Project Gutenberg #39378
Mortal Coils
Aldous Huxley
1921Huxley's five-piece fiction collection, prepared story by story from Project Gutenberg plaintext.
Project Gutenberg #39378 Public domain in the United States Cover source Local typographic cover created for MojiMori from public-domain source metadata
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AI Summary
Chapter 1 — I: THE GIOCONDA SMILE Central question How does the story turn a cultivated domestic scene into emotional suspicion? Main argument The opening places Mr. Hutton in Janet Spence’s refined world, where...
I don t know what to do. Sometimes
I think I ought to stop loving you."
"But could you?" asked Mr. Hutton, confident in the powers of his
seduction and his moustache.
"No, Teddy Bear, you know I couldn't. But I could run away, I could hide
from you, I could lock myself up and force myself not to come to you."
"Silly little thing!" He tightened his embrace.
"Oh, dear, I hope it isn't wrong. And there are times when I don't care
if it is."
Mr. Hutton was touched. He had a certain protective affection for this
little creature. He laid his cheek against her hair and so, interlaced,
they sat in silence, while the car, swaying and pitching a little as it
hastened along, seemed to draw in the white road and the dusty hedges
towards it devouringly.
"Good-bye, good-bye."
The car moved on, gathered speed, vanished round a curve, and Doris was
left standing by the sign-post at the cross-roads, still dizzy and weak
with the languor born of those kisses and the electrical touch of those
gentle hands. She had to take a deep breath, to draw herself up
deliberately, before she was strong enough to start her homeward walk.
She had half a mile in which to invent the necessary lies.
Alone, Mr. Hutton suddenly found himself the prey of an appalling
boredom.
II
Mrs. Hutton was lying on the sofa in her boudoir, playing Patience. In
spite of the warmth of the July evening a wood fire was burning on the
hearth. A black Pomeranian, extenuated by the heat and the fatigues of
digestion, slept before the blaze.
"Phew! Isn't it rather hot in here?" Mr. Hutton asked as he entered the
room.
"You know I have to keep warm, dear." The voice seemed breaking on the
verge of tears. "I get so shivery."
"I hope you're better this evening."
"Not much, I'm afraid."
The conversation stagnated. Mr. Hutton stood leaning his back against
the mantelpiece. He looked down at the Pomeranian lying at his feet, and
with the toe of his right boot he rolled the little dog over and rubbed
its white-flecked chest and belly. The creature lay in an inert ecstasy.
Mrs. Hutton continued to play Patience. Arrived at an _impasse_, she
altered the position of one card, took back another, and went on
playing. Her Patiences always came out.
"Dr. Libbard thinks I ought to go to Llandrindod Wells this summer."
"Well--go, my dear--go, most certainly."
Mr. Hutton was thinking of the events of the afternoon: how they had
driven, Doris and he, up to the hanging wood, had left the car to wait
for them under the shade of the trees, and walked together out into the
windless sunshine of the chalk down.
"I'm to drink the waters for my liver, and he thinks I ought to have
massage and electric treatment, too."
Hat in hand, Doris had stalked four blue butterflies that were dancing
together round a scabious flower with a motion that was like the
flickering of blue fire. The blue fire burst and scattered into whirling
sparks; she had given chase, laughing and shouting like a child.
"I'm sure it will do you good, my dear."
"I was wondering if you'd come with me, dear."
"But you know I'm going to Scotland at the end of the month."
Mrs. Hutton looked up at him entreatingly. "It's the journey," she said.
"The thought of it is such a nightmare. I don't know if I can manage
it. And you know I can't sleep in hotels. And then there's the luggage
and all the worries. I can't go alone.
"But you won't be alone. You'll have your maid with you." He spoke
impatiently. The sick woman was usurping the place of the healthy one.
He was being dragged back from the memory of the sunlit down and the
quick, laughing girl, back to this unhealthy, overheated room and its
complaining occupant.
"I don't think I shall be able to go."
"But you must, my dear, if the doctor tells you to. And, besides, a
change will do you good."
"I don't think so."
"But Libbard thinks so, and he knows what he's talking about."
"No, I can't face it. I'm too weak. I can't go alone." Mrs. Hutton
pulled a handkerchief out of her black silk bag, and put it to her eyes.
"Nonsense, my dear, you must make the effort."
"I had rather be left in peace to die here." She was crying in earnest
now.
"O Lord! Now do be reasonable. Listen now, please." Mrs. Hutton only
sobbed more violently. "Oh, what is one to do?" He shrugged his
shoulders and walked out of the room.
Mr. Hutton was aware that he had not behaved with proper patience; but
he could not help it. Very early in his manhood he had discovered that
not only did he not feel sympathy for the poor, the weak, the diseased,
and deformed; he actually hated them. Once, as an undergraduate, he
spent three days at a mission in the East End. He had returned, filled
with a profound and ineradicable disgust. Instead of pitying, he loathed
the unfortunate. It was not, he knew, a very comely emotion; and he had
been ashamed of it at first. In the end he had decided that it was
temperamental, inevitable, and had felt no further qualms. Emily had
been healthy and beautiful when he married her. He had loved her then.
But now--was it his fault that she was like this?
Mr. Hutton dined alone. Food and drink left him more benevolent than he
had been before dinner. To make amends for his show of exasperation he
went up to his wife's room and offered to read to her. She was touched,
gratefully accepted the offer, and Mr. Hutton, who was particularly
proud of his accent, suggested a little light reading in French.
