Project Gutenberg #54895
Limbo
Aldous Huxley
1920Huxley's early story collection, prepared story by story from Project Gutenberg plaintext.
Project Gutenberg #54895 Public domain in the United States Cover source Local typographic cover created for MojiMori from public-domain source metadata
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AI Summary
Chapter 1 — FARCICAL HISTORY OF RICHARD GREENOW Central question How does Richard Greenow’s life become a farce of identity and ambition? Main argument The story treats Greenow’s social existence as comic...
pages to his original manuscript during the night. He supposed he must
have written them in his sleep. It was all very disquieting. The days
passed by; every morning a fresh instalment was added to the rapidly
growing bulk of _Heartsease Fitzroy_. It was as though some goblin,
some Lob-lie-by-the-Fire, came each night to perform the appointed
task, vanishing before the morning. In a little while Dick's alarm
wore off; during the day he was perfectly well; his mind functioned
with marvellous efficiency. It really didn't seem to matter what he
did in his sleep provided he was all right in his waking hours. He
almost forgot about _Heartsease_, and was only reminded of her
existence when by chance he opened the drawer in which the steadily
growing pile of manuscript reposed.
In five weeks _Heartsease Fitzroy_ was finished. Dick made a parcel of
the manuscript and sent it to a literary agent. He had no hopes of any
publisher taking the thing; but he was in sore straits for money at
the moment, and it seemed worth trying, on the off-chance. A fortnight
later Dick received a letter beginning: "DEAR MADAM,--Permit me to
hail in you a new authoress of real talent. _Heartsease Fitzroy_ is
GREAT,"--and signed "EBOR W. SIMS, Editor, _Hildebrand's Home
Weekly_."
Details of the circulation of _Hildebrand's Home Weekly_ were printed
at the head of the paper; its average net sale was said to exceed
three and a quarter millions. The terms offered by Mr. Sims seemed to
Dick positively fabulous. And there would be the royalties on the
thing in book form after the serial had run its course.
The letter arrived at breakfast; Dick cancelled all engagements for
the day and set out immediately for a long and solitary walk. It was
necessary to be alone, to think. He made his way along the Seven
Bridges Road, up Cumnor Hill, through the village, and down the
footpath to Bablock Hithe, thence to pursue the course of the
"stripling Thames"--haunted at every step by the Scholar Gipsy, damn
him! He drank beer and ate some bread and cheese in a little inn by a
bridge, farther up the river; and it was there, in the inn parlour,
surrounded by engravings of the late Queen, and breathing the slightly
mouldy preserved air bottled some three centuries ago into that
hermetically sealed chamber--it was there that he solved the problem,
perceived the strange truth about himself.
He was a hermaphrodite.
A hermaphrodite, not in the gross obvious sense, of course, but
spiritually. Two persons in one, male and female. Dr. Jekyll and Mr.
Hyde: or rather a new William Sharp and Fiona MacLeod--a more
intelligent William, a vulgarer Fiona. Everything was explained; the
deplorable Quarles incident was simple and obvious now. A sentimental
young lady of literary tastes writing sonnets to her Ouida guardsman.
And what an unerring flair Mr. Sims had shown by addressing him so
roundly and unhesitatingly as "madam"!
Dick was elated at this discovery. He had an orderly mind that
disliked mysteries. He had been a puzzle to himself for a long time;
now he was solved. He was not in the least distressed to discover this
abnormality in his character. As long as the two parts of him kept
well apart, as long as his male self could understand mathematics, and
as long as his lady novelist's self kept up her regular habit of
writing at night and retiring from business during the day, the
arrangement would be admirable. The more he thought about it, the more
it seemed an ideal state of affairs. His life would arrange itself so
easily and well. He would devote the day to the disinterested pursuit
of knowledge, to philosophy and mathematics, with perhaps an
occasional excursion into politics. After midnight he would write
novels with a feminine pen, earning the money that would make his
unproductive male labours possible. A kind of spiritual _souteneur_.
But the fear of poverty need haunt him no more; no need to become a
wage-slave, to sacrifice his intelligence to the needs of his belly.
Like a gentleman of the East, he would sit still and smoke his
philosophic pipe while the womenfolk did the dirty work. Could
anything be more satisfactory?
He paid for his bread and beer, and walked home, whistling as he went.
III
TWO months later the first instalment of _Heartsease Fitzroy: the
Story of a Young Girl_, by Pearl Bellairs, appeared in the pages of
_Hildebrand's Home Weekly_. Three and a quarter millions read and
approved. When the story appeared in book form, two hundred thousand
copies were sold in six weeks; and in the course of the next two years
no less than sixteen thousand female infants in London alone were
christened Heartsease. With her fourth novel and her two hundred and
fiftieth Sunday paper article, Pearl Bellairs was well on her way to
becoming a household word.
Meanwhile Dick was in receipt of an income far beyond the wildest
dreams of his avarice. He was able to realize the two great ambitions
of his life--to wear silk underclothing and to smoke good (but really
good) cigars.
