Project Gutenberg #54895
Limbo
Aldous Huxley
1920Huxley's early story collection, prepared story by story from Project Gutenberg plaintext.
Project Gutenberg #54895 Public domain in the United States Cover source Local typographic cover created for MojiMori from public-domain source metadata
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AI Summary
Chapter 1 — FARCICAL HISTORY OF RICHARD GREENOW Central question How does Richard Greenow’s life become a farce of identity and ambition? Main argument The story treats Greenow’s social existence as comic...
mortified the flesh with
fasting and watching. He even went so far as to flagellate himself--or
at least tried to; for it is very difficult to flagellate yourself
adequately with a cane in a room so small that any violent gesture
imperils the bric-à-brac. He would pass half the night stark naked, in
absurd postures, trying to hurt himself. And then, after the
dolorously pleasant process of self-maceration was over, he used to
lean out of the window and listen to the murmurs of the night and fill
his spirit with the warm velvet darkness of midsummer.
Copthorne-Slazenger, coming back by the late train from town one
night, happened to see his moon-pale face hanging out of window and
was delighted to be able to give him two hundred Greek lines to remind
him that even a member of the Sixth Form requires sleep sometimes.
The fit lasted three weeks. "I can't think what's the matter with you,
Greenow," complained Mr. Skewbauld snufflingly. "You seem incapable or
unwilling to do anything at all. I suspect the cause is constipation.
If only everyone would take a little paraffin every night before going
to bed! . . ." Mr. Skewbauld's self-imposed mission in life
was the propagation of the paraffin habit. It was the universal
panacea--the cure for every ill.
His friends of before the crisis shook their heads and could only
suppose him mad. And then the fit ended as suddenly as it had begun.
It happened at a dinner-party given by the Cravisters. Dr. Cravister
was the Headmaster of Æsop--a good, gentle, learned old man, with
snow-white hair and a saintly face which the spirit of comic irony had
embellished with a nose that might, so red and bulbous it was, have
been borrowed from the properties of a music-hall funny man. And then
there was Mrs. Cravister, large and stately as a galleon with all
sails set. Those who met her for the first time might be awed by the
dignity of what an Elizabethan would have called her "swelling port."
But those who knew her well went in terror of the fantastic spirit
which lurked behind the outward majesty. They were afraid of what that
richly modulated voice of hers might utter. It was not merely that she
was malicious--and she had a gift of ever-ready irony; no, what was
alarming in all her conversation was the element of the unexpected.
With most people one feels comfortably secure that they will always
say the obvious and ordinary things; with Mrs. Cravister, never. The
best one could do was to be on guard and to try and look, when she
made a more than usually characteristic remark, less of a bewildered
fool than one felt.
Mrs. Cravister received her guests--they were all of them boys--with
stately courtesy. They found it pleasant to be taken so seriously, to
be treated as perfectly grown men; but at the same time, they always
had with Mrs. Cravister a faint uncomfortable suspicion that all her
politeness was an irony so exquisite as to be practically
undistinguishable from ingenuousness.
"Good evening, Mr. Gay," she said, holding out her hand and shutting
her eyes; it was one of her disconcerting habits, this shutting of the
eyes. "What a pleasure it will be to hear you talking to us again
about eschatology."
Gay, who had never talked about eschatology and did not know the
meaning of the word, smiled a little dimly and made a protesting
noise.
"Eschatology? What a charming subject!" The fluty voice belonged to
Henry Cravister, the Headmaster's son, a man of about forty who worked
in the British Museum. He was almost too cultured, too erudite.
"But I don't know anything about it," said Gay desperately.
"Spare us your modesty," Henry Cravister protested.
His mother shook hands with the other guests, putting some at their
ease with a charming phrase and embarrassing others by saying
something baffling and unexpected that would have dismayed even the
hardiest diner-out, much more a schoolboy tremblingly on his good
behaviour. At the tail end of the group of boys stood Dick and Francis
Quarles. Mrs. Cravister slowly raised her heavy waxen eyelids and
regarded them a moment in silence.
"The Græco-Roman and the Gothic side by side!" she exclaimed. "Lord
Francis is something in the Vatican, a rather late piece of work; and
Mr. Greenow is a little gargoyle from the roof of Notre Dame de Paris.
Two epochs of art--how clearly one sees the difference. And my
husband, I always think, is purely Malayan in design--purely Malayan,"
she repeated as she shook hands with the two boys.
Dick blushed to the roots of his hair, but Francis' impassive
arrogance remained unmoved. Dick stole a glance in his direction, and
at the sight of his calm face he felt a new wave of adoring admiration
sweeping through him.
The company was assembled and complete, Mrs. Cravister looked round
the room and remarking, "We won't wait for Mr. Copthorne-Slazenger,"
sailed majestically in the direction of the door. She particularly
disliked this member of her husband's staff, and lost no opportunity
of being rude to him. Thus, where an ordinary hostess might have said,
"Shall we come in to dinner?" Mrs. Cravister employed the formula, "We
won't wait for Mr. Copthorne-Slazenger"; and a guest unacquainted with
Mrs. Cravister's habits would be surprised on entering the dining-room
to find that all the seats at the table were filled, and that the meal
proceeded smoothly without a single further reference to the missing
Copthorne, who never turned up at all, for the good reason that he had
never been invited.
