Cover for Limbo

Project Gutenberg #54895

Limbo

Aldous Huxley

1920

Huxley's early story collection, prepared story by story from Project Gutenberg plaintext.

Project Gutenberg #54895 Public domain in the United States Cover source Local typographic cover created for MojiMori from public-domain source metadata

Section 1 of 7 Page 4 of 11

FARCICAL HISTORY OF RICHARD GREENOW

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Chapter 1 — FARCICAL HISTORY OF RICHARD GREENOW Central question How does Richard Greenow’s life become a farce of identity and ambition? Main argument The story treats Greenow’s social existence as comic...

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pages to his original manuscript during the night. He supposed he must have written them in his sleep. It was all very disquieting. The days passed by; every morning a fresh instalment was added to the rapidly growing bulk of _Heartsease Fitzroy_. It was as though some goblin, some Lob-lie-by-the-Fire, came each night to perform the appointed task, vanishing before the morning. In a little while Dick's alarm wore off; during the day he was perfectly well; his mind functioned with marvellous efficiency. It really didn't seem to matter what he did in his sleep provided he was all right in his waking hours. He almost forgot about _Heartsease_, and was only reminded of her existence when by chance he opened the drawer in which the steadily growing pile of manuscript reposed. In five weeks _Heartsease Fitzroy_ was finished. Dick made a parcel of the manuscript and sent it to a literary agent. He had no hopes of any publisher taking the thing; but he was in sore straits for money at the moment, and it seemed worth trying, on the off-chance. A fortnight later Dick received a letter beginning: "DEAR MADAM,--Permit me to hail in you a new authoress of real talent. _Heartsease Fitzroy_ is GREAT,"--and signed "EBOR W. SIMS, Editor, _Hildebrand's Home Weekly_." Details of the circulation of _Hildebrand's Home Weekly_ were printed at the head of the paper; its average net sale was said to exceed three and a quarter millions. The terms offered by Mr. Sims seemed to Dick positively fabulous. And there would be the royalties on the thing in book form after the serial had run its course. The letter arrived at breakfast; Dick cancelled all engagements for the day and set out immediately for a long and solitary walk. It was necessary to be alone, to think. He made his way along the Seven Bridges Road, up Cumnor Hill, through the village, and down the footpath to Bablock Hithe, thence to pursue the course of the "stripling Thames"--haunted at every step by the Scholar Gipsy, damn him! He drank beer and ate some bread and cheese in a little inn by a bridge, farther up the river; and it was there, in the inn parlour, surrounded by engravings of the late Queen, and breathing the slightly mouldy preserved air bottled some three centuries ago into that hermetically sealed chamber--it was there that he solved the problem, perceived the strange truth about himself. He was a hermaphrodite. A hermaphrodite, not in the gross obvious sense, of course, but spiritually. Two persons in one, male and female. Dr. Jekyll and Mr. Hyde: or rather a new William Sharp and Fiona MacLeod--a more intelligent William, a vulgarer Fiona. Everything was explained; the deplorable Quarles incident was simple and obvious now. A sentimental young lady of literary tastes writing sonnets to her Ouida guardsman. And what an unerring flair Mr. Sims had shown by addressing him so roundly and unhesitatingly as "madam"! Dick was elated at this discovery. He had an orderly mind that disliked mysteries. He had been a puzzle to himself for a long time; now he was solved. He was not in the least distressed to discover this abnormality in his character. As long as the two parts of him kept well apart, as long as his male self could understand mathematics, and as long as his lady novelist's self kept up her regular habit of writing at night and retiring from business during the day, the arrangement would be admirable. The more he thought about it, the more it seemed an ideal state of affairs. His life would arrange itself so easily and well. He would devote the day to the disinterested pursuit of knowledge, to philosophy and mathematics, with perhaps an occasional excursion into politics. After midnight he would write novels with a feminine pen, earning the money that would make his unproductive male labours possible. A kind of spiritual _souteneur_. But the fear of poverty need haunt him no more; no need to become a wage-slave, to sacrifice his intelligence to the needs of his belly. Like a gentleman of the East, he would sit still and smoke his philosophic pipe while the womenfolk did the dirty work. Could anything be more satisfactory? He paid for his bread and beer, and walked home, whistling as he went. III TWO months later the first instalment of _Heartsease Fitzroy: the Story of a Young Girl_, by Pearl Bellairs, appeared in the pages of _Hildebrand's Home Weekly_. Three and a quarter millions read and approved. When the story appeared in book form, two hundred thousand copies were sold in six weeks; and in the course of the next two years no less than sixteen thousand female infants in London alone were christened Heartsease. With her fourth novel and her two hundred and fiftieth Sunday paper article, Pearl Bellairs was well on her way to becoming a household word. Meanwhile Dick was in receipt of an income far beyond the wildest dreams of his avarice. He was able to realize the two great ambitions of his life--to wear silk underclothing and to smoke good (but really good) cigars. IV DICK went down from Canteloup in a blaze of glory. The most brilliant man of his generation, exceptional mind, prospects, career. But his head was not turned. When people congratulated him on his academic successes, he thanked them politely and then invited them to come and see his Memento Mori. His Memento Mori was called Mr. Glottenham and could be found at any hour of the day in the