Project Gutenberg #345
Dracula
Bram Stoker
1897Stoker's epistolary vampire novel, prepared chapter by chapter from Project Gutenberg plaintext.
Project Gutenberg #345 Public domain in the United States Cover source Local typographic cover created for MojiMori from public-domain source metadata
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AI Summary
Chapter 14 — CHAPTER XIV MINA HARKER’s JOURNAL Central question How does Mina re-enter the story? Main argument Jonathan returns, Mina marries him, and the story briefly stabilizes around recovery and...
me by the shoulder, and turned my
face round to the light, and said, after a sharp scrutiny:--
“But Madam Mina told me you were ill, that you had had a shock.” It was
so funny to hear my wife called “Madam Mina” by this kindly,
strong-faced old man. I smiled, and said:--
“I _was_ ill, I _have_ had a shock; but you have cured me already.”
“And how?”
“By your letter to Mina last night. I was in doubt, and then everything
took a hue of unreality, and I did not know what to trust, even the
evidence of my own senses. Not knowing what to trust, I did not know
what to do; and so had only to keep on working in what had hitherto been
the groove of my life. The groove ceased to avail me, and I mistrusted
myself. Doctor, you don’t know what it is to doubt everything, even
yourself. No, you don’t; you couldn’t with eyebrows like yours.” He
seemed pleased, and laughed as he said:--
“So! You are physiognomist. I learn more here with each hour. I am with
so much pleasure coming to you to breakfast; and, oh, sir, you will
pardon praise from an old man, but you are blessed in your wife.” I
would listen to him go on praising Mina for a day, so I simply nodded
and stood silent.
“She is one of God’s women, fashioned by His own hand to show us men and
other women that there is a heaven where we can enter, and that its
light can be here on earth. So true, so sweet, so noble, so little an
egoist--and that, let me tell you, is much in this age, so sceptical and
selfish. And you, sir--I have read all the letters to poor Miss Lucy,
and some of them speak of you, so I know you since some days from the
knowing of others; but I have seen your true self since last night. You
will give me your hand, will you not? And let us be friends for all our
lives.”
We shook hands, and he was so earnest and so kind that it made me quite
choky.
“And now,” he said, “may I ask you for some more help? I have a great
task to do, and at the beginning it is to know. You can help me here.
Can you tell me what went before your going to Transylvania? Later on I
may ask more help, and of a different kind; but at first this will do.”
“Look here, sir,” I said, “does what you have to do concern the Count?”
“It does,” he said solemnly.
“Then I am with you heart and soul. As you go by the 10:30 train, you
will not have time to read them; but I shall get the bundle of papers.
You can take them with you and read them in the train.”
After breakfast I saw him to the station. When we were parting he
said:--
“Perhaps you will come to town if I send to you, and take Madam Mina
too.”
“We shall both come when you will,” I said.
I had got him the morning papers and the London papers of the previous
night, and while we were talking at the carriage window, waiting for the
train to start, he was turning them over. His eyes suddenly seemed to
catch something in one of them, “The Westminster Gazette”--I knew it by
the colour--and he grew quite white. He read something intently,
groaning to himself: “Mein Gott! Mein Gott! So soon! so soon!” I do not
think he remembered me at the moment. Just then the whistle blew, and
the train moved off. This recalled him to himself, and he leaned out of
the window and waved his hand, calling out: “Love to Madam Mina; I shall
write so soon as ever I can.”
_Dr. Seward’s Diary._
_26 September._--Truly there is no such thing as finality. Not a week
since I said “Finis,” and yet here I am starting fresh again, or rather
going on with the same record. Until this afternoon I had no cause to
think of what is done. Renfield had become, to all intents, as sane as
he ever was. He was already well ahead with his fly business; and he had
just started in the spider line also; so he had not been of any trouble
to me. I had a letter from Arthur, written on Sunday, and from it I
gather that he is bearing up wonderfully well. Quincey Morris is with
him, and that is much of a help, for he himself is a bubbling well of
good spirits. Quincey wrote me a line too, and from him I hear that
Arthur is beginning to recover something of his old buoyancy; so as to
them all my mind is at rest. As for myself, I was settling down to my
work with the enthusiasm which I used to have for it, so that I might
fairly have said that the wound which poor Lucy left on me was becoming
cicatrised. Everything is, however, now reopened; and what is to be the
end God only knows. I have an idea that Van Helsing thinks he knows,
too, but he will only let out enough at a time to whet curiosity. He
went to Exeter yesterday, and stayed there all night. To-day he came
back, and almost bounded into the room at about half-past five o’clock,
and thrust last night’s “Westminster Gazette” into my hand.