Dinner began a little nervously and uncomfortably. At one end of the
table the Headmaster was telling anecdotes of Æsop in the sixties, at
which the boys in his neighbourhood laughed with a violent nervous
insincerity. Henry Cravister, still talking about eschatology, was
quoting from Sidonius Apollinarius and Commodianus of Gaza. Mrs.
Cravister, who had been engaged in a long colloquy with the butler,
suddenly turned on Dick with the remark, "And so you have a deep,
passionate fondness for cats," as though they had been intimately
discussing the subject for the last hour. Dick had enough presence of
mind to say that, yes, he did like cats--all except those Manx ones
that had no tails.
"No tails," Mrs. Cravister repeated--"no tails. Like men. How
symbolical everything is!"
Francis Quarles was sitting opposite him, so that Dick had ample
opportunity to look at his idol. How perfectly he did everything, down
to eating his soup! The first lines of a new poem began to buzz in
Dick's head:
"All, all I lay at thy proud marble feet--
My heart, my love and all my future days.
Upon thy brow for ever let me gaze,
For ever touch thy hair: oh (something) sweet . . ."
Would he be able to find enough rhymes to make it into a sonnet? Mrs.
Cravister, who had been leaning back in her chair for the last few
minutes in a state of exhausted abstraction, opened her eyes and said
to nobody in particular:
"Ah, how I envy the calm of those Chinese dynasties!"
"Which Chinese dynasties?" a well-meaning youth inquired.
"Any Chinese dynasty, the more remote the better. Henry, tell us the
names of some Chinese dynasties."
In obedience to his mother, Henry delivered a brief disquisition on
the history of politics, art, and letters in the Far East.
The Headmaster continued his reminiscences.
An angel of silence passed. The boys, whose shyness had begun to wear
off, became suddenly and painfully conscious of hearing themselves
eating. Mrs. Cravister saved the situation.
"Lord Francis knows all about birds," she said in her most thrilling
voice. "Perhaps he can tell us why it is the unhappy fate of the
carrion crow to mate for life."
Conversation again became general. Dick was still thinking about his
sonnet. Oh, these rhymes!--praise, bays, roundelays, amaze: greet,
bleat, defeat, beat, paraclete. . . .
". . . to sing the praise
In anthems high and solemn roundelays
Of Holy Father, Son and Paraclete."
That was good--damned good; but it hardly seemed to fit in with the
first quatrain. It would do for one of his religious poems, though. He
had written a lot of sacred verse lately.
Then suddenly, cutting across his ecstatic thoughts, came the sound of
Henry Cravister's reedy voice.
"But I always find Pater's style so _coarse_," it said.
Something explosive took place in Dick's head. It often happens when
one blows one's nose that some passage in the labyrinth connecting
ears and nose and throat is momentarily blocked, and one becomes deaf
and strangely dizzy. Then, suddenly, the mucous bubble bursts, sound
rushes back to the brain, the head feels clear and stable once more.
It was something like this, but transposed into terms of the spirit,
that seemed now to have happened to Dick.
It was as though some mysterious obstruction in his brain, which had
dammed up and diverted his faculties from their normal course during
the past three weeks, had been on a sudden overthrown. His life seemed
to be flowing once more along familiar channels.
He was himself again.
"But I always find Pater's style so _coarse_."
These few words of solemn foolery were the spell which had somehow
performed the miracle. It was just the sort of remark he might have
made three weeks ago, before the crisis. For a moment, indeed, he
almost thought it was he himself who had spoken; his own authentic
voice, carried across the separating gulf of days, had woken him again
to life!
He looked at Francis Quarles. Why, the fellow was nothing but a great
prize ox, a monstrous animal. "There was a Lady loved a Swine. Honey,
said she . . ." It was ignoble, it was ridiculous. He could have
hidden his face in his hands for pure shame; shame tingled through his
body. Goodness, how grotesquely he had behaved!
He leaned across and began talking to Henry Cravister about Pater and
style and books in general. Cravister was amazed at the maturity of
the boy's mind; for he possessed to a remarkable degree that critical
faculty which in the vast majority of boys is--and from their lack of
experience must be--wholly lacking.
"You must come and see me some time when you're in London," Henry
Cravister said to him when the time came for the boys to get back to
their houses. Dick was flattered; he had not said that to any of the
others. He walked home with Gay, laughing and talking quite in his old
fashion. Gay marvelled at the change in his companion; strange,
inexplicable fellow! but it was pleasant to have him back again, to
repossess the lost friend. Arrived in his room, Dick sat down to
attack the last set of mathematical problems that had been set him.
Three hours ago they had appeared utterly incomprehensible; now he
understood them perfectly. His mind was like a giant refreshed,
delighting in its strength.
Next day Mr. Skewbauld congratulated him on his answers.
"You seem quite to have recovered your old form, Greenow," he said.
"Did you take my advice? Paraffin regularly . . ."
Looking back on the events of the last weeks, Dick was disquieted. Mr.
Skewbauld might be wrong in recommending paraffin, but he was surely
right in supposing that something was the matter and required a
remedy. What could it be? He felt so well; but that, of course, proved
nothing. He began doing Müller's exercises, and he bought a jar of
malt extract and a bottle of hypophosphites. After much consultation
of medical handbooks and the encyclopædia, he came to the conclusion
that he was suffering from anæmia of the brain; and for some time one
fixed idea haunted him: Suppose the blood completely ceased to flow to
his brain, suppose he were to fall down suddenly dead or, worse,
become utterly and hopelessly paralysed. . . . Happily