Project Gutenberg #345
Dracula
Bram Stoker
1897Stoker's epistolary vampire novel, prepared chapter by chapter from Project Gutenberg plaintext.
Project Gutenberg #345 Public domain in the United States Cover source Local typographic cover created for MojiMori from public-domain source metadata
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AI Summary
Chapter 3 — CHAPTER III JONATHAN HARKER’s JOURNAL--continued Central question When does Jonathan realize he is a prisoner? Main argument Jonathan tests the house and discovers that he cannot leave. Stoker...
think of or
foresee. For a man who was never in the country, and who did not
evidently do much in the way of business, his knowledge and acumen were
wonderful. When he had satisfied himself on these points of which he had
spoken, and I had verified all as well as I could by the books
available, he suddenly stood up and said:--
“Have you written since your first letter to our friend Mr. Peter
Hawkins, or to any other?” It was with some bitterness in my heart that
I answered that I had not, that as yet I had not seen any opportunity of
sending letters to anybody.
“Then write now, my young friend,” he said, laying a heavy hand on my
shoulder: “write to our friend and to any other; and say, if it will
please you, that you shall stay with me until a month from now.”
“Do you wish me to stay so long?” I asked, for my heart grew cold at the
thought.
“I desire it much; nay, I will take no refusal. When your master,
employer, what you will, engaged that someone should come on his behalf,
it was understood that my needs only were to be consulted. I have not
stinted. Is it not so?”
What could I do but bow acceptance? It was Mr. Hawkins’s interest, not
mine, and I had to think of him, not myself; and besides, while Count
Dracula was speaking, there was that in his eyes and in his bearing
which made me remember that I was a prisoner, and that if I wished it I
could have no choice. The Count saw his victory in my bow, and his
mastery in the trouble of my face, for he began at once to use them, but
in his own smooth, resistless way:--
“I pray you, my good young friend, that you will not discourse of things
other than business in your letters. It will doubtless please your
friends to know that you are well, and that you look forward to getting
home to them. Is it not so?” As he spoke he handed me three sheets of
note-paper and three envelopes. They were all of the thinnest foreign
post, and looking at them, then at him, and noticing his quiet smile,
with the sharp, canine teeth lying over the red underlip, I understood
as well as if he had spoken that I should be careful what I wrote, for
he would be able to read it. So I determined to write only formal notes
now, but to write fully to Mr. Hawkins in secret, and also to Mina, for
to her I could write in shorthand, which would puzzle the Count, if he
did see it. When I had written my two letters I sat quiet, reading a
book whilst the Count wrote several notes, referring as he wrote them to
some books on his table. Then he took up my two and placed them with his
own, and put by his writing materials, after which, the instant the door
had closed behind him, I leaned over and looked at the letters, which
were face down on the table. I felt no compunction in doing so, for
under the circumstances I felt that I should protect myself in every way
I could.
One of the letters was directed to Samuel F. Billington, No. 7, The
Crescent, Whitby, another to Herr Leutner, Varna; the third was to
Coutts & Co., London, and the fourth to Herren Klopstock & Billreuth,
bankers, Buda-Pesth. The second and fourth were unsealed. I was just
about to look at them when I saw the door-handle move. I sank back in my
seat, having just had time to replace the letters as they had been and
to resume my book before the Count, holding still another letter in his
hand, entered the room. He took up the letters on the table and stamped
them carefully, and then turning to me, said:--
“I trust you will forgive me, but I have much work to do in private this
evening. You will, I hope, find all things as you wish.” At the door he
turned, and after a moment’s pause said:--
“Let me advise you, my dear young friend--nay, let me warn you with all
seriousness, that should you leave these rooms you will not by any
chance go to sleep in any other part of the castle. It is old, and has
many memories, and there are bad dreams for those who sleep unwisely. Be
warned! Should sleep now or ever overcome you, or be like to do, then
haste to your own chamber or to these rooms, for your rest will then be
safe. But if you be not careful in this respect, then”--He finished his
speech in a gruesome way, for he motioned with his hands as if he were
washing them. I quite understood; my only doubt was as to whether any
dream could be more terrible than the unnatural, horrible net of gloom
and mystery which seemed closing around me.
* * * * *
_Later._--I endorse the last words written, but this time there is no
doubt in question. I shall not fear to sleep in any place where he is
not. I have placed the crucifix over the head of my bed--I imagine that
my rest is thus freer from dreams; and there it shall remain.
