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Project Gutenberg #13089
The Making of Arguments
A guide to defining issues, gathering evidence, testing reasoning, adapting to an audience, organizing a case, and debating persuasively.
Project Gutenberg #13089
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Public domain in the United States
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Cover source
Local typographic cover created for The Missing Workbook from public-domain source metadata
Section 2 of 8
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Page 1 of 5
CHAPTER I
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WHAT WE ARGUE ABOUT ,
AND WHY
1.
What Argument is .
When we argue we write or speak with an active purpose of making other people take our view of a case ;
that is the only essential difference between argument and other modes of writing .
Between exposition and argument there is no certain line .
In Professor Lamont's
excellent little book , "
Specimens of Exposition ,"
there are two examples which might be used in this book as examples of argument ;
in one of them , Huxley's
essay on "
The Physical Basis of Life ," Huxley
himself toward the end uses the words , "
as I have endeavored to prove to you ";
and Matthew Arnold's
essay on "Wordsworth"
is an elaborate effort to prove that Wordsworth
is the greatest English poet after Shakespeare
and Milton.
Or ,
to take quite different examples ,
in any question of law where judges of the court disagree ,
as in the Income Tax Case ,
or in the Insular cases which decided the status of Porto Rico
and the Philippines,
both the majority opinion and the dissenting opinions of the judges are argumentative in form ;
though the majority opinion ,
at any rate ,
is in theory an exposition of the law .
The real difference between argument and exposition lies in the difference of attitude toward the subject in hand :
when we are explaining we tacitly assume that there is only one view to be taken of the subject ;
when we argue we recognize that other people look on it differently .
And the differences in form are only those which are necessary to throw the critical points of an argument into high relief and to warm the feelings of the readers .
2.
Conviction and Persuasion .
This active purpose of making other people take your view of the case in hand ,
then ,
is the distinguishing essence of argument .
To accomplish this purpose you have two tools or weapons ,
or perhaps one should say two sides to the same weapon ,
conviction and persuasion .
In an argument you aim in the first place to make clear to your audience that your view of the case is the truer or sounder ,
or your proposal the more expedient ;
and in most arguments you aim also so to touch the practical or moral feelings of your readers as to make them more or less warm partisans of your view .
If you are trying to make some one see that the shape of the hills in New England
is due to glacial action ,
you never think of his feelings ;
here any attempt at persuading him ,
as distinguished from convincing him ,
would be an impertinence .
On the other hand ,
it would be a waste of breath to convince a man that the rascals ought to be turned out ,
if he will not on election day take the trouble to go out and vote ;
unless you have effectively stirred his feelings as well as convinced his reason you have gained nothing .
In the latter case your argument would be almost wholly persuasive ,
in the former almost wholly a matter of convincing .
These two sides of argument correspond to two great faculties of the human mind ,
thought and feeling ,
and to the two ways in which ,
under the guidance of thought and feeling ,
mankind reacts to experience .
As we pass through life our actions and our interest in the people and things we meet are fixed in the first place by the spontaneous movements of feeling ,
and in the second place ,
and constantly more so as we grow older ,
by our reasoning powers .
Even the most intentionally dry of philosophers has his prejudices ,
perhaps against competitive sports or against efficiency as a chief test of good citizenship ;
and after childhood the most wayward of artists has some general principles to guide him along his primrose path .
The actions of all men are the resultant of these two forces of feeling and reason .
Since in most cases where we are arguing we have an eye to influencing action ,
we must keep both the forces in mind as possible means to our end .
3.
Argument neither Contentiousness nor Dispute .
Argument is not contentiousness ,
nor is it the good-natured and sociable disputation in which we occupy a good deal of time with our friends .
The difference is that in neither contentiousness nor in kindly dispute do we expect ,
or intend ,
to get anywhere .
There are many political speeches whose only object is to make things uncomfortable for the other side ,
and some speeches in college or school debates intended merely to trip up the other side ;
and neither type helps to clear up the subjects it deals with .
On the other hand ,
we spend many a pleasant evening arguing whether science is more important in education than literature ,
or whether it is better to spend the summer at the seashore or in the mountains ,
or similar subjects ,
where we know that everybody will stand at the end just where he stood at the beginning .
Here our real purpose is not to change any one's views so much as it is to exchange thoughts and likings with some one we know and care for .
The purpose of argument ,
as we shall understand the word here ,
is to convince or persuade some one .
4.
Arguments and the Audience .
In argument ,
therefore ,
far more than in other kinds of writing ,
one must keep the audience definitely in mind . "
Persuade "
and "
convince "
for our purposes are active verbs ,
and in most cases their objects have an important effect on their significance .
An argument on a given subject that will have a cogent force with one set of people ,
will not touch ,
and may even repel ,
another .
