Project Gutenberg #844
The Importance of Being Earnest
Oscar Wilde
1895Wilde's comedy of manners, prepared cast list and act by act from Project Gutenberg plaintext.
Project Gutenberg #844 Public domain in the United States Cover source Local typographic cover created for MojiMori from public-domain source metadata
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AI Summary
Chapter 3 — Second Act Central question What happens when the invented identities reach the country house? Main argument Algernon arrives at the Manor House pretending to be Ernest and immediately begins courting...
the door, sir. [Algernon looks appealingly at
Cecily.]
CECILY.
It can wait, Merriman for . . . five minutes.
MERRIMAN.
Yes, Miss. [Exit Merriman.]
ALGERNON.
I hope, Cecily, I shall not offend you if I state quite frankly and
openly that you seem to me to be in every way the visible
personification of absolute perfection.
CECILY.
I think your frankness does you great credit, Ernest. If you will allow
me, I will copy your remarks into my diary. [Goes over to table and
begins writing in diary.]
ALGERNON.
Do you really keep a diary? I’d give anything to look at it. May I?
CECILY.
Oh no. [Puts her hand over it.] You see, it is simply a very young
girl’s record of her own thoughts and impressions, and consequently
meant for publication. When it appears in volume form I hope you will
order a copy. But pray, Ernest, don’t stop. I delight in taking down
from dictation. I have reached ‘absolute perfection’. You can go on. I
am quite ready for more.
ALGERNON.
[Somewhat taken aback.] Ahem! Ahem!
CECILY.
Oh, don’t cough, Ernest. When one is dictating one should speak
fluently and not cough. Besides, I don’t know how to spell a cough.
[Writes as Algernon speaks.]
ALGERNON.
[Speaking very rapidly.] Cecily, ever since I first looked upon your
wonderful and incomparable beauty, I have dared to love you wildly,
passionately, devotedly, hopelessly.
CECILY.
I don’t think that you should tell me that you love me wildly,
passionately, devotedly, hopelessly. Hopelessly doesn’t seem to make
much sense, does it?
ALGERNON.
Cecily!
[Enter Merriman.]
MERRIMAN.
The dog-cart is waiting, sir.
ALGERNON.
Tell it to come round next week, at the same hour.
MERRIMAN.
[Looks at Cecily, who makes no sign.] Yes, sir.
[Merriman retires.]
CECILY.
Uncle Jack would be very much annoyed if he knew you were staying on
till next week, at the same hour.
ALGERNON.
Oh, I don’t care about Jack. I don’t care for anybody in the whole
world but you. I love you, Cecily. You will marry me, won’t you?
CECILY.
You silly boy! Of course. Why, we have been engaged for the last three
months.
ALGERNON.
For the last three months?
CECILY.
Yes, it will be exactly three months on Thursday.
ALGERNON.
But how did we become engaged?
CECILY.
Well, ever since dear Uncle Jack first confessed to us that he had a
younger brother who was very wicked and bad, you of course have formed
the chief topic of conversation between myself and Miss Prism. And of
course a man who is much talked about is always very attractive. One
feels there must be something in him, after all. I daresay it was
foolish of me, but I fell in love with you, Ernest.
ALGERNON.
Darling! And when was the engagement actually settled?
CECILY.
On the 14th of February last. Worn out by your entire ignorance of my
existence, I determined to end the matter one way or the other, and
after a long struggle with myself I accepted you under this dear old
tree here. The next day I bought this little ring in your name, and
this is the little bangle with the true lover’s knot I promised you
always to wear.
ALGERNON.
Did I give you this? It’s very pretty, isn’t it?
CECILY.
Yes, you’ve wonderfully good taste, Ernest. It’s the excuse I’ve always
given for your leading such a bad life. And this is the box in which I
keep all your dear letters. [Kneels at table, opens box, and produces
letters tied up with blue ribbon.]
ALGERNON.
