Cover for Limbo

Project Gutenberg #54895

Limbo

Aldous Huxley

1920

Huxley's early story collection, prepared story by story from Project Gutenberg plaintext.

Project Gutenberg #54895 Public domain in the United States Cover source Local typographic cover created for MojiMori from public-domain source metadata

Section 1 of 7 Page 2 of 11

FARCICAL HISTORY OF RICHARD GREENOW

214 words at B2 or above
A1 A2 B1 B2 C1 C2 C2+
highlighted at or above your level

AI Summary

Chapter 1 — FARCICAL HISTORY OF RICHARD GREENOW Central question How does Richard Greenow’s life become a farce of identity and ambition? Main argument The story treats Greenow’s social existence as comic...

markdown
mortified the flesh with fasting and watching. He even went so far as to flagellate himself--or at least tried to; for it is very difficult to flagellate yourself adequately with a cane in a room so small that any violent gesture imperils the bric-à-brac. He would pass half the night stark naked, in absurd postures, trying to hurt himself. And then, after the dolorously pleasant process of self-maceration was over, he used to lean out of the window and listen to the murmurs of the night and fill his spirit with the warm velvet darkness of midsummer. Copthorne-Slazenger, coming back by the late train from town one night, happened to see his moon-pale face hanging out of window and was delighted to be able to give him two hundred Greek lines to remind him that even a member of the Sixth Form requires sleep sometimes. The fit lasted three weeks. "I can't think what's the matter with you, Greenow," complained Mr. Skewbauld snufflingly. "You seem incapable or unwilling to do anything at all. I suspect the cause is constipation. If only everyone would take a little paraffin every night before going to bed! . . ." Mr. Skewbauld's self-imposed mission in life was the propagation of the paraffin habit. It was the universal panacea--the cure for every ill. His friends of before the crisis shook their heads and could only suppose him mad. And then the fit ended as suddenly as it had begun. It happened at a dinner-party given by the Cravisters. Dr. Cravister was the Headmaster of Æsop--a good, gentle, learned old man, with snow-white hair and a saintly face which the spirit of comic irony had embellished with a nose that might, so red and bulbous it was, have been borrowed from the properties of a music-hall funny man. And then there was Mrs. Cravister, large and stately as a galleon with all sails set. Those who met her for the first time might be awed by the dignity of what an Elizabethan would have called her "swelling port." But those who knew her well went in terror of the fantastic spirit which lurked behind the outward majesty. They were afraid of what that richly modulated voice of hers might utter. It was not merely that she was malicious--and she had a gift of ever-ready irony; no, what was alarming in all her conversation was the element of the unexpected. With most people one feels comfortably secure that they will always say the obvious and ordinary things; with Mrs. Cravister, never. The best one could do was to be on guard and to try and look, when she made a more than usually characteristic remark, less of a bewildered fool than one felt. Mrs. Cravister received her guests--they were all of them boys--with stately courtesy. They found it pleasant to be taken so seriously, to be treated as perfectly grown men; but at the same time, they always had with Mrs. Cravister a faint uncomfortable suspicion that all her politeness was an irony so exquisite as to be practically undistinguishable from ingenuousness. "Good evening, Mr. Gay," she said, holding out her hand and shutting her eyes; it was one of her disconcerting habits, this shutting of the eyes. "What a pleasure it will be to hear you talking to us again about eschatology." Gay, who had never talked about eschatology and did not know the meaning of the word, smiled a little dimly and made a protesting noise. "Eschatology? What a charming subject!" The fluty voice belonged to Henry Cravister, the Headmaster's son, a man of about forty who worked in the British Museum. He was almost too cultured, too erudite. "But I don't know anything about it," said Gay desperately. "Spare us your modesty," Henry Cravister protested. His mother shook hands with the other guests, putting some at their ease with a charming phrase and embarrassing others by saying something baffling and unexpected that would have dismayed even the hardiest diner-out, much more a schoolboy tremblingly on his good behaviour. At the tail end of the group of boys stood Dick and Francis Quarles. Mrs. Cravister slowly raised her heavy waxen eyelids and regarded them a moment in silence. "The Græco-Roman and the Gothic side by side!" she exclaimed. "Lord Francis is something in the Vatican, a rather late piece of work; and Mr. Greenow is a little gargoyle from the roof of Notre Dame de Paris. Two epochs of art--how clearly one sees the difference. And my husband, I always think, is purely Malayan in design--purely Malayan," she repeated as she shook hands with the two boys. Dick blushed to the roots of his hair, but Francis' impassive arrogance remained unmoved. Dick stole a glance in his direction, and at the sight of his calm face he felt a new wave of adoring admiration sweeping through him. The company was assembled and complete, Mrs. Cravister looked round the room and remarking, "We won't wait for Mr. Copthorne-Slazenger," sailed majestically in the direction of the door. She particularly disliked this member of her husband's staff, and lost no opportunity of being rude to him. Thus, where an ordinary hostess might have said, "Shall we come in to dinner?" Mrs. Cravister employed the formula, "We won't wait for Mr. Copthorne-Slazenger"; and a guest unacquainted with Mrs. Cravister's habits would be surprised on entering the dining-room to find that all the seats at the table were filled, and that the meal proceeded smoothly without a single further reference to the missing Copthorne, who never turned up at all, for the good reason that he had never been invited. Dinner