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Cover for Cicero's Brutus, or History of Famous Orators; also His Orator, or Accomplished Speaker

Project Gutenberg #9776

Cicero's Brutus, or History of Famous Orators; also His Orator, or Accomplished Speaker

Marcus Tullius Cicero

46 BCE

Cicero's history of Roman eloquence and his portrait of the ideal orator, on style, rhythm, and the three aims of speech: to prove, to please, and to move.

Project Gutenberg #9776 Public domain in the United States Cover source Local typographic cover created for The Missing Workbook from public-domain source metadata

Section 3 of 8 Page 6 of 6

Brutus, or the History of Eloquence (Part 2 of 4)

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smooth, a sensible, and a facetious Speaker?—that Philippus whom we, who form our judgment upon these matters by rules of art, have decided to have been the next in merit? Nobody would, I am certain. For it is the invariable, property of an accomplished Orator, to be reckoned such in the opinion of the people. Though Antigenidas, therefore, the musician, might say to his scholar, who was but coldly received by the Public, Play on, to please me and the Muses;—I shall say to my friend Brutus, when he mounts the Rostra, as he frequently does,— Play to me and the people;—that those who hear him may be sensible of the effect of his Eloquence, while I can likewise amuse myself with remarking the causes which produce it. When a Citizen hears an able Orator, he readily credits what is said;—he imagines every thing to be true, he believes and relishes the force of it; and, in short, the persuasive language of the Speaker wins his absolute, his hearty assent. You, who are possessed of a critical knowledge of the art, what more will you require? The listening multitude is charmed and captivated by the force of his Eloquence, and feels a pleasure which is not to be resisted. What here can you find to censure? The whole audience is either flushed with joy, or overwhelmed with grief;—it smiles, or weeps,—it loves, or hates,—it scorns or envies,—and, in short, is alternately seized with the various emotions of pity, shame, remorse, resentment, wonder, hope, and fear, according as it is influenced by the language, the sentiments, and the action of the speaker. In this case, what necessity is there to await the sanction of a critic? For here, whatever is approved by the feelings of the people, must be equally so by men of taste and erudition: and, in this instance of public decision, there can be no disagreement between the opinion of the vulgar, and that of the learned. For though many good Speakers have appeared in every species of Oratory, which of them who was thought to excel the rest in the judgment of the populace, was not approved as such by every man of learning? or which of our ancestors, when the choice of a pleader was left to his own option, did not immediately fix it either upon Crassus or Antonius? There were certainly many others to be had: but though any person might have hesitated to which of the above two he should give the preference, there was nobody, I believe, who would have made choice of a third. And in the time of my youth, when Cotta and Hortensius were in such high reputation, who, that had liberty to choose for himself, would have employed any other?"—"But what occasion is there," said Brutus, "to quote the example of other speakers to support your assertion? have we not seen what has always been the wish of the defendant, and what the judgment of Hortensius, concerning yourself? for whenever the latter shared a cause with you, (and I was often present on those occasions) the peroration, which requires the greatest exertion of the powers of Eloquence, was constantly left to you."—"It was," said I; "and Hortensius (induced, I suppose, by the warmth of his friendship) always resigned the post of honour to me. But, as to myself, what rank I hold in the opinion of the people I am unable to determine: as to others, however, I may safely assert, that such of them as were reckoned most eloquent in the judgment of the vulgar, were equally high in the estimation of the learned. For even Demosthenes himself could not have said what is related of Antimachus, a poet of Claros, who, when he was rehearsing to an audience assembled for the purpose, that voluminous piece of his which you are well acquainted with, and was deserted by all his hearers except Plato, in the midst of his performance, cried out, "I shall proceed notwithstanding_; for Plato alone is of more consequence to me than many thousands." "The remark was very just. For an abstruse poem, such as his, only requires the approbation of the judicious few; but a discourse intended for the people should be perfectly suited to their taste. If Demosthenes, therefore, after being deserted by the rest of his audience, had even Plato left to hear him, and no one else, I will answer for it, he could not have uttered another syllable. 'Nay, or could you yourself, my Brutus, if the whole assembly was to leave you, as it once did Curio?"—"To open my whole mind to you," replied he, "I must confess that even in such causes as fall under the cognizance of a few select judges, and not of the people at large, if I was to be deserted by the casual crowd who came to hear the trial, I should not be able to proceed."