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Cover for Discoveries and Inventions of the Nineteenth Century

Project Gutenberg #54475

Discoveries and Inventions of the Nineteenth Century

Robert Routledge

1900

Routledge's illustrated survey of nineteenth-century engineering and invention, prepared chapter by chapter from Project Gutenberg HTML.

Project Gutenberg #54475 Public domain in the United States Cover source Local typographic cover created for MojiMori from public-domain source metadata

Section 6 of 93 Page 19 of 181

IRON.

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by means of turn-tables, but the more general plan is by switches, which are commonly constructed as shown in Fig. 47. There are two rails, A and B, tapering to a point and fixed at the other end, so that they have sufficient freedom to turn horizontally. A train passing in the direction shown by the arrow would continue on the main line, if the points are placed as represented; but if they be moved so that the long tongue is brought into contact with the rail of the main line, then the train would run on to the side rails. These points are worked by means of a lever attached to the rod, C, the lever being either placed near the rails, or in a signal-box, where a man is stationed, whose sole duty it is to attend to the points and to the signals. The interior of a signal-box near an important junction or station is shown in Fig. 48, and we see here the numerous levers for working the points and the signals, each of these having a connection, by rods or wires, with the corresponding point or signal-post. The electric telegraph is now an important agent in railway signalling, and in a signal-box we may see the bells and instruments which inform the pointsman whether a certain section of the line is “blocked” or “clear.” The signals now generally used on British railways are made by the semaphore, which is simply a post from which an arm can be made to project. When the driver of the train sees the arm projecting from the left-hand side of the post, it is an intimation to him that he must stop his train; when the arm is dropped half-way, so as to project 45° from the post, it is meant that he must proceed cautiously; when the arm is down the line is clear. These signals, of course, are not capable of being seen at night, when their place is supplied with lamps, provided with coloured glasses—red and green—and also with an uncoloured glass. The lamp may have the different glasses on three different sides, and be turned round so as to present the required colour; or it may be made to do so without turning, if provided with a frame having red and green glasses, which can be moved 109like spectacles in front of it. The meanings of the various coloured lights and the corresponding semaphore signals are these: White All right Go on. Green Caution Proceed slowly. Red Danger Stop. Fig. 48.—Signal-box on the North London Railway. A very clear account of the mode of working railway signals on what is now called the block system, together with a graphic description of a signal-box, was given in a paper which appeared some years ago in “The Popular Science Review,” from the pen of Mr. Charles V. Walker, F.R.S., the telegraph engineer to the South-Eastern Railway Company, who was the first to organize an efficient system of electric signalling for railways. We may remark that the signalling instruments on the South-Eastern line, and indeed on all the lines at the present day, address themselves both to the ear and to the eye, for they consist of—first, bells, on which one, two, or more blows are struck, each series of blows having its own particular meaning; and, second, of a kind of miniature signal-post, with arms capable of being moved by electric currents into positions similar to those of the arm of an actual signal-post, so that the position of the arms is made always to indicate the state of the line. One arm of the little signal-post—the left—is red, and it has reference to receding trains; the other—viz., the right—arm is white, and relates to approaching trains. Mr. Walker thus describes the signalling: 110“The ordinary position of the arms of the electro-magnetic telegraph semaphores will be down; that is to say, when the line is clear of all trains, and business begins, say in early morning, all the arms will be down, indicating that no train is moving. When the first train is ready to start, say from Charing Cross, the signalman will give the proper bell-signal to Belvidere—two, three, or four blows, according as the train is for Greenwich, for North Kent, or Mid-Kent, or for the main line; and the Belvidere man will acknowledge this by one blow on the bell in reply, and without raising the Charing Cross red or left arm. This is the signal that the train may go on; and when the train has passed, so that the Charing Cross man can see the tail lights, he gives the out signal a second time, which the Belvidere man acknowledges, at the same time raising the red arm at Charing Cross, behind the train, and so protecting it until it has passed him at Belvidere, when he signals to that effect to Charing Cross, at the same time putting down the red arm there, as an indication that the line is again clear. While these operations are going on for down trains, others precisely similar, but in the reverse direction, are going on for up trains.... One and the same pressure on the key sends a bell signal and raises or depresses the semaphore arm as the case may require, a single telegraph wire only being required for the combined system, as for the more simple bell system.” In one of the signal-boxes on the South-Eastern line, Mr. Walker states, on a certain day 650 trains or engines were signalled and all particulars accurately entered in a book, the entries requiring the writing down of nearly 8,000 figures: an illustration of the amount of