When he left me I went to my room. After a little while, not hearing any
sound, I came out and went up the stone stair to where I could look out
towards the South. There was some sense of freedom in the vast expanse,
inaccessible though it was to me, as compared with the narrow darkness
of the courtyard. Looking out on this, I felt that I was indeed in
prison, and I seemed to want a breath of fresh air, though it were of
the night. I am beginning to feel this nocturnal existence tell on me.
It is destroying my nerve. I start at my own shadow, and am full of all
sorts of horrible imaginings. God knows that there is ground for my
terrible fear in this accursed place! I looked out over the beautiful
expanse, bathed in soft yellow moonlight till it was almost as light as
day. In the soft light the distant hills became melted, and the shadows
in the valleys and gorges of velvety blackness. The mere beauty seemed
to cheer me; there was peace and comfort in every breath I drew. As I
leaned from the window my eye was caught by something moving a storey
below me, and somewhat to my left, where I imagined, from the order of
the rooms, that the windows of the Count’s own room would look out. The
window at which I stood was tall and deep, stone-mullioned, and though
weatherworn, was still complete; but it was evidently many a day since
the case had been there. I drew back behind the stonework, and looked
carefully out.
What I saw was the Count’s head coming out from the window. I did not
see the face, but I knew the man by the neck and the movement of his
back and arms. In any case I could not mistake the hands which I had had
so many opportunities of studying. I was at first interested and
somewhat amused, for it is wonderful how small a matter will interest
and amuse a man when he is a prisoner. But my very feelings changed to
repulsion and terror when I saw the whole man slowly emerge from the
window and begin to crawl down the castle wall over that dreadful abyss,
_face down_ with his cloak spreading out around him like great wings. At
first I could not believe my eyes. I thought it was some trick of the
moonlight, some weird effect of shadow; but I kept looking, and it could
be no delusion. I saw the fingers and toes grasp the corners of the
stones, worn clear of the mortar by the stress of years, and by thus
using every projection and inequality move downwards with considerable
speed, just as a lizard moves along a wall.
What manner of man is this, or what manner of creature is it in the
semblance of man? I feel the dread of this horrible place overpowering
me; I am in fear--in awful fear--and there is no escape for me; I am
encompassed about with terrors that I dare not think of....
* * * * *
_15 May._--Once more have I seen the Count go out in his lizard fashion.
He moved downwards in a sidelong way, some hundred feet down, and a good
deal to the left. He vanished into some hole or window. When his head
had disappeared, I leaned out to try and see more, but without
avail--the distance was too great to allow a proper angle of sight. I
knew he had left the castle now, and thought to use the opportunity to
explore more than I had dared to do as yet. I went back to the room, and
taking a lamp, tried all the doors. They were all locked, as I had
expected, and the locks were comparatively new; but I went down the
stone stairs to the hall where I had entered originally. I found I could
pull back the bolts easily enough and unhook the great chains; but the
door was locked, and the key was gone! That key must be in the Count’s
room; I must watch should his door be unlocked, so that I may get it and
escape. I went on to make a thorough examination of the various stairs
and passages, and to try the doors that opened from them. One or two
small rooms near the hall were open, but there was nothing to see in
them except old furniture, dusty with age and moth-eaten. At last,
however, I found one door at the top of the stairway which, though it
seemed to be locked, gave a little under pressure. I tried it harder,
and found that it was not really locked, but that the resistance came
from the fact that the hinges had fallen somewhat, and the heavy door
rested on the floor. Here was an opportunity which I might not have
again, so I exerted myself, and with many efforts forced it back so that
I could enter. I was now in a wing of the castle further to the right
than the rooms I knew and a storey lower down. From the windows I could
see that the suite of rooms lay along to the south of the castle, the
windows of the end room looking out both west and south. On the latter
side, as well as to the former, there was a great precipice. The castle
was built on the corner of a great rock, so that on three sides it was
quite impregnable, and great windows were placed here where sling, or
bow, or culverin could not reach, and consequently light and comfort,
impossible to a position which had to be guarded, were secured. To the
west was a great valley, and then, rising far away, great jagged
mountain fastnesses, rising peak on peak, the sheer rock studded with
mountain ash and thorn, whose roots clung in cracks and crevices and
crannies of the stone. This was evidently the portion of the castle
occupied by the ladies in bygone days, for the furniture had more air of
comfort than any I had seen. The windows were curtainless, and the
yellow moonlight, flooding in through the diamond panes, enabled one to
see even colours, whilst it softened the wealth of dust which lay over
all and disguised in some measure the ravages of time and the moth. My
lamp seemed to be of little effect in the brilliant moonlight, but I was
glad to have it with me, for there