Discoveries and Inventions of the Nineteenth Century

gauges was soon felt to be an inconvenience to the public, and a Parliamentary Committee was appointed to consider the subject. They reported that either gauge supplied all public requirements, but that the broad gauge involved a great additional outlay in its construction without any compensating advantages of economy in working; and, as at that time 2,000 miles of railway had been constructed on the narrow gauge, whereas only 270 miles were in existence on the broad gauge, they recommended that future railways should be made the prevailing width of 56½ in. The Great Western line had engines, bridges, tunnels, viaducts, &c., on a larger scale than any other railway in Britain. The difference of gauge was after a time felt to involve so much inconvenience that lines which adopted the 7–ft. gauge have since relaid the tracks at the more common width. At the present day we find the Great Western Railway completely reconstructed on the narrow gauge system, in order that trains may run without interruption in connection with other lines. Fig. 45.—Conical Wheels. Fig. 46.—Centrifugal Force. The wheels of railway carriages and engines differ from those of ordinary 107carriages in being fastened in pairs upon the axles, with which they revolve (see Fig. 45). The tire of the wheel is conical, the slope being about 1 in 20; that is, in a wheel 5 in. broad the radius of the outer edge is ¼ in. less than that of the inner; and the rails are placed sloping a little inwards. The effect of this conical figure is to counteract any tendency to roll off the rails; for if a pair of wheels were shifted a little to one side, the parts of the tires rolling upon the rails being then of unequal circumference, would cause the wheels to roll towards the other side. The conical shape produces this kind of adjustment so well that the flanges do not in general touch the rails. They act, however, as safeguards in passing over curves and junctions. In curves the outer line of rails is laid higher than the inner, so that in passing over them the train leans slightly inwards, in order to counteract what is called the centrifugal force, to which any body moving in a curve is subject. This so-called force is merely the result of that tendency which every moving body has to continue its motion in a straight line. A very good example of the effect of this may be seen when a circus horse is going rapidly round the ring. The inclination inwards is still more perceptible when a rider is standing on the horse’s back, as shown in Fig. 46. The earth’s attraction of gravity is pulling the performer straight down, and the centrifugal force would of itself throw her outwards horizontally. The resultant or combined effect of both acts is seen in the exact direction in which she is leaning, and it presses her feet on the horse’s back, the animal itself being under similar conditions. It is obvious that the amount of centrifugal force, and therefore of inward slope, will increase with the speed and sharpness of the curve, and on the railways the rails 108are placed so that the slope counteracts the centrifugal force when the train travels at about the rate of twenty miles per hour. Fig. 47.—Points. A very important part of the mechanism of a railway is the mode of passing trains from one line of rails to another. Engines and single carriages are sometimes transferred by means of turn-tables, but the more general plan is by switches, which are commonly constructed as shown in Fig. 47. There are two rails, A and B, tapering to a point and fixed at the other end, so that they have sufficient freedom to turn horizontally. A train passing in the direction shown by the arrow would continue on the main line, if the points are placed as represented; but if they be moved so that the long tongue is brought into contact with the rail of the main line, then the train would run on to the side rails. These points are worked by means of a lever attached to the rod, C, the lever being either placed near the rails, or in a signal-box, where a man is stationed, whose sole duty it is to attend to the points and to the signals. The interior of a signal-box near an important junction or station is shown in Fig. 48, and we see here the numerous levers for working the points and the signals, each of these having a connection, by rods or wires, with the corresponding point or signal-post. The electric telegraph is now an important agent in railway signalling, and in a signal-box we may see the bells and instruments which inform the pointsman whether a certain section of the line is “blocked” or “clear.” The signals now generally used on British railways are made by the semaphore, which is simply a post from which an arm can be made to project. When the driver of the train sees the arm projecting from the left-hand side of the post, it is an intimation to him that he must stop his train; when the arm is dropped half-way, so as to project 45° from the post, it is meant that he must proceed cautiously; when the arm is down the line is clear. These signals, of course, are not capable of being seen at night, when their place is supplied with lamps, provided with coloured glasses—red and green—and also with an uncoloured glass. The lamp may have the different glasses on three different sides, and be turned round so as to present the required colour; or it may be made to do so without turning, if provided with a frame having red and green glasses, which can be moved 109like spectacles in front of it. The meanings of the various coloured lights and the corresponding semaphore signals are these: White All right Go on. Green Caution Proceed slowly. Red Danger Stop. Fig. 48.