Project Gutenberg #20869
The Skylark of Space
E. E. Smith and Lee Hawkins Garby
1928Smith and Garby's early space-opera novel, prepared chapter by chapter from Project Gutenberg plaintext.
Project Gutenberg #20869 Public domain in the United States Cover source Local typographic cover created for MojiMori from public-domain source metadata
152
words at B2 or above
A1
A2
B1
B2
C1
C2
C2+
highlighted
at or above your level
AI Summary
Chapter 3 — CHAPTER III Seaton Solves the Problem of Power Central question How does one turn a laboratory effect into a working machine? Main argument Seaton and Crane organize the Seaton-Crane Company and set up...
"Well, Mart," said Seaton briskly, "now that the Seaton-Crane Company,
Engineers, is organized to your satisfaction, let's hop to it. I suppose
I'd better beat it downtown and hunt up a place to work?"
"Why not work here?"
"Your house? You don't want this kind of experimenting going on around
here, do you? Suppose a chunk of the stuff gets away from me and tears
the side out of the house?"
"This house is the logical place to work. I already have a complete
machine shop and testing laboratory out in the hangar, and we can easily
fit up a chemical laboratory for you up in the tower room. You can have
open windows on four sides there, and if you should accidentally take
out the wall there will be little damage done. We will be alone here,
with the few neighbors so thoroughly accustomed to my mechanical
experiments that they are no longer curious."
"Fine. There's another good thing, too. Your man Shiro. He's been with
you in so many tight pinches in all the unknown corners of the world on
your hunting trips and explorations that we can trust him, and he'll
probably come in handy."
"Yes, we can trust him implicitly. As you know, he is really my friend
instead of my man."
During the next few days, while workmen were installing a complete
chemical laboratory in the tower room, Seaton busied himself in
purchasing the equipment necessary for the peculiar problem before him.
His list was long and varied, ranging from a mighty transformer, capable
of delivering thousands of kilovolts down to a potentiometer, so
sensitive that it would register the difference of potential set up by
two men in shaking hands.
From daylight until dark Seaton worked in the laboratory, either alone
or superintending and assisting the men at work there. Every night when
Crane went to bed he saw Seaton in his room in a haze of smoke, poring
over blueprints or, surrounded by abstruse works upon the calculus and
sub-atomic phenomena, making interminable calculations.
Less than two miles away lived Dorothy Vaneman, who had promised to be
his wife. He had seen her but once since "the impossible" had happened,
since his prosaic copper steam-bath had taken flight under his hand and
pointed the way to a great adventure. In a car his friend was to build,
moved by this stupendous power which he must learn to control, they
would traverse interstellar space--visit strange planets and survey
strange solar systems.
While he did not forget his sweetheart--the thought of her was often in
his mind, and the fact that her future was so intimately connected with
his own gave to every action a new meaning--he had such a multitude of
things to do and was so eager to get them all done at once that day
after day went by and he could not find time to call upon her.
Crane remonstrated in vain. His protests against Seaton's incessant work
had no effect. Seaton insisted that he _must_ fix firmly just a few more
points before they eluded him, and stuck doggedly to his task.
Finally, Crane laid his work aside and went to call upon the girl. He
found her just leaving home, and fell into step beside her. For awhile
she tried to rouse herself to be entertaining, or at least friendly, but
the usual ease with which she chatted had deserted her, and her false
gayety did not deceive the keen-minded Crane for an instant. Soon the
two were silent as they walked along together. Crane's thoughts were on
the beautiful girl beside him, and on the splendid young genius under
his roof, so deeply immersed in his problem that he was insensible to
everything else.
* * * * *
"I have just left Dick," Crane said suddenly, and paying no attention to
her startled glance. "Did you ever in your life see anyone with his
singleness of purpose? With all his brilliance, one idea at a time is
all that he seems capable of--though that is probably why he is such a
genius. He is working himself insane. Has he told you about leaving the
Bureau?"
"No. Has he? Has it anything to do with what happened that day at the
laboratory? I haven't seen him since the accident, or discovery,
whichever it was, happened. He came to see me at half-past ten, when he
was invited for dinner--oh, Martin, I had been _so_ angry!--and he told
such a preposterous story, I've been wondering since if I didn't dream
it."
"No, you didn't dream it, no matter how wild it sounded. He said it, and
it is all true. I cannot explain it to you; Dick himself cannot explain
it, even to me. But I can give you an idea of what we both think it may
come to."
"Yes, do."
"Well, he has discovered something that makes copper act mighty
queer--knocks it off its feet, so to speak. That day a piece went up and
never did come down."
"Yes, that is what is so preposterous!"
"Just a moment, please," replied the imperturbable Crane. "You should
know that nothing ordinary can account for Dick's behavior, and after
what I have seen this last week I shall never again think anything
preposterous. As I said, this piece of copper departed, _via_ the
window, for scenes unknown. As far as a pair of good binoculars could
follow it, it held to a perfectly straight course toward those scenes.
