Project Gutenberg #5000
The Notebooks of Leonardo da Vinci
Leonardo da Vinci
1888Richter's complete English edition of Leonardo's notes on art, anatomy, science, and engineering, prepared from Project Gutenberg HTML.
Project Gutenberg #5000 Public domain in the United States Cover source Local typographic cover created for MojiMori from public-domain source metadata
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Majorca, executed in 1584, and it is far behind Leonardo's.]. This mountain, at its base, is inhabited by a very rich population and is full of most beautiful springs and rivers, and is fertile and abounding in all good produce, particularly in those parts which face to the South. But after mounting about three miles we begin to find forests of great fir trees, and beech and other similar trees; after this, for a space of three more miles, there are meadows and vast pastures; and all the rest, as far as the beginning of the Taurus, is eternal snows which never disappear at any time, and extend to a height of about fourteen miles in all. From this beginning of the Taurus up to the height of a mile the clouds never pass away; thus we have fifteen miles, that is, a height of about five miles in a straight line; and the summit of the peaks of the Taurus are as much, or about that. There, half way up, we begin to find a scorching air and never feel a breath of wind; but nothing can live long there; there nothing is brought forth save a few birds of prey which breed in the high fissures of Taurus and descend below the clouds to seek their prey. Above the wooded hills all is bare rock, that is, from the clouds upwards; and the rock is the purest white. And it is impossible to walk to the high summit on account of the rough and perilous ascent.
1337.
Having often made you, by my letters, acquainted with the things which have happened, I think I ought not to be silent as to the events of the last few days, which—[2]…
Having several times—
Having many times rejoiced with you by letters over your prosperous fortunes, I know now that, as a friend you will be sad with me over the miserable state in which I find myself; and this is, that during the last few days I have been in so much trouble, fear, peril and loss, besides the miseries of the people here, that we have been envious of the dead; and certainly I do not believe that since the elements by their separation reduced the vast chaos to order, they have ever combined their force and fury to do so much mischief to man. As far as regards us here, what we have seen and gone through is such that I could not imagine that things could ever rise to such an amount of mischief, as we experienced in the space of ten hours. In the first place we were assailed and attacked by the violence and fury of the winds [*10]; to this was added the falling of great mountains of snow which filled up all this valley, thus destroying a great part of our city [Footnote 11: Della nostra citta (Leonardo first wrote di questa citta). From this we may infer that he had at some time lived in the place in question wherever it might be.]. And not content with this the tempest sent a sudden flood of water to submerge all the low part of this city [*12]; added to which there came a sudden rain, or rather a ruinous torrent and flood of water, sand, mud, and stones, entangled with roots, and stems and fragments of various trees; and every kind of thing flying through the air fell upon us; finally a great fire broke out, not brought by the wind, but carried as it would seem, by ten thousand devils, which completely burnt up all this neighbourhood and it has not yet ceased. And those few who remain unhurt are in such dejection and such terror that they hardly have courage to speak to each other, as if they were stunned. Having abandoned all our business, we stay here together in the ruins of some churches, men and women mingled together, small and great [Footnote 17: Certe ruine di chiese. Either of Armenian churches or of Mosques, which it was not unusual to speak of as churches.
Maschi e femmini insieme unite, implies an infringement of the usually strict rule of the separation of the sexes.], just like herds of goats. The neighbours out of pity succoured us with victuals, and they had previously been our enemies. And if
[Footnote 18: I vicini, nostri nimici. The town must then have stood quite close to the frontier of the country. Compare 1336. L. 7. vicini ai nostri confini. Dr. M. JORDAN has already published lines 4-13 (see Das Malerbuch, Leipzig, 1873, p. 90:—his reading differs from mine) under the title of "Description of a landscape near Lake Como". We do in fact find, among other loose sheets in the Codex Atlanticus, certain texts referring to valleys of the Alps (see Nos. 1030, 1031 and note p. 237) and in the arrangement of the loose sheets, of which the Codex Atlanticus has been formed, these happen to be placed close to this text. The compiler stuck both on the same folio sheet; and if this is not the reason for Dr. JORDAN'S choosing such a title (Description &c.) I cannot imagine what it can have been. It is, at any rate, a merely hypothetical statement. The designation of the population of the country round a city as "the enemy" (nemici) is hardly appropriate to Italy in the time of Leonardo.] it had not been for certain people who succoured us with victuals, all would have died of hunger. Now you see the state we are in. And all these evils are as nothing compared with those which are promised to us shortly.
I know that as a friend you will grieve for my misfortunes, as I, in former letters have shown my joy at your prosperity …
[Footnote: 1337. On comparing this commencement of a letter l. 1-2 with that in l. 3 and 4 of No. 1336 it is quite evident that both refer to the same event. (Compare also No. 1337 l. 10-l2 and 17 with No. 1336 l. 23, 24 and 32.) But the text No. 1336, including the fragment l. 3-4, was obviously written later than the draft here reproduced. The Diodario is not directly addressed—the person addressed indeed is not known—and it seems to me highly probable that it was written to some other patron and friend whose name and position are not mentioned.]