My letters! But, my own sweet Cecily, I have never written you any
letters.
CECILY.
You need hardly remind me of that, Ernest. I remember only too well
that I was forced to write your letters for you. I wrote always three
times a week, and sometimes oftener.
ALGERNON.
Oh, do let me read them, Cecily?
CECILY.
Oh, I couldn’t possibly. They would make you far too conceited.
[Replaces box.] The three you wrote me after I had broken off the
engagement are so beautiful, and so badly spelled, that even now I can
hardly read them without crying a little.
ALGERNON.
But was our engagement ever broken off?
CECILY.
Of course it was. On the 22nd of last March. You can see the entry if
you like. [Shows diary.] ‘To-day I broke off my engagement with Ernest.
I feel it is better to do so. The weather still continues charming.’
ALGERNON.
But why on earth did you break it off? What had I done? I had done
nothing at all. Cecily, I am very much hurt indeed to hear you broke it
off. Particularly when the weather was so charming.
CECILY.
It would hardly have been a really serious engagement if it hadn’t been
broken off at least once. But I forgave you before the week was out.
ALGERNON.
[Crossing to her, and kneeling.] What a perfect angel you are, Cecily.
CECILY.
You dear romantic boy. [He kisses her, she puts her fingers through his
hair.] I hope your hair curls naturally, does it?
ALGERNON.
Yes, darling, with a little help from others.
CECILY.
I am so glad.
ALGERNON.
You’ll never break off our engagement again, Cecily?
CECILY.
I don’t think I could break it off now that I have actually met you.
Besides, of course, there is the question of your name.
ALGERNON.
Yes, of course. [Nervously.]
CECILY.
You must not laugh at me, darling, but it had always been a girlish
dream of mine to love some one whose name was Ernest. [Algernon rises,
Cecily also.] There is something in that name that seems to inspire
absolute confidence. I pity any poor married woman whose husband is not
called Ernest.
ALGERNON.
But, my dear child, do you mean to say you could not love me if I had
some other name?
CECILY.
But what name?
ALGERNON.
Oh, any name you like—Algernon—for instance . . .
CECILY.
But I don’t like the name of Algernon.
ALGERNON.
Well, my own dear, sweet, loving little darling, I really can’t see why
you should object to the name of Algernon. It is not at all a bad name.
In fact, it is rather an aristocratic name. Half of the chaps who get
into the Bankruptcy Court are called Algernon. But seriously, Cecily .
. . [Moving to her] . . . if my name was Algy, couldn’t you love me?
CECILY.
[Rising.] I might respect you, Ernest, I might admire your character,
but I fear that I should not be able to give you my undivided
attention.
ALGERNON.
Ahem! Cecily! [Picking up hat.] Your Rector here is, I suppose,
thoroughly experienced in the practice of all the rites and ceremonials
of the Church?
CECILY.
Oh, yes. Dr. Chasuble is a most learned man. He has never written a
single book, so you can imagine how much he knows.
ALGERNON.
I must see him at once on a most important christening—I mean on most
important business.
CECILY.
Oh!
ALGERNON.
I shan’t be away more than half an hour.
CECILY.
Considering that we have been engaged since February the 14th, and that
I only met you to-day for the first time, I think it is rather hard
that you should leave me for so long a period as half an hour. Couldn’t
you make it twenty minutes?
ALGERNON.
I’ll be back in no time.
[Kisses her and rushes down the garden.]
CECILY.
What an impetuous boy he is! I like his hair so much. I must enter his
proposal in my diary.
[Enter Merriman.]
MERRIMAN.
A Miss Fairfax has just called to see Mr. Worthing. On very important
business, Miss Fairfax states.
CECILY.
Isn’t Mr. Worthing in his library?
MERRIMAN.
Mr. Worthing went over in the direction of the Rectory some time ago.
CECILY.
Pray ask the lady to come out here; Mr. Worthing is sure to be back
soon. And you can bring tea.