work quietly carried on in a signal-box for the advantage and security of the travelling public. Mr. Walker also gives us a peep into the inside of one of the signal-boxes, thus: “The interior of a large signal-box exhibits a very animated scene, in which there are but two actors, a man and a boy, both as busy as bees, but with no hurry or bustle. The ruling genius of the place is the strong, active, intelligent signalman, standing at one end of the apartment, the monarch for the time being of all he surveys. Immediately before him in one long line, extending from side to side, is a goodly array of levers, bright and clean from constant use and careful tending, each one labelled for its respective duty. Before him to the right and left are the various electro-magnetic semaphores, each one in full view and adjusted in position to the pair of roads to which it is appropriated, and all furnished with porcelain labels. Directly in front of him is a screen, along which are arranged the various semaphore keys; and on brackets, discreetly distributed, are the bells and gongs, the twin companions each of its own semaphore. Before the screen are the writing-desk and books, and here stands the youngster, the ministering spirit, all on the alert to take or to send electric signals and to record them, his time and attention being devoted alternately to his semaphore keys and to his books, being immediately under the eye and control of the signalman. This is no place for visitors, and the scenes enacted here have little chance of meeting the public gaze; indeed, the officers whose duties take them hither occasionally are only too glad to look on, and say as little as may be, and not interrupt the active pair, between whom there is evidently a good understanding in the discharge of duties upon the accurate performance of which so much depends. Looking on, the man will be seen in command of his rank and file: signals come, are heard and seen by both man and boy; levers are drawn and withdrawn, one, two, three, or more; the arms and the lamps on the gigantic masts outside, of which there are three, well laden, are displayed as required, 111distant signals are moved, points are shifted and roads made ready; telegraph signals are acknowledged; and on looking out—for the box is glazed throughout—trains are seen moving in accordance with the signals made; and on the signal-posts at the boxes, right and left—for here they are within easy reach of each other—arms are seen up and down in sympathy with those on the spot, and with the telegraph signals that have been interchanged. There is no cessation to this work, and there is no confusion in it; one head and hand directs the whole, so that there are no conflicting interests and no misunderstandings; all is done in perfect tranquillity, and the great secret is that one thing is done at a time. All this, which is so simple and so full of meaning to the expert, is to the uninitiated intricate and vague; and though he cannot at first even follow the description of the several processes, so rapidly are they begun and ended, yet, as the cloud becomes thin, and his ideas become clearer, he cannot fail to be gratified, and to be filled with admiration at the great results that are brought about by means so simple.” Fig. 49.—Post Office Railway Van. Most of the carriages used on railways are so familiar to everyone that it is unnecessary to give any description of them. We give a figure of one which, though of early type, has special features of interest, being the well-designed Travelling Post Office, Fig. 49. In such vans as that here represented letters are sorted during the journey, and for this purpose the interior is provided with a counter and with pigeon-holes from end to end. When the train stops bags may, of course, be removed from or received into the van in the ordinary manner; but by a simple mechanism bags may be delivered at a station and others taken up while the train continues its journey at full speed. A bar can be made to project from the side of the carriage, and on this the bag is hung by hooks, which are so contrived that they release the bag when a rod, projecting from the receiving apparatus, strikes a certain catch on the van. The bag then drops into a netting, which is spread for its reception; and in order to receive the bags taken up, a similar netting is stretched on an iron frame attached to the van 112This frame is made to fold up against the side of the carriage when not in use. When the train is approaching the station where the bag is to be taken up, this frame is let down, and a projecting portion detaches the bags, so that they drop into the net, from which they are removed into the interior of the vehicle. These travelling post offices are lighted with gas, and are padded at the ends, so that the clerks may not be liable to injury by concussions of the carriages. England has had to borrow from the United States not a few hints for such adaptations and appliances as tend to promote the comfort and convenience of travellers by rail, especially on what we insularly call long journeys. Some of these vehicles on the American railways are luxurious hotels upon wheels; they contain accommodation for forty persons, having a kitchen, hot and cold water, wine, china and linen closets, and more than a hundred different articles of food, besides an ample supply of tablecloths, table napkins, towels, sheets, pillowcases, &c. Then there are other Pullman inventions, such as the “palace” and the “sleeping” cars, in which the traveller who is performing a long journey makes himself at home for days, or perhaps for a week, as, for instance, while he is being carried across the American continent from ocean to ocean at the easy rate of twenty miles an hour on the Pacific and other connecting lines. Mr. C. Nordhoff, an American

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