Project Gutenberg #1260
Jane Eyre
Charlotte Brontë
1847Charlotte Bronte's Bildungsroman and Gothic romance, prepared chapter by chapter from Project Gutenberg plaintext.
Project Gutenberg #1260 Public domain in the United States Cover source Local typographic cover created for MojiMori from public-domain source metadata
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AI Summary
Chapter 17 — CHAPTER XVII Central question What happens when Rochester withdraws? Main argument Rochester’s absence makes Jane acutely aware of how much attention she has begun to give him. The chapter uses delay...
form; her white muslin dress and blue
sash became her well. The second, Louisa, was taller and more elegant
in figure; with a very pretty face, of that order the French term
_minois chiffoné_: both sisters were fair as lilies.
Lady Lynn was a large and stout personage of about forty, very erect,
very haughty-looking, richly dressed in a satin robe of changeful
sheen: her dark hair shone glossily under the shade of an azure plume,
and within the circlet of a band of gems.
Mrs. Colonel Dent was less showy; but, I thought, more lady-like. She
had a slight figure, a pale, gentle face, and fair hair. Her black
satin dress, her scarf of rich foreign lace, and her pearl ornaments,
pleased me better than the rainbow radiance of the titled dame.
But the three most distinguished—partly, perhaps, because the tallest
figures of the band—were the Dowager Lady Ingram and her daughters,
Blanche and Mary. They were all three of the loftiest stature of women.
The Dowager might be between forty and fifty: her shape was still fine;
her hair (by candle-light at least) still black; her teeth, too, were
still apparently perfect. Most people would have termed her a splendid
woman of her age: and so she was, no doubt, physically speaking; but
then there was an expression of almost insupportable haughtiness in her
bearing and countenance. She had Roman features and a double chin,
disappearing into a throat like a pillar: these features appeared to me
not only inflated and darkened, but even furrowed with pride; and the
chin was sustained by the same principle, in a position of almost
preternatural erectness. She had, likewise, a fierce and a hard eye: it
reminded me of Mrs. Reed’s; she mouthed her words in speaking; her
voice was deep, its inflections very pompous, very dogmatical,—very
intolerable, in short. A crimson velvet robe, and a shawl turban of
some gold-wrought Indian fabric, invested her (I suppose she thought)
with a truly imperial dignity.
Blanche and Mary were of equal stature,—straight and tall as poplars.
Mary was too slim for her height, but Blanche was moulded like a Dian.
I regarded her, of course, with special interest. First, I wished to
see whether her appearance accorded with Mrs. Fairfax’s description;
secondly, whether it at all resembled the fancy miniature I had painted
of her; and thirdly—it will out!—whether it were such as I should fancy
likely to suit Mr. Rochester’s taste.
As far as person went, she answered point for point, both to my picture
and Mrs. Fairfax’s description. The noble bust, the sloping shoulders,
the graceful neck, the dark eyes and black ringlets were all there;—but
her face? Her face was like her mother’s; a youthful unfurrowed
likeness: the same low brow, the same high features, the same pride. It
was not, however, so saturnine a pride! she laughed continually; her
laugh was satirical, and so was the habitual expression of her arched
and haughty lip.
Genius is said to be self-conscious. I cannot tell whether Miss Ingram
was a genius, but she was self-conscious—remarkably self-conscious
indeed. She entered into a discourse on botany with the gentle Mrs.
Dent. It seemed Mrs. Dent had not studied that science: though, as she
said, she liked flowers, “especially wild ones;” Miss Ingram had, and
she ran over its vocabulary with an air. I presently perceived she was
(what is vernacularly termed) _trailing_ Mrs. Dent; that is, playing on
her ignorance; her _trail_ might be clever, but it was decidedly not
good-natured. She played: her execution was brilliant; she sang: her
voice was fine; she talked French apart to her mamma; and she talked it
well, with fluency and with a good accent.
Mary had a milder and more open countenance than Blanche; softer
features too, and a skin some shades fairer (Miss Ingram was dark as a
Spaniard)—but Mary was deficient in life: her face lacked expression,
her eye lustre; she had nothing to say, and having once taken her seat,
remained fixed like a statue in its niche. The sisters were both
attired in spotless white.
And did I now think Miss Ingram such a choice as Mr. Rochester would be
likely to make? I could not tell—I did not know his taste in female
beauty. If he liked the majestic, she was the very type of majesty:
then she was accomplished, sprightly. Most gentlemen would admire her,
I thought; and that he _did_ admire her, I already seemed to have
obtained proof: to remove the last shade of doubt, it remained but to
see them together.
You are not to suppose, reader, that Adèle has all this time been
sitting motionless on the stool at my feet: no; when the ladies
entered, she rose, advanced to meet them, made a stately reverence, and
said with gravity—
“Bon jour, mesdames.”
And Miss Ingram had looked down at her with a mocking air, and
exclaimed, “Oh, what a little puppet!”
Lady Lynn had remarked, “It is Mr. Rochester’s ward, I suppose—the
little French girl he was speaking of.”
Mrs. Dent had kindly taken her hand, and given her a kiss. Amy and
Louisa Eshton had cried out simultaneously—
“What a love of a child!”
