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Project Gutenberg #1636
Phaedrus
Plato's dialogue on love, the soul, and the difference between true and false rhetoric, ending in the critique of writing, with Jowett's introduction.
Project Gutenberg #1636
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Public domain in the United States
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Cover source
Local typographic cover created for The Missing Workbook from public-domain source metadata
Section 3 of 4
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Page 4 of 6
Phaedrus (Part 1 of 2)
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The hour of payment arrives ,
and now he is the servant of another master ;
instead of love and infatuation ,
wisdom and temperance are his bosom's lords ;
but the beloved has not discovered the change which has taken place in him ,
when he asks for a return and recalls to his recollection former sayings and doings ;
he believes himself to be speaking to the same person ,
and the other ,
not having the courage to confess the truth ,
and not knowing how to fulfil the oaths and promises which he made when under the dominion of folly ,
and having now grown wise and temperate ,
does not want to do as he did or to be as he was before .
And so he runs away and is constrained to be a defaulter ;
the oyster-shell (
In allusion to a game in which two parties fled or pursued according as an oyster-shell
which was thrown into the air fell with the dark or light side uppermost .)
has fallen with the other side uppermost —
he changes pursuit into flight ,
while the other is compelled to follow him with passion and imprecation ,
not knowing that he ought never from the first to have accepted a demented lover instead of a sensible non-lover;
and that in making such a choice he was giving himself up to a faithless ,
morose ,
envious ,
disagreeable being ,
hurtful to his estate ,
hurtful to his bodily health ,
and still more hurtful to the cultivation of his mind ,
than which there neither is nor ever will be anything more honoured in the eyes both of gods and men .
Consider this ,
fair youth ,
and know that in the friendship of the lover there is no real kindness ;
he has an appetite and wants to feed upon you :
'
As wolves love lambs so lovers love their loves .'
But I told you so ,
I am speaking in verse ,
and therefore I had better make an end ;
enough .
PHAEDRUS:
I thought that you were only half-way and were going to make a similar speech about all the advantages of accepting the non-lover.
Why do you not proceed ?
SOCRATES:
Does not your simplicity observe that I have got out of dithyrambics into heroics ,
when only uttering a censure on the lover ?
And if I am to add the praises of the non-lover
what will become of me ?
Do you not perceive that I am already overtaken by the Nymphs to whom you have mischievously exposed me ?
And therefore I will only add that the non-lover
has all the advantages in which the lover is accused of being deficient .
And now I will say no more ;
there has been enough of both of them .
Leaving the tale to its fate ,
I will cross the river and make the best of my way home ,
lest a worse thing be inflicted upon me by you .
PHAEDRUS:
Not yet , Socrates;
not until the heat of the day has passed ;
do you not see that the hour is almost noon ?
there is the midday sun standing still ,
as people say ,
in the meridian .
Let us rather stay and talk over what has been said ,
and then return in the cool .
SOCRATES:
Your love of discourse , Phaedrus,
is superhuman ,
simply marvellous ,
and I do not believe that there is any one of your contemporaries who has either made or in one way or another has compelled others to make an equal number of speeches .
I would except Simmias
the Theban,
but all the rest are far behind you .
And now I do verily believe that you have been the cause of another .
PHAEDRUS:
That is good news .
But what do you mean ?
SOCRATES:
I mean to say that as I was about to cross the stream the usual sign was given to me ,—
that sign which always forbids ,
but never bids ,
me to do anything which I am going to do ;
and I thought that I heard a voice saying in my ear that I had been guilty of impiety ,
and that I must not go away until I had made an atonement .
Now I am a diviner ,
though not a very good one ,
but I have enough religion for my own use ,
as you might say of a bad writer —
his writing is good enough for him ;
and I am beginning to see that I was in error . O
my friend ,
how prophetic is the human soul !
At the time I had a sort of misgiving ,
and ,
like Ibycus, '
I was troubled ;
I feared that I might be buying honour from men at the price of sinning against the gods .'
Now I recognize my error .
PHAEDRUS:
What error ?
SOCRATES:
That was a dreadful speech which you brought with you ,
and you made me utter one as bad .
PHAEDRUS:
How so ?
SOCRATES:
It was foolish ,
I say ,—
to a certain extent ,
impious ;
can anything be more dreadful ?
PHAEDRUS:
Nothing ,
if the speech was really such as you describe .
SOCRATES:
Well ,
and is not Eros
the son of Aphrodite,
and a god ?
PHAEDRUS:
So men say .
SOCRATES:
But that was not acknowledged by Lysias
in his speech ,
nor by you in that other speech which you by a charm drew from my lips .
For if love be ,
as he surely is ,
a divinity ,
he cannot be evil .
Yet this was the error of both the speeches .
There was also a simplicity about them which was refreshing ;
having no truth or honesty in them ,
nevertheless they pretended to be something ,
hoping to succeed in deceiving the manikins of earth and gain celebrity among them .
Wherefore I must have a purgation .
And I bethink me of an ancient purgation of mythological error which was devised ,
not by Homer,
for he never had the wit to discover why he was blind ,
but by Stesichorus,
who was a philosopher and knew the reason why ;
and therefore ,
when he lost his eyes ,
for that was the penalty which was inflicted upon him for reviling the lovely Helen,
he at once purged himself .