MERRIMAN.
Yes, Miss. [Goes out.]
CECILY.
Miss Fairfax! I suppose one of the many good elderly women who are
associated with Uncle Jack in some of his philanthropic work in London.
I don’t quite like women who are interested in philanthropic work. I
think it is so forward of them.
[Enter Merriman.]
MERRIMAN.
Miss Fairfax.
[Enter Gwendolen.]
[Exit Merriman.]
CECILY.
[Advancing to meet her.] Pray let me introduce myself to you. My name
is Cecily Cardew.
GWENDOLEN.
Cecily Cardew? [Moving to her and shaking hands.] What a very sweet
name! Something tells me that we are going to be great friends. I like
you already more than I can say. My first impressions of people are
never wrong.
CECILY.
How nice of you to like me so much after we have known each other such
a comparatively short time. Pray sit down.
GWENDOLEN.
[Still standing up.] I may call you Cecily, may I not?
CECILY.
With pleasure!
GWENDOLEN.
And you will always call me Gwendolen, won’t you?
CECILY.
If you wish.
GWENDOLEN.
Then that is all quite settled, is it not?
CECILY.
I hope so. [A pause. They both sit down together.]
GWENDOLEN.
Perhaps this might be a favourable opportunity for my mentioning who I
am. My father is Lord Bracknell. You have never heard of papa, I
suppose?
CECILY.
I don’t think so.
GWENDOLEN.
Outside the family circle, papa, I am glad to say, is entirely unknown.
I think that is quite as it should be. The home seems to me to be the
proper sphere for the man. And certainly once a man begins to neglect
his domestic duties he becomes painfully effeminate, does he not? And I
don’t like that. It makes men so very attractive. Cecily, mamma, whose
views on education are remarkably strict, has brought me up to be
extremely short-sighted; it is part of her system; so do you mind my
looking at you through my glasses?
CECILY.
Oh! not at all, Gwendolen. I am very fond of being looked at.
GWENDOLEN.
[After examining Cecily carefully through a lorgnette.] You are here on
a short visit, I suppose.
CECILY.
Oh no! I live here.
GWENDOLEN.
[Severely.] Really? Your mother, no doubt, or some female relative of
advanced years, resides here also?
CECILY.
Oh no! I have no mother, nor, in fact, any relations.
GWENDOLEN.
Indeed?
CECILY.
My dear guardian, with the assistance of Miss Prism, has the arduous
task of looking after me.
GWENDOLEN.
Your guardian?
CECILY.
Yes, I am Mr. Worthing’s ward.
GWENDOLEN.
Oh! It is strange he never mentioned to me that he had a ward. How
secretive of him! He grows more interesting hourly. I am not sure,
however, that the news inspires me with feelings of unmixed delight.
[Rising and going to her.] I am very fond of you, Cecily; I have liked
you ever since I met you! But I am bound to state that now that I know
that you are Mr. Worthing’s ward, I cannot help expressing a wish you
were—well, just a little older than you seem to be—and not quite so
very alluring in appearance. In fact, if I may speak candidly—
CECILY.
Pray do! I think that whenever one has anything unpleasant to say, one
should always be quite candid.
GWENDOLEN.
Well, to speak with perfect candour, Cecily, I wish that you were fully
forty-two, and more than usually plain for your age. Ernest has a
strong upright nature. He is the very soul of truth and honour.
Disloyalty would be as impossible to him as deception. But even men of
the noblest possible moral character are extremely susceptible to the
influence of the physical charms of others. Modern, no less than
Ancient History, supplies us with many most painful examples of what I
refer to. If it were not so, indeed, History would be quite unreadable.
CECILY.
I beg your pardon, Gwendolen, did you say Ernest?
GWENDOLEN.
Yes.
CECILY.
Oh, but it is not Mr. Ernest Worthing who is my guardian. It is his
brother—his elder brother.
GWENDOLEN.
[Sitting down again.] Ernest