premises of the Union, or if it was evening, in the Senior Common Room at Canteloup. He was an old member of the College, and the dons in pity for his age and loneliness had made him, some years before, a member of their Common Room. This act of charity was as bitterly regretted as any generous impulse in the history of the world. Mr. Glottenham made the life of the Canteloup fellows a burden to them; he dined in Hall with fiendish regularity, never missing a night, and he was always the last to leave the Common Room. Mr. Glottenham did not prepossess at a first glance; the furrows of his face were covered with a short grey sordid stubble; his clothes were disgusting with the spilth of many years of dirty feeding; he had the shoulders and long hanging arms of an ape--an ape with a horribly human look about it. When he spoke, it was like the sound of a man breaking coke; he spoke incessantly and on every subject. His knowledge was enormous; but he possessed the secret of a strange inverted alchemy--he knew how to turn the richest gold to lead, could make the most interesting topic so intolerably tedious that it was impossible, when he talked, not to loathe it. This was the death's-head to which Dick, like an ancient philosopher at a banquet, would direct the attention of his heartiest congratulators. Mr. Glottenham had had the most dazzling academic career of his generation. His tutors had prophesied for him a future far more brilliant than that of any of his contemporaries. They were now Ministers of State, poets, philosophers, judges, millionaires. Mr. Glottenham frequented the Union and the Canteloup Senior Common Room, and was--well, he was just Mr. Glottenham. Which was why Dick did not think too highly of his own laurels. V "WHAT shall I do? what ought I to do?" Dick walked up and down the room smoking, furiously and without at all savouring its richness, one of his opulent cigars. "My dear," said Cravister--for it was in Cravister's high-ceilinged Bloomsbury room that Dick was thus unveiling his distress of spirit--"my dear, this isn't a revival meeting. You speak as though there were an urgent need for your soul to be saved from hell fire. It's not as bad as that, you know." "But it _is_ a revival meeting," Dick shouted in exasperation--"it is. I'm a revivalist. You don't know what it's like to have a feeling about your soul. I'm terrifyingly earnest; you don't seem to understand that. I have all the feelings of Bunyan without his religion. I regard the salvation of my soul as important. How simple everything would be if one could go out with those creatures in bonnets and sing hymns like, 'Hip, hip for the blood of the Lamb, hurrah!' or that exquisite one: "'The bells of Hell ring tingalingaling For you, but not for me. For me the angels singalingaling; They've got the goods for me.' Unhappily it's impossible." "Your ideas," said Cravister in his flutiest voice, "are somewhat Gothic. I think I can understand them, though of course I don't sympathize or approve. My advice to people in doubt about what course of action they ought to pursue is always the same: do what you want to." "Cravister, you're hopeless," said Dick, laughing. "I suppose I am rather Gothic, but I do feel that the question of ought as well as of want does arise." Dick had come to his old friend for advice about Life. What ought he to do? The indefatigable pen of Pearl Bellairs solved for him the financial problem. There remained only the moral problem: how could he best expend his energies and his time? Should he devote himself to knowing or doing, philosophy or politics? He felt in himself the desire to search for truth and the ability--who knows?--to find it. On the other hand, the horrors of the world about him seemed to call on him to put forth all his strength in an effort to ameliorate what was so patently and repulsively bad. Actually, what had to be decided was this: Should he devote himself to the researches necessary to carry out the plan, long ripening in his brain, of a new system of scientific philosophy; or should he devote his powers and Pearl Bellairs' money in propaganda that should put life into the English revolutionary movement? Great moral principles were in the balance. And Cravister's advice was, do what you want to! After a month of painful indecision, Dick, who was a real Englishman, arrived at a satisfactory compromise. He started work on his new Synthetic Philosophy, and at the same time joined the staff of the _Weekly International_, to which he contributed both money and articles. The weeks slipped pleasantly and profitably along. The secret of happiness lies in congenial work, and no one could have worked harder than Dick, unless it was the indefatigable Pearl Bellairs, whose nightly output of five thousand words sufficed to support not only Dick but the _Weekly International_ as well. These months were perhaps the happiest period of Dick's life. He had friends, money, liberty; he knew himself to be working well; and it was an extra, a supererogatory happiness that he began at this time to get on much better with his sister Millicent than he had ever done before. Millicent had come up to Oxford as a student at St. Mungo Hall in Dick's third year. She had grown into a very efficient and very intelligent young woman. A particularly handsome young woman as well. She was boyishly slender, and a natural grace kept on breaking through the somewhat rigid deportment, which she always tried to impose upon herself, in little beautiful gestures and movements that made the onlooker catch his breath with astonished pleasure. "Wincing she was as is a jolly colt, Straight as a mast and upright as a bolt:" Chaucer had as good an eye for youthful grace as for mormals and bristly nostrils and thick red jovial villainousness. Millicent lost no time in making her presence at St. Mungo's felt. Second- and third-year heroines might snort at the forwardness of a mere fresh-girl, might resent the complete absence of veneration for their glory exhibited by

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