To take a simple example :
an argument in defense of the present game of football would change considerably in proportions and in tone according as it was addressed to undergraduates ,
to a faculty ,
or to a ministers '
conference . Huxley's
argument on evolution (
p . 233),
which was delivered to a popular audience ,
has more illustrations and is less compressed in reasoning than if it had been delivered to the American Academy of Arts and Sciences .
Not only theoretically ,
but in practice ,
arguments must vary in both form and substance with the audiences to which they are addressed .
An argument shot into the void is not likely to bring down much game .
5.
Profitable Subjects for Arguments .
To get the best results from practice in writing arguments ,
you must choose your subjects with care and sagacity .
Some classes of subjects are of small value .
Questions which rest on differences of taste or temperament from their very nature can never be brought to a decision .
The question whether one game is better than another —
football better than baseball ,
for example —
is not arguable ,
for in the end one side settles down to saying , "
But I like baseball best ,"
and you stick there .
Closely akin is such a question as ,
Was Alexander
Pope a poet ;
for in the word "
poet "
one includes many purely emotional factors which touch one person and not another . Matthew Arnold
made a brave attempt to prove that Wordsworth
stood third in excellence in the long line of English poets ,
and his essay is a notable piece of argument ;
but the very statement of his thesis ,
that Wordsworth "
left a body of poetical work superior in power ,
in interest ,
in the qualities which give enduring freshness ,
to that which any of the others has left ,"
shows the vanity of the attempt .
To take a single word —"
interest "—
from his proposition :
what is the use of arguing with me ,
if Wordsworth
happened to bore me ,
as he does not ,
that I ought to find him interesting .
All I could do would be humbly to admit my deficiency ,
and go as cheerfully as might be to Burns or Coleridge
or Byron.
Almost all questions of criticism labor under this difficulty ,
that in the end they are questions of taste .
You or I were so made in the beginning that the so-called romantic school or the so-called classical school seems to us to have reached the pinnacle of art ;
and all the argument in the world cannot make us over again in this respect .
Every question which in the end involves questions of aesthetic taste is as futile to argue as questions of the palate .
Other questions are impracticable because of vagueness .
Such questions as ,
Should a practical man read poetry ,
Are lawyers a useful class in the community ,
Are the American people deteriorating ,
furnish excellent material for lively and witty talk ,
but no one expects them to lead to any conclusion ,
and they are therefore valueless as a basis for the rigorous and muscular training which an argument ought to give .
There are many questions of this sort which serve admirably for the friendly dispute which makes up so much of our daily life with our friends ,
but which dissolve when we try to pin them down .
Some questions which cannot be profitably argued when phrased in general terms become more practicable when they are applied to a definite class or to a single person .
Such questions as ,
Is it better to go to a small college or a large one ,
Is it better to live in the country or in the city ,
Is it wise to go into farming ,
all lead nowhere if they are argued in this general form .
But if they are applied to a single person ,
they change character :
in this specific form they not only are arguable ,
but they constantly are argued out with direct and practical results ,
and even for a small and strictly defined class of persons they may provide good material for a formal argument .
For example ,
the question , "
Is it better for a boy of good intellectual ability and capacity for making friends ,
who lives in a small country town ,
to go to a small college or a large ,"
provides moderately good material for an argument on either side ;
though even here the limiting phrases are none too definite .
In a debate on such a subject it would be easy for the two sides to pass each other by without ever coming to a direct issue ,
because of differing understanding of the terms .
On the whole it seems wiser not to take risks with such questions ,
but to choose from those which will unquestionably give you the training for which you are seeking .
Roughly speaking ,
subjects for an argument which are sure to be profitable may be divided into three classes : (1)
those for which the material is drawn from personal experience ; (2)
those for which the material is provided by reading ;
and (3)
those which combine the first two .
Of these there can be no question that the last are the most profitable .
Of the first class we may take for an example such a question as ,
Should interscholastic athletics be maintained in ——
school ?
Here is a question on which some parents and teachers at any rate will disagree with most boys ,
and a question which must be settled one way or the other .
The material for the discussion must come from the personal knowledge of those who make the arguments ,
reenforced by what information and opinion they can collect from teachers and townspeople .
In Chapter II
we shall come to a consideration of possible sources for material for these and other arguments .
There is much to be said for the practice gained by hunting up pertinent material for arguments of this sort ;
but they tend to run over into irreconcilable differences of opinion ,
in which an argument is of no practical value .
The second class of subjects ,
those for which the material is drawn wholly from reading ,
is the most common in intercollegiate and interscholastic debates .
Should the United States army canteen be restored ,
Should the Chinese be excluded from the Philippines,
Should the United States establish a parcels post ,
are all subjects with which the ordinary student in high school or college can have little personal acquaintance .
The sources for arguments on such subjects are to
General
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