—Signal-box on the North London Railway. A very clear account of the mode of working railway signals on what is now called the block system, together with a graphic description of a signal-box, was given in a paper which appeared some years ago in “The Popular Science Review,” from the pen of Mr. Charles V. Walker, F.R.S., the telegraph engineer to the South-Eastern Railway Company, who was the first to organize an efficient system of electric signalling for railways. We may remark that the signalling instruments on the South-Eastern line, and indeed on all the lines at the present day, address themselves both to the ear and to the eye, for they consist of—first, bells, on which one, two, or more blows are struck, each series of blows having its own particular meaning; and, second, of a kind of miniature signal-post, with arms capable of being moved by electric currents into positions similar to those of the arm of an actual signal-post, so that the position of the arms is made always to indicate the state of the line. One arm of the little signal-post—the left—is red, and it has reference to receding trains; the other—viz., the right—arm is white, and relates to approaching trains. Mr. Walker thus describes the signalling: 110“The ordinary position of the arms of the electro-magnetic telegraph semaphores will be down; that is to say, when the line is clear of all trains, and business begins, say in early morning, all the arms will be down, indicating that no train is moving. When the first train is ready to start, say from Charing Cross, the signalman will give the proper bell-signal to Belvidere—two, three, or four blows, according as the train is for Greenwich, for North Kent, or Mid-Kent, or for the main line; and the Belvidere man will acknowledge this by one blow on the bell in reply, and without raising the Charing Cross red or left arm. This is the signal that the train may go on; and when the train has passed, so that the Charing Cross man can see the tail lights, he gives the out signal a second time, which the Belvidere man acknowledges, at the same time raising the red arm at Charing Cross, behind the train, and so protecting it until it has passed him at Belvidere, when he signals to that effect to Charing Cross, at the same time putting down the red arm there, as an indication that the line is again clear. While these operations are going on for down trains, others precisely similar, but in the reverse direction, are going on for up trains.... One and the same pressure on the key sends a bell signal and raises or depresses the semaphore arm as the case may require, a single telegraph wire only being required for the combined system, as for the more simple bell system.” In one of the signal-boxes on the South-Eastern line, Mr. Walker states, on a certain day 650 trains or engines were signalled and all particulars accurately entered in a book, the entries requiring the writing down of nearly 8,000 figures: an illustration of the amount of work quietly carried on in a signal-box for the advantage and security of the travelling public. Mr. Walker also gives us a peep into the inside of one of the signal-boxes, thus: “The interior of a large signal-box exhibits a very animated scene, in which there are but two actors, a man and a boy, both as busy as bees, but with no hurry or bustle. The ruling genius of the place is the strong, active, intelligent signalman, standing at one end of the apartment, the monarch for the time being of all he surveys. Immediately before him in one long line, extending from side to side, is a goodly array of levers, bright and clean from constant use and careful tending, each one labelled for its respective duty. Before him to the right and left are the various electro-magnetic semaphores, each one in full view and adjusted in position to the pair of roads to which it is appropriated, and all furnished with porcelain labels. Directly in front of him is a screen, along which are arranged the various semaphore keys; and on brackets, discreetly distributed, are the bells and gongs, the twin companions each of its own semaphore. Before the screen are the writing-desk and books, and here stands the youngster, the ministering spirit, all on the alert to take or to send electric signals and to record them, his time and attention being devoted alternately to his semaphore keys and to his books, being immediately under the eye and control of the signalman. This is no place for visitors, and the scenes enacted here have little chance of meeting the public gaze; indeed, the officers whose duties take them hither occasionally are only too glad to look on, and say as little as may be, and not interrupt the active pair, between whom there is evidently a good understanding in the discharge of duties upon the accurate performance of which so much depends. Looking on, the man will be seen in command of his rank and file: signals come, are heard and seen by both man and boy; levers are drawn and withdrawn, one, two, three, or more; the arms and the lamps on the gigantic masts outside, of which there are three, well laden, are displayed as required, 111distant signals are moved, points are shifted and roads made ready; telegraph signals are acknowledged; and on looking out—for the box is glazed throughout—trains are seen moving in accordance with the signals made; and on the signal-posts at the boxes, right and left—for here they are within easy reach of each other—arms are seen up and down in sympathy with those on the spot, and with the telegraph signals that have been interchanged. There is no cessation to this work, and