IV
DICK went down from Canteloup in a blaze of glory. The most brilliant
man of his generation, exceptional mind, prospects, career. But his
head was not turned. When people congratulated him on his academic
successes, he thanked them politely and then invited them to come and
see his Memento Mori. His Memento Mori was called Mr. Glottenham and
could be found at any hour of the day in the premises of the Union, or
if it was evening, in the Senior Common Room at Canteloup. He was an
old member of the College, and the dons in pity for his age and
loneliness had made him, some years before, a member of their Common
Room. This act of charity was as bitterly regretted as any generous
impulse in the history of the world. Mr. Glottenham made the life of
the Canteloup fellows a burden to them; he dined in Hall with fiendish
regularity, never missing a night, and he was always the last to leave
the Common Room. Mr. Glottenham did not prepossess at a first glance;
the furrows of his face were covered with a short grey sordid stubble;
his clothes were disgusting with the spilth of many years of dirty
feeding; he had the shoulders and long hanging arms of an ape--an ape
with a horribly human look about it. When he spoke, it was like the
sound of a man breaking coke; he spoke incessantly and on every
subject. His knowledge was enormous; but he possessed the secret of a
strange inverted alchemy--he knew how to turn the richest gold to
lead, could make the most interesting topic so intolerably tedious
that it was impossible, when he talked, not to loathe it.
This was the death's-head to which Dick, like an ancient philosopher
at a banquet, would direct the attention of his heartiest
congratulators. Mr. Glottenham had had the most dazzling academic
career of his generation. His tutors had prophesied for him a future
far more brilliant than that of any of his contemporaries. They were
now Ministers of State, poets, philosophers, judges, millionaires. Mr.
Glottenham frequented the Union and the Canteloup Senior Common Room,
and was--well, he was just Mr. Glottenham. Which was why Dick did not
think too highly of his own laurels.
V
"WHAT shall I do? what ought I to do?" Dick walked up and down the
room smoking, furiously and without at all savouring its richness, one
of his opulent cigars.
"My dear," said Cravister--for it was in Cravister's high-ceilinged
Bloomsbury room that Dick was thus unveiling his distress of
spirit--"my dear, this isn't a revival meeting. You speak as though
there were an urgent need for your soul to be saved from hell fire.
It's not as bad as that, you know."
"But it _is_ a revival meeting," Dick shouted in exasperation--"it is.
I'm a revivalist. You don't know what it's like to have a feeling
about your soul. I'm terrifyingly earnest; you don't seem to
understand that. I have all the feelings of Bunyan without his
religion. I regard the salvation of my soul as important. How simple
everything would be if one could go out with those creatures in
bonnets and sing hymns like, 'Hip, hip for the blood of the Lamb,
hurrah!' or that exquisite one:
"'The bells of Hell ring tingalingaling
For you, but not for me.
For me the angels singalingaling;
They've got the goods for me.'
Unhappily it's impossible."
"Your ideas," said Cravister in his flutiest voice, "are somewhat
Gothic. I think I can understand them, though of course I don't
sympathize or approve. My advice to people in doubt about what course
of action they ought to pursue is always the same: do what you want
to."
"Cravister, you're hopeless," said Dick, laughing. "I suppose I am
rather Gothic, but I do feel that the question of ought as well as of
want does arise."
Dick had come to his old friend for advice about Life. What ought he
to do? The indefatigable pen of Pearl Bellairs solved for him the
financial problem. There remained only the moral problem: how could he
best expend his energies and his time? Should he devote himself to
knowing or doing, philosophy or politics? He felt in himself the
desire to search for truth and the ability--who knows?--to find it. On
the other hand, the horrors of the world about him seemed to call on
him to put forth all his strength in an effort to ameliorate what was
so patently and repulsively bad. Actually, what had to be decided was
this: Should he devote himself to the researches necessary to carry
out the plan, long ripening in his brain, of a new system of
scientific philosophy; or should he devote his powers and Pearl
Bellairs' money in propaganda that should put life into the English
revolutionary movement? Great moral principles were in the balance.
And Cravister's advice was, do what you want to!
After a month of painful indecision, Dick, who was a real Englishman,
arrived at a satisfactory compromise. He started work on his new
Synthetic Philosophy, and at the same time joined the staff of the
_Weekly International_, to which he contributed both money and
articles. The weeks slipped pleasantly and profitably along. The
secret of happiness lies in congenial work, and no one could have
worked harder than Dick, unless it was the indefatigable Pearl
Bellairs, whose nightly output of five thousand words sufficed to
support not only Dick but the _Weekly International_ as well. These
months were perhaps the happiest period of Dick's life. He had
friends, money, liberty; he knew himself to be working well; and it
was an extra, a supererogatory happiness that he began at this time to
get on much better with his sister Millicent than he had ever done
before. Millicent had come up to Oxford as a student at St. Mungo Hall
in Dick's third year. She had grown into a very efficient and very
intelligent young woman. A particularly handsome young woman as well.
She was boyishly slender, and a natural grace kept on breaking through
the somewhat rigid deportment, which she always tried to impose upon
herself, in little beautiful gestures and movements that made the
onlooker catch his breath with astonished pleasure.
"Wincing she was as is a jolly colt,
Straight as a mast and upright as a bolt:"
Chaucer had as good an eye for youthful grace as for mormals and
bristly nostrils and thick red jovial villainousness.
Millicent lost no time in making her presence at St. Mungo's felt.
Second- and third-year heroines might snort at the forwardness of a
mere fresh-girl, might resent the complete absence of veneration for
their glory exhibited by