We intend to follow it in some suitable vehicle."
He paused, looking at his companion's face, but she did not speak.
"Building the conveyance is where I come in," he continued in his
matter-of-fact voice. "As you know, I happen to have almost as much
money as Dick has brains, and some day, before the summer is over, we
expect to go somewhere. We do not know where, but it will be a long way
from this earth."
There was a silence, then Dorothy said, helplessly:
"Well, go on.... I can't understand...."
"Neither can I. All I know is that Dick wants to build a heavy steel
hull, and he is going to put something inside it that will take us out
into space. Only occasionally do I see a little light as he tries to
explain the mechanism of the thing to me."
After enjoining upon her the strictest secrecy he repeated the story
that Seaton had told him, and informed her as to the present condition
of affairs.
"It's no wonder the other chemists thought he was crazy, is it, Martin?"
"No, especially after the failure of his demonstration the next morning.
You see, he tried to prove to the others that he was right, and nothing
happened. He has found out since that an electrical machine in another
room, which was not running that morning, played a very important part.
When the copper refused to act as it had the night before they all took
the snap judgment that he had suffered an attack of temporary insanity,
and that the solution was worthless. They called him 'Nobody Holme'."
"It almost fits, at that!" exclaimed Dorothy, laughing.
"But if he thought of that," she added, thoughtfully, "if he was
brilliant enough to build up such a wonderful theory ... think out such
a thing as actually traveling to the stars ... all on such a slight
foundation of fact ... I wonder why he couldn't have told me?"
She hadn't meant to utter the last thought. Nobody must know how being
left out of it had hurt her, and she would have recalled the words if
she could. Crane understood, and answered loyally.
"He will tell you all about it very soon, never fear. His is the mind of
a great scientist, working on a subject of which but very few men have
even an inkling. I am certain that the only reason he thought of me is
that he could not finance the investigation alone. Never think for an
instant that his absorption implies a lack of fondness for you. You are
his anchor, his only hold on known things. In fact, it was about this
that I came to see you. Dick is working himself at a rate that not even
a machine can stand. He eats hardly anything, and if he sleeps at all, I
have never caught him at it. That idea is driving him day and night, and
if he goes on the way he is going, it means a breakdown. I do not know
whether you can make him listen to reason or not--certainly no one else
can. If you think you can do it, that is to be your job, and it will be
the biggest one of the three."
"How well you understand him," Dorothy said, after a pause. "You make me
feel ashamed, Martin. I should have known without being told. Then I
wouldn't have had these nasty little doubts about him."
"I should call them perfectly natural, considering the circumstances,"
he answered. "Men with minds like Dick's are rare. They work on only one
track. Your part will be hard. He will come to you, bursting with news
and aching to tell you all about his theories and facts and
calculations, and you must try to take his mind off the whole thing and
make him think of something else. It looks impossible to me."
* * * * *
The smile had come back to Dorothy's face. Her head, graced by its
wealth of gleaming auburn hair, was borne proudly, and glancing mischief
lit her violet eyes.
"Didn't you just tell me nothing is impossible? You know, Martin, that I
can make Dicky forget everything, even interstellar--did I get that word
right?--space itself, with my violin."
"Trying to beguile a scientist from his hobby is comparable only to
luring a drug addict away from his vice ... but I would not be surprised
if you could do it," he slowly replied.
For he had heard her play. She and Seaton had been caught near his home
by a sudden shower while on horseback, and had dashed in for shelter.
While the rain beat outside and while Shiro was preparing one of his
famous suppers, Crane had suggested that she pass the time by playing
his "fiddle." Dorothy realized, with the first sweep of the bow, that
she was playing a Stradivarius, the like of which she had played before
only in her dreams. She forgot her listeners, forgot the time and the
place, and poured out in her music all the beauty and tenderness of her
nature. Soft and full the tones filled the room, and in Crane's vision
there rose a home filled with happy work, with laughter and
companionship, with playing children who turned their faces to their
mother as do flowers to the light. Sensing the girl's dreams as the
music filled his ears, he realized as never before in his busy,
purposeful life how beautiful a home with the right woman could be. No
thought of love for Dorothy entered his mind, for he knew that the love
existing between her and his friend was of the kind that nothing could
alter, but he felt that she had unwittingly given him a great gift.
Often thereafter in his lonely hours he had imagined that dream-home,
and nothing less than its perfection would ever satisfy him.
For a time they walked on in silence. On Dorothy's face was a tender
look, the reflection of her happy thoughts, and in Crane's mind floated
again the vision of his ideal home, the home whose central figure he was
unable to visualize. At last she turned and placed her hand on his arm.
"You have done a great deal for me--for us," she said simply. "I wish
there were something I could do for you in return."
"You have already done much more than that for me, Dorothy," he
answered, more