Limbo

I THE most sumptuous present that Millicent received on her seventh birthday was a doll's house. "With love to darling little Mill from Aunty Loo." Aunt Loo was immensely rich, and the doll's house was almost as grandiose and massive as herself. It was divided into four rooms, each papered in a different colour and each furnished as was fitting: beds and washstands and wardrobes in the upstair rooms, arm-chairs and artificial plants below. "Replete with every modern convenience; sumptuous appointments." There was even a cold collation ready spread on the dining-room table--two scarlet lobsters on a dish, and a ham that had been sliced into just enough to reveal an internal complexion of the loveliest pink and white. One might go on talking about the doll's house for ever, it was so beautiful. Such, at any rate, was the opinion of Millicent's brother Dick. He would spend hours opening and shutting the front door, peeping through the windows, arranging and rearranging the furniture. As for Millicent, the gorgeous present left her cold. She had been hoping--and, what is more, praying, fervently, every night for a month--that Aunty Loo would give her a toy sewing-machine (one of the kind that works, though) for her birthday. She was bitterly disappointed when the doll's house came instead. But she bore it all stoically and managed to be wonderfully polite to Aunty Loo about the whole affair. She never looked at the doll's house: it simply didn't interest her. Dick had already been at a preparatory school for a couple of terms. Mr. Killigrew, the headmaster, thought him a promising boy. "Has quite a remarkable aptitude for mathematics," he wrote in his report. "He has started Algebra this term and shows a"--"quite remarkable" scratched out (the language of reports is apt to be somewhat limited)--"a very unusual grasp of the subject." Mr. Killigrew didn't know that his pupil also took an interest in dolls: if he had, he would have gibed at Dick as unmercifully and in nearly the same terms as Dick's fellow-schoolboys--for shepherds grow to resemble their sheep and pedagogues their childish charges. But of course Dick would never have dreamt of telling anyone at school about it. He was chary of letting even the people at home divine his weakness, and when anyone came into the room where the doll's house was, he would put his hands in his pockets and stroll out, whistling the tune of, "There is a Happy Land far, far away, where they have Ham and Eggs seven times a day," as though he had merely stepped in to have a look at the beastly thing--just to give it a kick. When he wasn't playing with the doll's house, Dick spent his holiday time in reading, largely, devouringly. No length or incomprehensibility could put him off; he had swallowed down _Robert Elsmere_ in the three-volume edition at the age of eight. When he wasn't reading he used to sit and think about Things in General and Nothing in Particular; in fact, as Millicent reproachfully put it, he just mooned about. Millicent, on the other hand, was always busily doing something: weeding in the garden, or hoeing, or fruit-picking (she could be trusted not to eat more than the recognized tariff--one in twenty raspberries or one in forty plums); helping Kate in the kitchen; knitting mufflers for those beings known vaguely as The Cripples, while her mother read aloud in the evenings before bedtime. She disapproved of Dick's mooning, but Dick mooned all the same. When Dick was twelve and a half he knew enough about mathematics and history and the dead languages to realize that his dear parents were profoundly ignorant and uncultured. But, what was more pleasing to the dear parents, he knew enough to win a scholarship at Æsop College, which is one of our Greatest Public Schools. If this were a Public School story, I should record the fact that, while at Æsop, Dick swore, lied, blasphemed, repeated dirty stories, read the articles in _John Bull_ about brothels disguised as nursing-homes and satyrs disguised as curates; that he regarded his masters, with very few exceptions, as fools, not even always well-meaning. And so on. All which would be quite true, but beside the point. For this is not one of the conventional studies of those clever young men who discover Atheism and Art at School, Socialism at the University, and, passing through the inevitable stage of Sex and Syphilis after taking their B.A., turn into maturely brilliant novelists at the age of twenty-five. I prefer, therefore, to pass over the minor incidents of a difficult pubescence, touching only on those points which seem to throw a light on the future career of our hero. It is possible for those who desire it--incredible as the thing may appear--to learn something at Æsop College. Dick even learnt a great deal. From the beginning he was the young Benjamin of his mathematical tutor, Mr. Skewbauld, a man of great abilities in his own art, and who, though wholly incapable of keeping a form in order, could make his private tuition a source of much profit to a mathematically minded boy. Mr. Skewbauld's house was the worst in Æsop: Dick described it as a mixture between a ghetto and a home for the mentally deficient, and when he read in Sir Thomas Browne that it was a Vulgar Error to suppose that Jews stink, he wrote a letter to the _School Magazine_ exploding that famous doctor as a quack and a charlatan, whose statements ran counter to the manifest facts of everyday life in Mr. Skewbauld's house. It may seem surprising that Dick should have read Sir Thomas Browne at all. But he was more than a mere mathematician. He filled the ample leisure, which is Æsop's most precious gift to those of its Alumni who know how to use it, with much and varied reading in history, in literature, in