Project Gutenberg #54895
Limbo
Aldous Huxley
1920Huxley's early story collection, prepared story by story from Project Gutenberg plaintext.
Project Gutenberg #54895 Public domain in the United States Cover source Local typographic cover created for MojiMori from public-domain source metadata
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AI Summary
Chapter 2 — HAPPILY EVER AFTER Central question What does the promise of domestic happiness really look like? Main argument The story takes the fairy-tale formula “happily ever after” and tests it against ordinary...
Marjorie appealingly.
"We've got twelve hours," said Guy in a meditative voice, "but that's
only clock-work time. You can give an hour the quality of
everlastingness, and spend years which are as though they had never
been. We get our immortality here and now; it's a question of quality,
not of quantity. I don't look forward to golden harps or anything of
that sort. I know that when I am dead, I shall be dead; there isn't
any afterwards. If I'm killed, my immortality will be in your memory.
Perhaps, too, somebody will read the things I've written, and in his
mind I shall survive, feebly and partially. But in your mind I shall
survive intact and whole."
"But I'm sure we shall go on living after death. It can't be the end."
Marjorie was conscious that she had heard those words before. Where?
Oh yes, it was earnest Evangeline who had spoken them at the school
debating society.
"I wouldn't count on it," Guy replied, with a little laugh. "You may
get such a disappointment when you die." Then in an altered voice, "I
don't want to die. I hate and fear death. But probably I shan't be
killed after all. All the same . . ." His voice faded out. They
stepped into a tunnel of impenetrable darkness between two tall
hornbeam hedges. He had become nothing but a voice, and now that had
ceased; he had disappeared. The voice began again, low, quick,
monotonous, a little breathless. "I remember once reading a poem by
one of the old Provençal troubadours, telling how God had once granted
him supreme happiness; for the night before he was to set out for the
Crusade, it had been granted him to hold his lady in his arms--all the
short eternal night through. Ains que j'aille oltre mer: when I was
going beyond sea." The voice stopped again. They were standing at the
very mouth of the hornbeam alley, looking out from that close-pent
river of shadow upon an ocean of pale moonlight.
"How still it is." They did not speak; they hardly breathed. They
became saturated with the quiet.
Marjorie broke the silence. "Do you want me as much as all that, Guy?"
All through that long, speechless minute she had been trying to say
the words, repeating them over to herself, longing to say them aloud,
but paralysed, unable to. And at last she had spoken them,
impersonally, as though through the mouth of someone else. She heard
them very distinctly, and was amazed at the matter-of-factness of the
tone.
Guy's answer took the form of a question. "Well, suppose I were killed
now," he said, "should I ever have really lived?"
They had stepped out of the cavernous alley into the moonlight. She
could see him clearly now, and there was something so drooping and
dejected and pathetic about him, he seemed so much of a great,
overgrown child that a wave of passionate pitifulness rushed through
her, reinforcing other emotions less maternal. She longed to take him
in her arms, stroke his hair, lullaby him, baby-fashion, to sleep upon
her breast. And Guy, on his side, desired nothing better than to give
his fatigues and sensibilities to her maternal care, to have his eyes
kissed fast, and sleep to her soothing. In his relations with
women--but his experience in this direction was deplorably small--he
had, unconsciously at first but afterwards with a realization of what
he was doing, played this child part. In moments of self-analysis he
laughed at himself for acting the "child stunt," as he called it. Here
he was--he hadn't noticed it yet--doing it again, drooping, dejected,
wholly pathetic, feeble . . .
Marjorie was carried away by her emotion. She would give herself to
her lover, would take possession of her helpless, pitiable child. She
put her arms round his neck, lifted her face to his kisses, whispered
something tender and inaudible.
Guy drew her towards him and began kissing the soft, warm mouth. He
touched the bare arm that encircled his neck; the flesh was resilient
under his fingers; he felt a desire to pinch it and tear it.
It had been just like this with that little slut Minnie. Just the
same--all horrible lust. He remembered a curious physiological fact
out of Havelock Ellis. He shuddered as though he had touched something
disgusting, and pushed her away.
"No, no, no. It's horrible; it's odious. Drunk with moonlight and
sentimentalizing about death. . . . Why not just say with Biblical
frankness, Lie with me--Lie with me?"
That this love, which was to have been so marvellous and new and
beautiful, should end libidinously and bestially like the affair,
never remembered without a shiver of shame, with Minnie (the vulgarity
of her!)--filled him with horror.
Marjorie burst into tears and ran away, wounded and trembling, into
the solitude of the hornbeam shadow. "Go away, go away," she sobbed,
with such intensity of command that Guy, moved by an immediate remorse
and the sight of tears to stop her and ask forgiveness, was
constrained to let her go her ways.
A cool, impersonal calm had succeeded almost immediately to his
outburst. Critically, he examined what he had done, and judged it, not
without a certain feeling of satisfaction, to be the greatest
"floater" of his life. But at least the thing was done and couldn't be
undone. He took the weak-willed man's delight in the irrevocability of
action. He walked up and down the lawn smoking a cigarette and
thinking, clearly and quietly--remembering the past, questioning the
future. When the cigarette was finished he went into the house.
