manner was calm, but his eyes were full of curiosity. “You will find the fashions altered, Sire,” he said. He glanced from under his brows at the thickset man. He opened the roller with a quick movement, and a confusion of brilliant fabrics poured out over his knees. “You lived, Sire, in a period essentially cylindricalthe Victorian. With a tendency to the hemisphere in hats. Circular curves always. Now—” He flicked out a little appliance the size and appearance of a keyless watch, whirled the knob, and beholda little figure in white appeared kinetoscope fashion on the dial, walking and turning. The tailor caught up a pattern of bluish white satin. “That is my conception of your immediate treatment,” he said. The thickset man came and stood by the shoulder of Graham. “We have very little time,” he said. “Trust me,” said the tailor. “My machine follows. What do you think of this?” “What is that?” asked the man from the nineteenth century. “In your days they showed you a fashion-plate,” said the tailor, “but this is our modern development See here.” The little figure repeated its evolutions, but in a different costume. “Or this,” and with a click another small figure in a more voluminous type of robe marched on to the dial. The tailor was very quick in his movements, and glanced twice towards the lift as he did these things. It rumbled again, and a crop-haired anaemic lad with features of the Chinese type, clad in coarse pale blue canvas, appeared together with a complicated machine, which he pushed noiselessly on little castors into the room. Incontinently the little kinetoscope was dropped, Graham was invited to stand in front of the machine and the tailor muttered some instructions to the crop-haired lad, who answered in guttural tones and with words Graham did not recognise. The boy then went to conduct an incomprehensible monologue in the corner, and the tailor pulled out a number of slotted arms terminating in little discs, pulling them out until the discs were flat against the body of Graham, one at each shoulder blade, one at the elbows, one at the neck and so forth, so that at last there were, perhaps, two score of them upon his body and limbs. At the same time, some other person entered the room by the lift, behind Graham. The tailor set moving a mechanism that initiated a faint-sounding rhythmic movement of parts in the machine, and in another moment he was knocking up the levers and Graham was released. The tailor replaced his cloak of black, and the man with the flaxen beard proffered him a little glass of some refreshing fluid. Graham saw over the rim of the glass a pale-faced young man regarding him with a singular fixity. The thickset man had been pacing the room fretfully, and now turned and went through the archway towards the balcony, from which the noise of a distant crowd still came in gusts and cadences. The cropheaded lad handed the tailor a roll of the bluish satin and the two began fixing this in the mechanism in a manner reminiscent of a roll of paper in a nineteenth century printing machine. Then they ran the entire thing on its easy, noiseless bearings across the room to a remote corner where a twisted cable looped rather gracefully from the wall. They made some connexion and the machine became energetic and swift. “What is that doing?” asked Graham, pointing with the empty glass to the busy figures and trying to ignore the scrutiny of the new comer. “Is thatsome sort of forcelaid on?” “Yes,” said the man with the flaxen beard. “Who is that?” He indicated the archway behind him. The man in purple stroked his little beard, hesitated, and answered in an undertone, “He is Howard, your chief guardian. You see, Sire,—it’s a little difficult to explain. The Council appoints a guardian and assistants. This hall has under certain restrictions been public. In order that people might satisfy themselves. We have barred the doorways for the first time. But I thinkif you don’t mind, I will leave him to explain.” “Oddsaid Graham. “Guardian? Council?” Then turning his back on the new comer, he asked in an undertone, “Why is this man glaring at me? Is he a mesmerist?” “Mesmerist! He is a capillotomist.” “Capillotomist!” “Yesone of the chief. His yearly fee is sixdoz lions.” It sounded sheer nonsense. Graham snatched at the last phrase with an unsteady mind. “Sixdoz lions?” he said. “Didn’t you have lions? I suppose not. You had the old pounds? They are our monetary units.” “But what was that you saidsixdoz?” “Yes. Six dozen, Sire. Of course things, even these little things, have altered. You lived in the days of the decimal system, the Arab systemtens, and little hundreds and thousands. We have eleven numerals now. We have single figures for both ten and eleven, two figures for a dozen, and a dozen dozen makes a gross, a great hundred, you know, a dozen gross a dozand, and a dozand dozand a myriad. Very simple?” “I suppose so,” said Graham. “But about this capwhat was it?” The man with the flaxen beard glanced over his shoulder. “Here are your clothes!” he said. Graham turned round sharply and saw the tailor standing at his elbow smiling, and holding some palpably new garments over his arm. The crop-headed boy, by means of one finger, was impelling the complicated machine towards the lift by which he had arrived. Graham stared at the completed suit. “You don’t mean to say—!” “Just made,” said the tailor. He dropped the garments at the feet of Graham, walked to the bed on which Graham had so recently been lying, flung out the translucent mattress, and turned up the looking glass. As he did so a furious bell summoned the thickset man to the corner. The man with the flaxen beard rushed across to him and then hurried out by the archway. The tailor was assisting Graham into a dark purple combination garment, stockings, vest, and pants in one, as the thickset man came back from the corner to meet the man with the flaxen beard returning from the balcony. They began speaking quickly in an undertone, their bearing had an unmistakable quality of anxiety. Over the purple under-garment came a complex but graceful garment of bluish white, and Graham was clothed in the fashion once more and saw himself, sallow-faced, unshaven and shaggy still, but at least naked no longer, and in some indefinable unprecedented way graceful. “I must shave,” he said regarding himself in the glass. “In a moment,” said Howard. The persistent stare ceased. The young man closed his eyes, reopened them, and with a lean hand extended, advanced on Graham. Then he stopped, with his hand slowly gesticulating, and looked about him. “A seat,” said Howard impatiently, and in a moment the flaxen-bearded man had a chair behind Graham. “Sit down, please,” said Howard. Graham hesitated, and in the other hand of the wildeyed man he saw the glint of steel. “Don’t you understand, Sire?” cried the flaxen-bearded man with hurried politeness. “He is going to cut your hair.” “Oh!” cried Graham enlightened. “But you called him— “A capillotomistprecisely! He is one of the finest artists in the world.” Graham sat down abruptly. The flaxen-bearded man disappeared. The capillotomist came forward with graceful gestures, examined Graham’s ears and surveyed him, felt the back of his head, and would have sat down again to regard him but for Howard’s audible impatience. Forthwith with rapid movements and a succession of deftly handled implements he shaved Graham’s chin, clipped his moustache, and cut and arranged his hair. All this he did without a word, with something of the rapt air of a poet inspired. And as soon as he had finished Graham was handed a pair of shoes. Suddenly a loud voice shoutedit seemed from a piece of

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