“What do you think of that?” he asked as he stood back and folded his
arms.
I looked over the paper, for I really did not know what he meant; but he
took it from me and pointed out a paragraph about children being decoyed
away at Hampstead. It did not convey much to me, until I reached a
passage where it described small punctured wounds on their throats. An
idea struck me, and I looked up. “Well?” he said.
“It is like poor Lucy’s.”
“And what do you make of it?”
“Simply that there is some cause in common. Whatever it was that injured
her has injured them.” I did not quite understand his answer:--
“That is true indirectly, but not directly.”
“How do you mean, Professor?” I asked. I was a little inclined to take
his seriousness lightly--for, after all, four days of rest and freedom
from burning, harrowing anxiety does help to restore one’s spirits--but
when I saw his face, it sobered me. Never, even in the midst of our
despair about poor Lucy, had he looked more stern.
“Tell me!” I said. “I can hazard no opinion. I do not know what to
think, and I have no data on which to found a conjecture.”
“Do you mean to tell me, friend John, that you have no suspicion as to
what poor Lucy died of; not after all the hints given, not only by
events, but by me?”
“Of nervous prostration following on great loss or waste of blood.”
“And how the blood lost or waste?” I shook my head. He stepped over and
sat down beside me, and went on:--
“You are clever man, friend John; you reason well, and your wit is bold;
but you are too prejudiced. You do not let your eyes see nor your ears
hear, and that which is outside your daily life is not of account to
you. Do you not think that there are things which you cannot understand,
and yet which are; that some people see things that others cannot? But
there are things old and new which must not be contemplate by men’s
eyes, because they know--or think they know--some things which other men
have told them. Ah, it is the fault of our science that it wants to
explain all; and if it explain not, then it says there is nothing to
explain. But yet we see around us every day the growth of new beliefs,
which think themselves new; and which are yet but the old, which pretend
to be young--like the fine ladies at the opera. I suppose now you do not
believe in corporeal transference. No? Nor in materialisation. No? Nor
in astral bodies. No? Nor in the reading of thought. No? Nor in
hypnotism----”
“Yes,” I said. “Charcot has proved that pretty well.” He smiled as he
went on: “Then you are satisfied as to it. Yes? And of course then you
understand how it act, and can follow the mind of the great
Charcot--alas that he is no more!--into the very soul of the patient
that he influence. No? Then, friend John, am I to take it that you
simply accept fact, and are satisfied to let from premise to conclusion
be a blank? No? Then tell me--for I am student of the brain--how you
accept the hypnotism and reject the thought reading. Let me tell you, my
friend, that there are things done to-day in electrical science which
would have been deemed unholy by the very men who discovered
electricity--who would themselves not so long before have been burned
as wizards. There are always mysteries in life. Why was it that
Methuselah lived nine hundred years, and ‘Old Parr’ one hundred and
sixty-nine, and yet that poor Lucy, with four men’s blood in her poor
veins, could not live even one day? For, had she live one more day, we
could have save her. Do you know all the mystery of life and death? Do
you know the altogether of comparative anatomy and can say wherefore the
qualities of brutes are in some men, and not in others? Can you tell me
why, when other spiders die small and soon, that one great spider lived
for centuries in the tower of the old Spanish church and grew and grew,
till, on descending, he could drink the oil of all the church lamps? Can
you tell me why in the Pampas, ay and elsewhere, there are bats that
come at night and open the veins of cattle and horses and suck dry their
veins; how in some islands of the Western seas there are bats which hang
on the trees all day, and those who have seen describe as like giant
nuts or pods, and that when the sailors sleep on the deck, because that
it is hot, flit down on them, and then--and then in the morning are
found dead men, white as even Miss Lucy was?”
“Good God, Professor!” I said, starting up. “Do you mean to tell me that
Lucy was bitten by such a bat; and that such a thing is here in London
in the nineteenth century?” He waved his hand for silence, and went
on:--
“Can you tell me why the tortoise lives more long than generations of
men; why the elephant goes on and on till he have seen dynasties; and
why the parrot never die only of bite of cat or dog or other complaint?
Can you tell me why men believe in all ages and places that there are
some few who live on always if they be permit; that there are men and
women who cannot die? We all know--because science has vouched for the
fact--that there have been toads shut up in rocks for thousands of
years, shut in one so small hole that only hold him since the youth of
the world. Can you tell me how the Indian fakir can make himself to die
and have been buried, and his grave sealed and corn sowed on it, and the
corn reaped and be cut and sown and reaped and cut again, and then men
come and take away the unbroken seal and that there lie the Indian
fakir, not dead, but that rise up and walk amongst them as before?” Here
I