And then they had called her to a sofa, where she now sat, ensconced
between them, chattering alternately in French and broken English;
absorbing not only the young ladies’ attention, but that of Mrs. Eshton
and Lady Lynn, and getting spoilt to her heart’s content.
At last coffee is brought in, and the gentlemen are summoned. I sit in
the shade—if any shade there be in this brilliantly-lit apartment; the
window-curtain half hides me. Again the arch yawns; they come. The
collective appearance of the gentlemen, like that of the ladies, is
very imposing: they are all costumed in black; most of them are tall,
some young. Henry and Frederick Lynn are very dashing sparks indeed;
and Colonel Dent is a fine soldierly man. Mr. Eshton, the magistrate of
the district, is gentleman-like: his hair is quite white, his eyebrows
and whiskers still dark, which gives him something of the appearance of
a “père noble de théâtre.” Lord Ingram, like his sisters, is very tall;
like them, also, he is handsome; but he shares Mary’s apathetic and
listless look: he seems to have more length of limb than vivacity of
blood or vigour of brain.
And where is Mr. Rochester?
He comes in last: I am not looking at the arch, yet I see him enter. I
try to concentrate my attention on those netting-needles, on the meshes
of the purse I am forming—I wish to think only of the work I have in my
hands, to see only the silver beads and silk threads that lie in my
lap; whereas, I distinctly behold his figure, and I inevitably recall
the moment when I last saw it; just after I had rendered him, what he
deemed, an essential service, and he, holding my hand, and looking down
on my face, surveyed me with eyes that revealed a heart full and eager
to overflow; in whose emotions I had a part. How near had I approached
him at that moment! What had occurred since, calculated to change his
and my relative positions? Yet now, how distant, how far estranged we
were! So far estranged, that I did not expect him to come and speak to
me. I did not wonder, when, without looking at me, he took a seat at
the other side of the room, and began conversing with some of the
ladies.
No sooner did I see that his attention was riveted on them, and that I
might gaze without being observed, than my eyes were drawn
involuntarily to his face; I could not keep their lids under control:
they would rise, and the irids would fix on him. I looked, and had an
acute pleasure in looking,—a precious yet poignant pleasure; pure gold,
with a steely point of agony: a pleasure like what the thirst-perishing
man might feel who knows the well to which he has crept is poisoned,
yet stoops and drinks divine draughts nevertheless.
Most true is it that “beauty is in the eye of the gazer.” My master’s
colourless, olive face, square, massive brow, broad and jetty eyebrows,
deep eyes, strong features, firm, grim mouth,—all energy, decision,
will,—were not beautiful, according to rule; but they were more than
beautiful to me; they were full of an interest, an influence that quite
mastered me,—that took my feelings from my own power and fettered them
in his. I had not intended to love him; the reader knows I had wrought
hard to extirpate from my soul the germs of love there detected; and
now, at the first renewed view of him, they spontaneously arrived,
green and strong! He made me love him without looking at me.
I compared him with his guests. What was the gallant grace of the
Lynns, the languid elegance of Lord Ingram,—even the military
distinction of Colonel Dent, contrasted with his look of native pith
and genuine power? I had no sympathy in their appearance, their
expression: yet I could imagine that most observers would call them
attractive, handsome, imposing; while they would pronounce Mr.
Rochester at once harsh-featured and melancholy-looking. I saw them
smile, laugh—it was nothing; the light of the candles had as much soul
in it as their smile; the tinkle of the bell as much significance as
their laugh. I saw Mr. Rochester smile:—his stern features softened;
his eye grew both brilliant and gentle, its ray both searching and
sweet. He was talking, at the moment, to Louisa and Amy Eshton. I
wondered to see them receive with calm that look which seemed to me so
penetrating: I expected their eyes to fall, their colour to rise under
it; yet I was glad when I found they were in no sense moved. “He is not
to them what he is to me,” I thought: “he is not of their kind. I
believe he is of mine;—I am sure he is—I feel akin to him—I understand
the language of his countenance and movements: though rank and wealth
sever us widely, I have something in my brain and heart, in my blood
and nerves, that assimilates me mentally to him. Did I say, a few days
since, that I had nothing to do with him but to receive my salary at
his hands? Did I forbid myself to think of him in any other light than
as a paymaster? Blasphemy against nature! Every good, true, vigorous
feeling I have gathers impulsively round him. I know I must conceal my
sentiments: I must smother hope; I must remember that he cannot care
much for me. For when I say that I am of his kind, I do not mean that I
have his force to influence, and his spell to attract; I mean only that
I have certain tastes and feelings in common with him. I must, then,
repeat continually that we are for ever sundered:—and yet, while I
breathe and think, I must love him.”
Coffee is handed. The ladies, since the gentlemen entered, have become
lively as larks; conversation waxes brisk and merry. Colonel Dent and
Mr. Eshton argue on politics; their wives listen. The two proud
dowagers, Lady Lynn and Lady Ingram, confabulate together. Sir
George—whom, by-the-bye, I have forgotten to describe,—a very big, and
very fresh-looking country gentleman, stands before their sofa,
coffee-cup in hand, and occasionally puts in a word. Mr. Frederick Lynn
has taken a seat beside Mary Ingram, and is showing her the engravings
of a splendid volume: she looks, smiles now and then, but apparently
says little. The tall and phlegmatic Lord Ingram leans with folded arms
on the chair-back of the little and lively Amy