And the purgation was a recantation ,
which began thus ,—
'
False is that word of mine —
the truth is that thou didst not embark in ships ,
nor ever go to the walls of Troy ;'
and when he had completed his poem ,
which is called '
the recantation ,'
immediately his sight returned to him .
Now I will be wiser than either Stesichorus
or Homer,
in that I am going to make my recantation for reviling love before I suffer ;
and this I will attempt ,
not as before ,
veiled and ashamed ,
but with forehead bold and bare .
PHAEDRUS:
Nothing could be more agreeable to me than to hear you say so .
SOCRATES:
Only think ,
my good Phaedrus,
what an utter want of delicacy was shown in the two discourses ;
I mean ,
in my own and in that which you recited out of the book .
Would not any one who was himself of a noble and gentle nature ,
and who loved or ever had loved a nature like his own ,
when we tell of the petty causes of lovers '
jealousies ,
and of their exceeding animosities ,
and of the injuries which they do to their beloved ,
have imagined that our ideas of love were taken from some haunt of sailors to which good manners were unknown —
he would certainly never have admitted the justice of our censure ?
PHAEDRUS:
I dare say not , Socrates.
SOCRATES:
Therefore ,
because I blush at the thought of this person ,
and also because I am afraid of Love himself ,
I desire to wash the brine out of my ears with water from the spring ;
and I would counsel Lysias
not to delay ,
but to write another discourse ,
which shall prove that '
ceteris paribus '
the lover ought to be accepted rather than the non-lover.
PHAEDRUS:
Be assured that he shall .
You shall speak the praises of the lover ,
and Lysias
shall be compelled by me to write another discourse on the same theme .
SOCRATES:
You will be true to your nature in that ,
and therefore I believe you .
PHAEDRUS:
Speak ,
and fear not .
SOCRATES:
But where is the fair youth whom I was addressing before ,
and who ought to listen now ;
lest ,
if he hear me not ,
he should accept a non-lover
before he knows what he is doing ?
PHAEDRUS:
He is close at hand ,
and always at your service .
SOCRATES:
Know then ,
fair youth ,
that the former discourse was the word of Phaedrus,
the son of Vain Man ,
who dwells in the city of Myrrhina (Myrrhinusius).
And this which I am about to utter is the recantation of Stesichorus
the son of Godly Man (Euphemus),
who comes from the town of Desire (Himera),
and is to the following effect : '
I told a lie when I said '
that the beloved ought to accept the non-lover
when he might have the lover ,
because the one is sane ,
and the other mad .
It might be so if madness were simply an evil ;
but there is also a madness which is a divine gift ,
and the source of the chiefest blessings granted to men .
For prophecy is a madness ,
and the prophetess at Delphi
and the priestesses at Dodona
when out of their senses have conferred great benefits on Hellas,
both in public and private life ,
but when in their senses few or none .
And I might also tell you how the Sibyl and other inspired persons have given to many an one many an intimation of the future which has saved them from falling .
But it would be tedious to speak of what every one knows .
There will be more reason in appealing to the ancient inventors of names (
compare Cratylus),
who would never have connected prophecy (
mantike )
which foretells the future and is the noblest of arts ,
with madness (
manike ),
or called them both by the same name ,
if they had deemed madness to be a disgrace or dishonour ;—
they must have thought that there was an inspired madness which was a noble thing ;
for the two words ,
mantike and manike ,
are really the same ,
and the letter tau is only a modern and tasteless insertion .
And this is confirmed by the name which was given by them to the rational investigation of futurity ,
whether made by the help of birds or of other signs —
this ,
for as much as it is an art which supplies from the reasoning faculty mind (
nous )
and information (
istoria )
to human thought (
oiesis )
they originally termed oionoistike ,
but the word has been lately altered and made sonorous by the modern introduction of the letter Omega (
oionoistike and oionistike ),
and in proportion as prophecy (
mantike )
is more perfect and august than augury ,
both in name and fact ,
in the same proportion ,
as the ancients testify ,
is madness superior to a sane mind (
sophrosune )
for the one is only of human ,
but the other of divine origin .
Again ,
where plagues and mightiest woes have bred in certain families ,
owing to some ancient blood-guiltiness,
there madness has entered with holy prayers and rites ,
and by inspired utterances found a way of deliverance for those who are in need ;
and he who has part in this gift ,
and is truly possessed and duly out of his mind ,
is by the use of purifications and mysteries made whole and exempt from evil ,
future as well as present ,
and has a release from the calamity which was afflicting him .
The third kind is the madness of those who are possessed by the Muses ;
which taking hold of a delicate and virgin soul ,
and there inspiring frenzy ,
awakens lyrical and all other numbers ;
with these adorning the myriad actions of ancient heroes for the instruction of posterity .
But he who ,
having no touch of the Muses '
madness in his soul ,
comes to the door and thinks that he will get into the temple by the help of art —
he ,
I say ,
and his poetry are not admitted ;
the sane man disappears and is nowhere when he enters into rivalry with the madman .
I might tell
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