Project Gutenberg #60483
Antic Hay
Aldous Huxley
1923Huxley's postwar London satire, prepared chapter by chapter from Project Gutenberg plaintext.
Project Gutenberg #60483 Public domain in the United States Cover source Local typographic cover created for MojiMori from public-domain source metadata
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AI Summary
Chapter 4 — CHAPTER IV Central question What kind of artist is Lypiatt? Main argument Lypiatt declaims his own poetry with maximum seriousness and minimum self-awareness. The chapter satirizes the modern artist...
head. “Hideous,” he said, “hideous.”
“Moreover,” Coleman went on, without paying any attention, “I have other
and, alas! less holy reasons for this change of face. It enables one to
make such delightful acquaintances in the street. You hear some one
saying, ‘Beaver,’ as you pass, and you immediately have the right to
rush up and get into conversation. I owe to this dear symbol,” and he
caressed the golden beard tenderly with the palm of his hand, “the most
admirably dangerous relations.”
“Magnificent,” said Gumbril, drinking his own health. “I shall stop
shaving at once.”
Shearwater looked round the table with raised eyebrows and a wrinkled
forehead. “This conversation is rather beyond me,” he said gravely.
Under the formidable moustache, under the thick, tufted eyebrows, the
mouth was small and ingenuous, the mild grey eyes full of an almost
childish inquiry. “What does the word ‘beaver’ signify in this context?
You don’t refer, I suppose, to the rodent, _Castor fiber_?”
“But this is a very great man,” said Coleman, raising his bowler. “Tell
me who he is?”
“Our friend Shearwater,” said Gumbril, “the physiologist.”
Coleman bowed. “Physiological Shearwater,” he said. “Accept my homage.
To one who doesn’t know what a beaver is, I resign all my claims to
superiority. There’s nothing else but beavers in all the papers. Tell
me, do you never read the _Daily Express_?”
“No.”
“Nor the _Daily Mail_?”
Shearwater shook his head.
“Nor the _Mirror_? nor the _Sketch_? nor the _Graphic_? nor even (for I
was forgetting that physiologists must surely have Liberal
opinions)—even the _Daily News_?”
Shearwater continued to shake his large spherical head.
“Nor any of the evening papers?”
“No.”
Coleman once more lifted his hat. “O eloquent, just and mighty Death!”
he exclaimed, and replaced it on his head. “You never read any papers at
all—not even our friend Mercaptan’s delicious little middles in the
weeklies? How is your delicious little middle, by the way?” Coleman
turned to Mr. Mercaptan and with the point of his huge stick gave him a
little prod in the stomach. “_Ça marche—les tripes_? Hein?” He turned
back to Shearwater. “Not even those?” he asked.
“Never,” said Shearwater. “I have more serious things to think about
than newspapers.”
“And what serious thing, may I ask?”
“Well, at the present moment,” said Shearwater, “I am chiefly
preoccupied with the kidneys.”
“The kidneys!” In an ecstasy of delight, Coleman thumped the floor with
the ferrule of his stick. “The kidneys! Tell me all about kidneys. This
is of the first importance. This is really life. And I shall sit down at
your table without asking permission of Buonarotti here, and in the
teeth of Mercaptan, and without so much as thinking about this species
of Gumbril, who might as well not be there at all. I shall sit down
and——”
“Talking of sitting,” said Gumbril, “I wish I could persuade you to
order a pair of my patent pneumatic trousers. They will——”
Coleman waved him away. “Not now, not now,” he said. “I shall sit down
and listen to the physiologue talking about runions, while I myself
actually eat them—_sautés_. _Sautés_, mark my words.”
Laying his hat and stick on the floor beside him, he sat down at the end
of the table, between Lypiatt and Shearwater.
“Two believers,” he said, laying his hand for a moment on Lypiatt’s arm,
“and three black-hearted unbelievers—confronted. Eh, Buonarotti? You and
I are both _croyants et pratiquants_, as Mercaptan would say. I believe
in one devil, father quasi-almighty, Samael and his wife, the Woman of
Whoredom. Ha, ha!” He laughed his ferocious, artificial laugh.
