Discoveries and Inventions of the Nineteenth Century

The investigations of modern science have borne rich fruit, not only by vastly extending our knowledge of the universe of things around us, but also making us acquainted with the mode in which certain agents act upon our bodily organs, and by revealing, up to a certain point, what may be termed the mechanism of that most wonderful thing—the human mind—or, at least, that part which is immediately concerned in the perceptions of an external world. Of all the physical influences which affect the human mind, those due to light are the most powerful and the most agreeable. One of the most ancient of philosophers says, in the simple words which are appropriate to the expression of an undeniable truth, “Truly the light is sweet, and a pleasant thing it is for the eyes to behold the sun.” The impression produced by light alone is a source of pleasure—a cheering influence of the highest order; and there is a special character in the pleasing effects of light, from the circumstance that they do not exhaust the sense so quickly as do even pleasurable impressions on other organs—such as sweet tastes, fragrant odours, or agreeable sounds. Sight is not liable to that satiety which soon overtakes the enjoyment of sensations arising 453from the other senses; it possesses, therefore, a refinement of quality of which the rest are devoid. Sight converses with its objects at a greater distance than does any other sense, and it furnishes our minds with a greater variety of ideas. Indeed, our mental imagery is most largely made up of reminiscences of visual impressions; for when the idea of anything is brought up in our minds by a word, for example, there arises, in most cases, a more or less vivid presentation of some visible appearance. Our visual impressions are also longer retained in memory or idea than any other class of sensations. The nature of the impressions we receive through the eye is extremely varied; for we thus perceive not only the difference between light and darkness, but in the sensations of colour we have quite another class of effects, while the lustre and sparkle of polished and brilliant objects add new elements of beauty and variety. We find examples of the latter qualities in the verdant sheen of the smooth leaf, in the splendid reflections of burnished gold, in the bright radiance of glittering gems, and “in gloss of satin and glimmer of pearls.” The eye is also the organ which conveys to our minds the impressions of visible motion, with all those pleasures of exciting spectacle which enter so largely into our enjoyment of life. It likewise discriminates the forms, sizes, and distances of objects; but by a process long misunderstood, and dependent upon a set of perceptions which, although precisely those whence we derive our most fundamental notions of the objects around us, have been completely overlooked in that time-honoured enumeration of the senses which recognizes only five. If such be the extent to which our minds are dependent upon the wonderful apparatus of the eye, it may easily be imagined what must be the comparative narrowness of mental development in those who have never enjoyed this precious sense, and the feeling of deprivation in those, who, having enjoyed it, have unfortunately lost it. Well may our sublime poet despairingly ask— “Since light so necessary is to life, And almost life itself—if it be true That light is in the soul— The all in every part: why was the sight To such a tender ball as the eye confined, So obvious and so easy to be quenched?” —for he himself, in his own person, experienced this deprivation, and he thus touchingly, in his great work, laments his loss: “Thus with the year Seasons return; but not to me returns Day, or the sweet approach of even or morn, Or sight of vernal bloom, or summer’s rose, Or flocks, or herds, or human face divine; But cloud instead, and ever-during dark Surround me; from the cheerful ways of men Cut off; and for the book of knowledge fair Presented with a universal blank Of Nature’s works—to me expunged and rased, And wisdom at one entrance quite shut out.” An organ which is the instrument of so many nice discriminations as is the eye must, of course, present the most delicate adjustment in its parts. So much has in recent times been learnt of the nature of its mechanism; of the relation between the impressions made upon it and the judgments formed by the mind therefrom; of the illusions which its very structure produces; of the defects to which it is liable; and of its wonderfully 454refined physiological elements—that a branch of science sufficiently extensive to require a large part of a studious lifetime for its complete mastery has grown up under the hands of modern physiologists, physicists, and psychologists. To some of the results of their labour we would invite the reader’s attention; and in order to render the account of them intelligible, we must, to a certain extent, describe “things new and old.”