—"The case, then, is plainly this," said I: "as a flute, which will not return its proper sound when it is applied to the lips, would be laid aside by the musician as useless; so, the ears of the people are the instrument upon which an Orator is to play: and if these refuse to admit the breath he bestows upon them, or if the hearer, like a restive horse, will not obey the spur, the speaker must cease to exert himself any farther. There is, however, the exception to be made; the people sometimes give their approbation to an orator who does not deserve it. But even here they approve what they have had no opportunity of comparing with something better: as, for instance, when they are pleased with an indifferent, or, perhaps, a bad speaker. His abilities satisfy their expectation: they have seen nothing preferable: and, therefore, the merit of the day, whatever it may happen to be, meets their full applause. For even a middling Orator, if he is possessed of any degree of Eloquence, will always captivate the ear; and the order and beauty of a good discourse has an astonishing effect upon the human mind. Accordingly, what common hearer who was present when Q. Scaevola pleaded for M. Coponius, in the cause above- mentioned, would have wished for, or indeed thought it possible to find any thing which was more correct, more elegant, or more complete? When he attempted to prove, that, as M. Curius was left heir to the estate only in case of the death of his future ward before he came of age, he could not possibly be a legal heir, when the expected ward was never born;—what did he leave unsaid of the scrupulous regard which should be paid to the literal meaning of every testament? what of the accuracy and preciseness of the old and established forms; of law? and how carefully did he specify the manner in which the will would have been expressed, if it had intended that Curius should be the heir in case of a total default of issue? in what a masterly manner did he represent the ill consequences to the Public, if the letter of a will should be disregarded, its intention decided by arbitrary conjectures, and the written bequests of plain illiterate men, left to the artful interpretation of a pleader? how often did he urge the authority of his father, who had always been an advocate for a strict adherence to the letter of a testament? and with what emphasis did he enlarge upon the necessity of supporting the common forms of law? All which particulars he discussed not only very artfully, and skilfully; but in such a neat,—such a close,—and, I may add, in so florid, and so elegant a style, that there was not a single person among the common part of the audience, who could expect any thing more complete, or even think it possible to exist. But when Crassus, who spoke on the opposite side, began with the story of a notable youth, who having found a cock-boat as he was rambling along the shore, took it into his head immediately that he would build a ship to it;—and when he applied the tale to Scaevola, who, from the cock-boat of an argument [which he had deduced from certain imaginary ill consequences to the Public] represented the decision of a private will to be a matter of such importance as to deserve he attention of the Centum-viri;—when Crassus, I say, in the beginning of his discourse, had thus taken off the edge of the strongest plea of his antagonist, he entertained his hearers with many other turns of a similar kind; and, in a short time, changed the serious apprehensions of all who were present into open mirth and good-humour; which is one of those three effects which I have just observed an Orator should be able to produce. He then proceeded to remark that it was evidently the intention and the will of the testator, that in cafe, either by death, or default of issue, there should happen to be no son to fall to his charge, the inheritance should devolve to Curius:—'that most people in a similar case would express themselves in the same manner, and that it would certainly stand good in law, and always had. By these, and many other observations of the same kind, he gained the assent of his hearers; which is another of the three duties of an Orator. Lastly, he supported, at all events, the true meaning and spirit of a will, against the literal construction: justly observing, that there would be an endless cavilling about words, not only in wills, but in all other legal deeds, if the real intention of the party was to be disregarded: and hinting very smartly, that his friend Scaevola had assumed a most unwarrantable degree of importance, if no person must afterwards presume to indite a legacy, but in the musty form which he himself might please to prescribe. As he enlarged on each of these arguments with great force and propriety, supported them by a number of precedents, exhibited them in a variety of views, and enlivened them with many occasional turns of wit and pleasantry, he gained so much applause, and gave such general satisfaction, that it was scarcely remembered that any thing had been said on the contrary side of the question. This was the third, and the most important duty we assigned to an Orator.

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