“Here’s an end to any civilized conversation,” Mr. Mercaptan complained,
hissing on the _c_, labiating lingeringly on the _v_ of ‘civilized’ and
giving the first two _i_’s their fullest value. The word, in his mouth,
seemed to take on a special and a richer significance.
Coleman ignored him. “Tell me, you physiologue,” he went on, “tell me
about the physiology of the Archetypal Man. This is most important;
Buonarotti shares my opinion about this, I know. Has the Archetypal Man
a _boyau rectum_, as Mercaptan would say again, or not? Everything
depends on this, as Voltaire realized ages ago. ‘His feet,’ as we know
already on inspired authority, ‘were straight feet; and the sole of his
feet were like the sole of a calf’s foot.’ But the viscera, you must
tell us something about the viscera. Mustn’t he, Buonarotti? And where
are my _rognons sautés_?” he shouted at the waiter.
“You revolt me,” said Lypiatt.
“Not mortually, I ’ope?” Coleman turned with solicitude to his
neighbour; then shook his head. “Mortually I fear. Kiss me ’Ardy, and I
die happy.” He blew a kiss into the air. “But why is the physiologue so
slow? Up, pachyderm, up! Answer. You hold the key to everything. The
key, I tell you, the key. I remember, when I used to hang about the
biological laboratories at school, eviscerating frogs—crucified with
pins, they were, belly upwards, like little green Christs—I remember
once, when I was sitting there, quietly poring over the entrails, in
came the laboratory boy and said to the stinks usher: ‘Please, sir, may
I have the key of the Absolute?’ And, would you believe it, that usher
calmly put his hand in his trouser pocket and fished out a small Yale
key and gave it him without a word. What a gesture! The key of the
Absolute. But it was only the absolute alcohol the urchin wanted—to
pickle some loathsome fœtus in, I suppose. God rot his soul in peace!
And now, Castor Fiber, out with your key. Tell us about the Archetypal
Man, tell us about the primordial Adam. Tell us all about the _boyau
rectum_.”
Ponderously, Shearwater moved his clumsy frame; leaning back in his
chair he scrutinized Coleman with a large, benevolent curiosity. The
eyes under the savage eyebrows were mild and gentle; behind the fearful
disguise of the moustache he smiled poutingly, like a baby who sees the
approaching bottle. The broad, domed forehead was serene. He ran his
hand through his thick brown hair, scratched his head meditatively and
then, when he had thoroughly examined, had comprehended and duly
classified the strange phenomenon of Coleman, opened his mouth and
uttered a little good-natured laugh of amusement.
“Voltaire’s question,” he said at last, in his slow, deep voice, “seemed
at the time he asked it an unanswerable piece of irony. It would have
seemed almost equally ironic to his contemporaries, if he had asked
whether God had a pair of kidneys. We know a little more about the
kidneys nowadays. If he had asked me, I should answer: why not? The
kidneys are so beautifully organized; they do their work of regulation
with such a miraculous—it’s hard to find another word—such a positively
divine precision, such knowledge and wisdom, that there’s no reason why
your archetypal man, whoever he is, or any one else, for that matter,
should be ashamed of owning a pair.”
Coleman clapped his hands. “The key,” he cried, “the key. Out of the
trouser pocket of babes and sucklings it comes. The genuine, the unique
Yale. How right I was to come here to-night! But, holy Sephiroth,
there’s my trollop.”
He picked up his stick, jumped from his chair and threaded his way
between the tables. A woman was standing near the door. Coleman came up
to her, pointed without speaking to the table, and returned, driving her
along in front of him, tapping her gently over the haunches with his
stick, as one might drive a docile animal to the slaughter.