physical science, and in more than one foreign language. Dick was something of a prodigy. "Greenow's an intellectual," was Mr. Copthorne-Slazenger's contemptuous verdict. "I have the misfortune to have two or three intellectuals in my house. They're all of them friends of his. I think he's a Bad Influence in the School." Copthorne-Slazenger regarded himself as the perfect example of _mens sana in corpore sano_, the soul of an English gentleman in the body of a Greek god. Unfortunately his legs were rather too short and his lower lip was underhung like a salmon's. Dick had, indeed, collected about him a band of kindred spirits. There was Partington, who specialized in history; Gay, who had read all the classical writings of the golden age and was engaged in the study of mediæval Latin; Fletton, who was fantastically clever and had brought the art of being idle to a pitch never previously reached in the annals of Æsop. These were his chief friends, and a queer-looking group they made--Dick, small and dark and nervous; Partington, all roundness, and whose spectacles were two moons in a moonface; Gay, with the stiff walk of a little old man; and Fletton, who looked like nobody so much as Mr. Jingle, tall and thin with a twisted, comical face. "An ugly skulking crew," Copthorne-Slazenger, conscious of his own Olympian splendour, would say as he saw them pass. With these faithful friends Dick should have been--and indeed for the most part was--very happy. Between them they mustered up a great stock of knowledge; they could discuss every subject under the sun. They were a liberal education and an amusement to one another. There were times, however, when Dick was filled with a vague, but acute, discontent. He wanted something which his friends could not give him; but what, but what? The discontent rankled under the surface, like a suppressed measles. It was Lord Francis Quarles who brought it out and made the symptoms manifest. Francis Quarles was a superb creature, with the curly forehead of a bull and the face and limbs of a Græco-Roman statue. It was a sight worth seeing when he looked down through half-shut eyelids, in his usual attitude of sleepy arrogance, on the world about him. He was in effect what Mr. Copthorne-Slazenger imagined himself to be, and he shared that gentleman's dislike for Dick and his friends. "Yellow little atheists," he called them. He always stood up for God and the Church of England; they were essential adjuncts to the aristocracy. God, indeed, was almost a member of the Family; lack of belief in Him amounted to a personal insult to the name of Quarles. It was half-way through the summer term, when Dick was sixteen, on one of those days of brilliant sunshine and cloudless blue, when the sight of beautiful and ancient buildings is peculiarly poignant. Their age and quiet stand out in melancholy contrast against the radiant life of the summer; and at Æsop the boys go laughing under their antique shadow; "Little victims"--you feel how right Gray was. Dick was idly strolling across the quadrangle, engaged in merely observing the beauty about him--the golden-grey chapel, with its deep geometrical shadows between the buttresses, the comely rose-coloured shapes of the brick-built Tudor buildings, the weathercocks glittering in the sun, the wheeling flurries of pigeons. His old discontent had seized on him again, and to-day in the presence of all this beauty it had become almost unbearable. All at once, out of the mouth of one of the dark little tunnelled doors pierced in the flanks of the sleeping building, a figure emerged into the light. It was Francis Quarles, clad in white flannels and the radiance of the sunshine. He appeared like a revelation, bright, beautiful, and sudden, before Dick's eyes. A violent emotion seized him; his heart leapt, his bowels were moved within him; he felt a little sick and faint--he had fallen in love. Francis passed by without deigning to notice him. His head was high, his eyes drowsy under their drooping lids. He was gone, and for Dick all the light was out, the beloved quadrangle was a prison-yard, the pigeons a loathsome flock of carrion eaters. Gay and Partington came up behind him with shouts of invitation. Dick walked rudely away. God! how he hated them and their wretched, silly talk and their yellow, ugly faces. The weeks that followed were full of strangeness. For the first time in his life Dick took to writing poetry. There was one sonnet which began: Is it a vision or a waking dream? Or is it truly Apollo that I see, Come from his sylvan haunts in Arcady { laugh and loiter To { { sing and saunter by an English stream. . . . He kept on repeating the words to himself, "Sylvan haunts in Arcady," "laugh and loiter" (after much thought he had adopted that as more liquidly melodious than "sing and saunter"). How beautiful they sounded!--as beautiful as Keats--more beautiful, for they were his own. He avoided the company of Gay and Fletton and Partington; they had become odious to him, and their conversation, when he could bring himself to listen to it, was, somehow, almost incomprehensible. He would sit for hours alone in his study; not working--for he could not understand the mathematical problems on which he had been engaged before the fateful day in the quadrangle--but reading novels and the poetry of Mrs. Browning, and at intervals writing something rather ecstatic of his own. After a long preparatory screwing up of his courage, he dared at last to send a fag with a note to Francis, asking him to tea; and when Francis rather frigidly refused, he actually burst into tears. He had not cried like that since he was a child. He became suddenly very religious. He would spend an hour on his knees every night, praying, praying with frenzy. He