"French? I am so fond of French." Mrs. Hutton spoke of the language of
Racine as though it were a dish of green peas.
Mr. Hutton ran down to the library and returned with a yellow volume. He
began reading. The effort of pronouncing perfectly absorbed his whole
attention. But how good his accent was! The fact of its goodness seemed
to improve the quality of the novel he was reading.
At the end of fifteen pages an unmistakable sound aroused him. He looked
up; Mrs. Hutton had gone to sleep. He sat still for a little while,
looking with a dispassionate curiosity at the sleeping face. Once it had
been beautiful; once, long ago, the sight of it, the recollection of it,
had moved him with an emotion profounder, perhaps, than any he had felt
before or since. Now it was lined and cadaverous. The skin was stretched
tightly over the cheekbones, across the bridge of the sharp, bird-like
nose. The closed eyes were set in profound bone-rimmed sockets. The
lamplight striking on the face from the side emphasised with light and
shade its cavities and projections. It was the face of a dead Christ by
Morales.
_Le squelette était invisible_
_Au temps heureux de l'art païen._
He shivered a little, and tiptoed out of the room.
On the following day Mrs. Hutton came down to luncheon. She had had some
unpleasant palpitations during the night, but she was feeling better
now. Besides, she wanted to do honour to her guest. Miss Spence listened
to her complaints about Llandrindod Wells, and was loud in sympathy,
lavish with advice. Whatever she said was always said with intensity.
She leaned forward, aimed, so to speak, like a gun, and fired her words.
Bang! the charge in her soul was ignited, the words whizzed forth at the
narrow barrel of her mouth. She was a machine-gun riddling her hostess
with sympathy. Mr. Hutton had undergone similar bombardments, mostly of
a literary or philosophic character--bombardments of Maeterlinck, of
Mrs. Besant, of Bergson, of William James. To-day the missiles were
medical. She talked about insomnia, she expatiated on the virtues of
harmless drugs and beneficent specialists. Under the bombardment Mrs.
Hutton opened out, like a flower in the sun.
Mr. Hutton looked on in silence. The spectacle of Janet Spence evoked in
him an unfailing curiosity. He was not romantic enough to imagine that
every face masked an interior physiognomy of beauty or strangeness,
that every woman's small talk was like a vapour hanging over mysterious
gulfs. His wife, for example, and Doris; they were nothing more than
what they seemed to be. But with Janet Spence it was somehow different.
Here one could be sure that there was some kind of a queer face behind
the Gioconda smile and the Roman eyebrows. The only question was: What
exactly was there? Mr. Hutton could never quite make out.
"But perhaps you won't have to go to Llandrindod after all," Miss Spence
was saying. "If you get well quickly Dr. Libbard will let you off."
"I only hope so. Indeed, I do really feel rather better to-day."
Mr. Hutton felt ashamed. How much was it his own lack of sympathy that
prevented her from feeling well every day? But he comforted himself by
reflecting that it was only a case of feeling, not of being better.
Sympathy does not mend a diseased liver or a weak heart.
"My dear, I wouldn't eat those red currants if I were you," he said,
suddenly solicitous. "You know that Libbard has banned everything with
skins and pips."
"But I am so fond of them," Mrs. Hutton protested, "and I feel so well
to-day."
"Don't be a tyrant," said Miss Spence, looking first at him and then at
his wife. "Let the poor invalid have what she fancies; it will do her
good." She laid her hand on Mrs. Hutton's arm and patted it
affectionately two or three times.
"Thank you, my dear." Mrs. Hutton helped herself to the stewed currants.
"Well, don't blame me if they make you ill again."
"Do I ever blame you, dear?"
"You have nothing to blame me for," Mr. Hutton answered playfully. "I am
the perfect husband."
They sat in the garden after luncheon. From the island of shade under
the old cypress tree they looked out across a flat expanse of lawn, in
which the parterres of flowers shone with a metallic brilliance.
Mr. Hutton took a deep breath of the warm and fragrant air. "It's good
to be alive," he said.
"Just to be alive," his wife echoed, stretching one pale, knot-jointed
hand into the sunlight.
A maid brought the coffee; the silver pots and the little blue cups were
set on a folding table near the group of chairs.
"Oh, my medicine!" exclaimed Mrs. Hutton. "Run in and fetch it, Clara,
will you? The white bottle on the sideboard."
"I'll go," said Mr. Hutton. "I've got to go and fetch a cigar in any
case."
He ran in towards the house. On the threshold he turned round for an
instant. The maid was walking back across the lawn. His wife was sitting
up in her deck-chair, engaged in opening her white parasol. Miss Spence
was bending over the table, pouring out the coffee. He passed into the
cool obscurity of the house.
"Do you like sugar in your coffee?" Miss Spence inquired.
"Yes, please. Give me rather a lot. I'll drink it after my medicine to
take the taste away."
Mrs. Hutton leaned back in her chair, lowering the sunshade over her
eyes, so as to shut out from her vision the burning sky.
Behind her, Miss Spence was making a delicate clinking among the
coffee-cups.
"I've given you three large spoonfuls. That ought to take the taste
away. And here comes the medicine."
Mr. Hutton had reappeared, carrying a wineglass, half full of a pale
liquid.
"It smells delicious," he said, as he handed it to his wife.
"That's only the flavouring." She