Notes about events observed abroad (1338-1339).
1338.
BOOK 43. OF THE MOVEMENT OF AIR ENCLOSED IN WATER.
I have seen motions of the air so furious that they have carried, mixed up in their course, the largest trees of the forest and whole roofs of great palaces, and I have seen the same fury bore a hole with a whirling movement digging out a gravel pit, and carrying gravel, sand and water more than half a mile through the air.
[Footnote: The first sixteen lines of this passage which treat of the subject as indicated on the title line have no place in this connexion and have been omitted.]
*[Footnote 2: Ho veduto movimenti &c. Nothing of the kind happened in Italy during Leonardo's lifetime, and it is therefore extremely probable that this refers to the natural phenomena which are so fully described in the foregoing passage. (Compare too, No. 1021.) There can be no doubt that the descriptions of the Deluge in the Libro di Pittura (Vol. I, No. 607-611), and that of the fall of a mountain No. 610, l. 17-30 were written from the vivid impressions derived from personal experience. Compare also Pl. XXXIV-XL.]
1339.
Like a whirling wind which rushes down a sandy and hollow valley, and which, in its hasty course, drives to its centre every thing that opposes its furious course …
No otherwise does the Northern blast whirl round in its tempestuous progress …
**[Footnote: It may be inferred from the character of the writing, which is in the style of the note in facsimile Vol. I, p. 297, that this passage was written between 1470 and 1480. As the figure 6 at the end of the text indicates, it was continued on another page, but I have searched in vain for it. The reverse of this leaf is coloured red for drawing in silver point, but has not been used for that purpose but for writing on, and at about the same date. The passages are given as Nos. 1217, 1218, 1219, 1162 and No. 994 (see note page 218). The text given above is obviously not a fragment of a letter, but a record of some personal experience. No. 1379 also seems to refer to Leonardo's journeys in Southern Italy.]
Nor does the tempestuous sea bellow so loud, when the Northern blast dashes it, with its foaming waves between Scylla and Charybdis; nor Stromboli, nor Mount Etna, when their sulphurous flames, having been forcibly confined, rend, and burst open the mountain, fulminating stones and earth through the air together with the flames they vomit.
Nor when the inflamed caverns of Mount Etna **[Footnote 13: Mongibello is a name commonly given in Sicily to Mount Etna (from Djebel, Arab.=mountain). Fr. FERRARA, Descrizione dell' Etna con la storia delle *eruzioni (Palermo, 1818, p. 88) tells us, on the authority of the Cronaca del Monastero Benedettino di Licordia of an eruption of the Volcano with a great flow of lava on Sept. 21, 1447. The next records of the mountain are from the years 1533 and 1536. A. Percy neither does mention any eruptions of Etna during the years to which this note must probably refer Memoire des tremblements de terre de la peninsule italique, Vol. XXII des Memoires couronnees et Memoires des savants etrangers. Academie Royal de Belgique).
A literal interpretation of the passage would not, however, indicate an allusion to any great eruption; particularly in the connection with Stromboli, where the periodical outbreaks in very short intervals are very striking to any observer, especially at night time, when passing the island on the way from Naples to Messina.], rejecting the ill-restained element vomit it forth, back to its own region, driving furiously before it every obstacle that comes in the way of its impetuous rage …
Unable to resist my eager desire and wanting to see the great … of the various and strange shapes made by formative nature, and having wandered some distance among gloomy rocks, I came to the entrance of a great cavern, in front of which I stood some time, astonished and unaware of such a thing. Bending my back into an arch I rested my left hand on my knee and held my right hand over my down-cast and contracted eye brows: often bending first one way and then the other, to see whether I could discover anything inside, and this being forbidden by the deep darkness within, and after having remained there some time, two contrary emotions arose in me, fear and desire—fear of the threatening dark cavern, desire to see whether there were any marvellous thing within it …
Drafts of Letters to Lodovico il Moro (1340-1345).
1340.
Most illustrious Lord, Having now sufficiently considered the specimens of all those who proclaim themselves skilled contrivers of instruments of war, and that the invention and operation of the said instruments are nothing different to those in common use: I shall endeavour, without prejudice to any one else, to explain myself to your Excellency showing your Lordship my secrets, and then offering them to your best pleasure and approbation to work with effect at opportune moments as well as all those things which, in part, shall be briefly noted below.
[Footnote: The numerous corrections, the alterations in the figures (l. 18) and the absence of any signature prove that this is merely the rough draft of a letter to Lodovico il Moro. It is one of the very few manuscripts which are written from left to right—see the facsimile of the beginning as here reproduced. This is probably the final sketch of a document the clean of which copy was written in the usual manner. Leonardo no doubt very rarely wrote so, and this is probably the reason of the conspicuous dissimilarity in the handwriting, when he did. (Compare Pl. XXXVIII.) It is noteworthy too that here the orthography and