“Allow me to introduce,” said Coleman. “The sharer of my joys and
sorrows. _La compagne de mes nuits blanches et de mes jours plutôt
sales._ In a word, Zoe. _Qui ne comprend pas le français, qui me déteste
avec une passion égale à la mienne, et qui mangera, ma foi, des rognons
pour faire honneur au physiologue._”
“Have some Burgundy?” Gumbril proffered the bottle.
Zoe nodded and pushed forward her glass. She was dark-haired, had a pale
skin and eyes like round blackberries. Her mouth was small and floridly
curved. She was dressed, rather depressingly, like a picture by Augustus
John, in blue and orange. Her expression was sullen and ferocious, and
she looked about her with an air of profound contempt.
“Shearwater’s no better than a mystic,” fluted Mr. Mercaptan. “A
mystical scientist; really, one hadn’t reckoned on that.”
“Like a Liberal Pope,” said Gumbril. “Poor Metternich, you remember? Pio
Nono.” And he burst into a fit of esoteric laughter. “Of less than
average intelligence,” he murmured delightedly, and refilled his glass.
“It’s only the deliberately blind who wouldn’t reckon on the
combination,” Lypiatt put in, indignantly. “What are science and art,
what are religion and philosophy but so many expressions in human terms
of some reality more than human? Newton and Boehme and Michelangelo—what
are they doing but expressing, in different ways, different aspects of
the same thing?”
“Alberti, I beg you,” said Gumbril. “I assure you he was the better
architect.”
“_Fi donc!_” said Mr. Mercaptan. “San Carlo alle Quatro Fontane——” But
he got no further. Lypiatt abolished him with a gesture.
“One reality,” he cried, “there is only one reality.”
“One reality,” Coleman reached out a hand across the table and caressed
Zoe’s bare white arm, “and that is callipygous.” Zoe jabbed at his hand
with her fork.
“We are all trying to talk about it,” continued Lypiatt. “The physicists
have formulated their laws, which are after all no more than stammering
provisional theories about a part of it. The physiologists are
penetrating into the secrets of life, psychologists into the mind. And
we artists are trying to say what is revealed to us about the moral
nature, the personality of that reality, which is the universe.”
Mr. Mercaptan threw up his hands in affected horror. “Oh, _barbaridad,
barbaridad_!” Nothing less than the pure Castilian would relieve his
feelings. “But all this is meaningless.”
“Quite right about the chemists and physicists,” said Shearwater.
“They’re always trying to pretend that they’re nearer the truth than we
are. They take their crude theories as facts and try to make us accept
them when we’re dealing with life. Oh, they are sacred, their theories.
Laws of Nature they call them; and they talk about their known truths
and our romantic biological fancies. What a fuss they make when we talk
about life! Bloody fools!” said Shearwater, mild and crushing. “Nobody
but a fool could talk of mechanism in face of the kidneys. And there are
actually imbeciles who talk about the mechanism of heredity and
reproduction.”
“All the same,” began Mr. Mercaptan very earnestly, anxious to deny his
own life, “there are eminent authorities. I can only quote what they
say, of course. I can’t pretend to know anything about it myself. But——”
“Reproduction, reproduction,” Coleman murmured the word to himself
ecstatically. “Delightful and horrifying to think they all come to that,
even the most virginal; that they were all made for that, little
she-dogs, in spite of their china blue eyes. What sort of a mandrake
shall we produce, Zoe and I?” he asked, turning to Shearwater. “How I
should like to have a child,” he went on without waiting for an answer.
“I shouldn’t teach it anything; no language, nothing at all. Just a
child of nature. I believe it would really be the devil. And then what
fun it would be if it suddenly started to say ‘Bekkos,’ like the
children in Herodotus. And Buonarotti here would paint an allegorical
picture of it and write an epic called ‘The Ignoble Savage.’ And Castor
Fiber would come and sound its kidneys and investigate its sexual
instincts. And Mercaptan would write one of his inimitable middle
articles about it. And Gumbril would make it a pair of patent trousers.
And Zoe and I would look