He entered the smoking-room to hear Roger saying, ". . . It's the poor
who are having the good time now. Plenty to eat, plenty of money, and
no taxes to pay. No taxes--that's the sickening thing. Look at
Alfred's gardener, for instance. He gets twenty-five or thirty bob a
week and an uncommon good house. He's married, but only has one child.
A man like that is uncommonly well off. He ought to be paying
income-tax; he can perfectly well afford it."
Mr. Petherton was listening somnolently, Jacobsen with his usual keen,
intelligent politeness; George was playing with the blue Persian
kitten.
It had been arranged that George should stay the night, because it was
such a bore having to walk that mile and a bit home again in the dark.
Guy took him up to his room and sat down on the bed for a final
cigarette, while George was undressing. It was the hour of
confidence--that rather perilous moment when fatigue has relaxed the
fibres of the mind, making it ready and ripe for sentiment.
"It depresses me so much," said Guy, "to think that you're only twenty
and that I'm just on twenty-four. You will be young and sprightly when
the war ends; I shall be an old antique man."
"Not so old as all that," George answered, pulling off his shirt. His
skin was very white, face, neck, and hands seeming dark brown by
comparison; there was a sharply demarcated high-water mark of sunburn
at throat and wrist.
"It horrifies me to think of the time one is wasting in this bloody
war, growing stupider and grosser every day, achieving nothing at all.
It will be five, six--God knows how many--years cut clean out of one's
life. You'll have the world before you when it's all over, but I shall
have spent my best time."
"Of course, it doesn't make so much difference to me," said George
through a foam of tooth-brushing; "I'm not capable of doing anything
of any particular value. It's really all the same whether I lead a
blameless life broking stocks or spend my time getting killed. But for
you, I agree, it's too bloody. . . ."
Guy smoked on in silence, his mind filled with a languid resentment
against circumstance. George put on his pyjamas and crept under the
sheet; he had to curl himself up into a ball, because Guy was lying
across the end of the bed, and he couldn't put his feet down.
"I suppose," said Guy at last, meditatively--"I suppose the only
consolations are, after all, women and wine. I shall really have to
resort to them. Only women are mostly so fearfully boring and wine is
so expensive now."
"But not all women!" George, it was evident, was waiting to get a
confidence off his chest.
"I gather you've found the exceptions."
George poured forth. He had just spent six months at Chelsea--six
dreary months on the barrack square; but there had been lucid
intervals between the drills and the special courses, which he had
filled with many notable voyages of discovery among unknown worlds.
And chiefly, Columbus to his own soul, he had discovered all those
psychological intricacies and potentialities, which only the passions
bring to light. _Nosce teipsum_, it has been commanded; and a
judicious cultivation of the passions is one of the surest roads to
self-knowledge. To George, at barely twenty, it was all so amazingly
new and exciting, and Guy listened to the story of his adventures with
admiration and a touch of envy. He regretted the dismal and cloistered
chastity--broken only once, and how sordidly! Wouldn't he have learnt
much more, he wondered--have been a more real and better human being
if he had had George's experiences? He would have profited by them
more than George could ever hope to do. There was the risk of George's
getting involved in a mere foolish expense of spirit in a waste of
shame. He might not be sufficiently an individual to remain himself in
spite of his surroundings; his hand would be coloured by the dye he
worked in. Guy felt sure that he himself would have run no risk; he
would have come, seen, conquered, and returned intact and still
himself, but enriched by the spoils of a new knowledge. Had he been
wrong after all? Had life in the cloister of his own philosophy been
wholly unprofitable?
He looked at George. It was not surprising that the ladies favoured
him, glorious ephebus that he was.
"With a face and figure like mine," he reflected, "I shouldn't have
been able to lead his life, even if I'd wanted to." He laughed
inwardly.
"You really must meet her," George was saying enthusiastically.
Guy smiled. "No, I really mustn't. Let me give you a bit of perfectly
good advice. Never attempt to share your joys with anyone else. People
will sympathize with pain, but not with pleasure. Good night, George."
He bent over the pillow and kissed the smiling face that was as smooth
as a child's to his lips.
Guy lay awake for a long time, and his eyes were dry and aching before
sleep finally came upon him. He spent those dark interminable hours
thinking--thinking hard, intensely, painfully. No sooner had he left
George's room than a feeling of intense unhappiness took hold of him.
"Distorted with misery," that was how he described himself; he loved
to coin such phrases, for he felt the artist's need to express as well
as to feel and think. Distorted with misery, he went to bed; distorted
with misery, he lay and thought and thought. He had, positively, a
sense of physical distortion: his guts were twisted, he had a hunched
back, his legs were withered. . . .
He had the right to be miserable. He was going back to France
to-morrow, he had trampled on his mistress's love, and he was
beginning to doubt himself, to wonder whether his whole life hadn't
been one ludicrous folly.
He reviewed his life, like a man about to die. Born in another age, he
would, he supposed, have been religious. He had got over religion
early, like the measles--at nine a Low Churchman, at twelve a Broad
Churchman, and at fourteen an Agnostic--but he still retained the
temperament of