began a little nervously and uncomfortably. At one end of the table the Headmaster was telling anecdotes of Æsop in the sixties, at which the boys in his neighbourhood laughed with a violent nervous insincerity. Henry Cravister, still talking about eschatology, was quoting from Sidonius Apollinarius and Commodianus of Gaza. Mrs. Cravister, who had been engaged in a long colloquy with the butler, suddenly turned on Dick with the remark, "And so you have a deep, passionate fondness for cats," as though they had been intimately discussing the subject for the last hour. Dick had enough presence of mind to say that, yes, he did like cats--all except those Manx ones that had no tails. "No tails," Mrs. Cravister repeated--"no tails. Like men. How symbolical everything is!" Francis Quarles was sitting opposite him, so that Dick had ample opportunity to look at his idol. How perfectly he did everything, down to eating his soup! The first lines of a new poem began to buzz in Dick's head: "All, all I lay at thy proud marble feet-- My heart, my love and all my future days. Upon thy brow for ever let me gaze, For ever touch thy hair: oh (something) sweet . . ." Would he be able to find enough rhymes to make it into a sonnet? Mrs. Cravister, who had been leaning back in her chair for the last few minutes in a state of exhausted abstraction, opened her eyes and said to nobody in particular: "Ah, how I envy the calm of those Chinese dynasties!" "Which Chinese dynasties?" a well-meaning youth inquired. "Any Chinese dynasty, the more remote the better. Henry, tell us the names of some Chinese dynasties." In obedience to his mother, Henry delivered a brief disquisition on the history of politics, art, and letters in the Far East. The Headmaster continued his reminiscences. An angel of silence passed. The boys, whose shyness had begun to wear off, became suddenly and painfully conscious of hearing themselves eating. Mrs. Cravister saved the situation. "Lord Francis knows all about birds," she said in her most thrilling voice. "Perhaps he can tell us why it is the unhappy fate of the carrion crow to mate for life." Conversation again became general. Dick was still thinking about his sonnet. Oh, these rhymes!--praise, bays, roundelays, amaze: greet, bleat, defeat, beat, paraclete. . . . ". . . to sing the praise In anthems high and solemn roundelays Of Holy Father, Son and Paraclete." That was good--damned good; but it hardly seemed to fit in with the first quatrain. It would do for one of his religious poems, though. He had written a lot of sacred verse lately. Then suddenly, cutting across his ecstatic thoughts, came the sound of Henry Cravister's reedy voice. "But I always find Pater's style so _coarse_," it said. Something explosive took place in Dick's head. It often happens when one blows one's nose that some passage in the labyrinth connecting ears and nose and throat is momentarily blocked, and one becomes deaf and strangely dizzy. Then, suddenly, the mucous bubble bursts, sound rushes back to the brain, the head feels clear and stable once more. It was something like this, but transposed into terms of the spirit, that seemed now to have happened to Dick. It was as though some mysterious obstruction in his brain, which had dammed up and diverted his faculties from their normal course during the past three weeks, had been on a sudden overthrown. His life seemed to be flowing once more along familiar channels. He was himself again. "But I always find Pater's style so _coarse_." These few words of solemn foolery were the spell which had somehow performed the miracle. It was just the sort of remark he might have made three weeks ago, before the crisis. For a moment, indeed, he almost thought it was he himself who had spoken; his own authentic voice, carried across the separating gulf of days, had woken him again to life! He looked at Francis Quarles. Why, the fellow was nothing but a great prize ox, a monstrous animal. "There was a Lady loved a Swine. Honey, said she . . ." It was ignoble, it was ridiculous. He could have hidden his face in his hands for pure shame; shame tingled through his body. Goodness, how grotesquely he had behaved! He leaned across and began talking to Henry Cravister about Pater and style and books in general. Cravister was amazed at the maturity of the boy's mind; for he possessed to a remarkable degree that critical faculty which in the vast majority of boys is--and from their lack of experience must be--wholly lacking. "You must come and see me some time when you're in London," Henry Cravister said to him when the time came for the boys to get back to their houses. Dick was flattered; he had not said that to any of the others. He walked home with Gay, laughing and talking quite in his old fashion. Gay marvelled at the change in his companion; strange, inexplicable fellow! but it was pleasant to have him back again, to repossess the lost friend. Arrived in his room, Dick sat down to attack the last set of mathematical problems that had been set him. Three hours ago they had appeared utterly incomprehensible; now he understood them perfectly. His mind was like a giant refreshed, delighting in its strength. Next day Mr. Skewbauld congratulated him on his answers. "You seem quite to have recovered your old form, Greenow," he said. "Did you take my advice? Paraffin regularly . . ." Looking back on the events of the last weeks, Dick was disquieted. Mr. Skewbauld might be wrong in recommending paraffin, but he was surely right in supposing that something was the matter and required a remedy. What could it be? He felt so well; but that, of course, proved nothing. He began doing Müller's exercises, and he bought a jar of malt extract and a bottle of hypophosphites. After much consultation of medical handbooks and the encyclopædia, he came to the conclusion that he was suffering from anæmia of the brain; and for some time one fixed idea haunted him: Suppose the blood completely ceased to flow to his brain, suppose he were to fall down suddenly dead or, worse, become utterly and hopelessly paralysed. . . . Happily

Send feedback

Optional — only if you'd like a reply.